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Ways of Seeing

Based on the BBC Television Series

Author John Berger
Paperback
$18.00 US
Penguin Adult HC/TR | Penguin Books
5.09"W x 7.8"H x 0.55"D  
On sale Dec 01, 1990 | 176 Pages | 9780140135152
Grades 9-12 + AP/IB
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“The relation between what we see and what we know is never settled” -- so opens John Berger’s revolutionary million-copy bestseller on how to look at art

John Berger's Ways of Seeing is one of the most stimulating and the most influential books on art in any language. First published in 1972, it was based on the BBC television series about which the Sunday Times critic commented: "This is an eye-opener in more ways than one: by concentrating on how we look at paintings . . . he will almost certainly change the way you look at pictures." By now he has.
© Jean Mohr
John Berger was born in London in 1926. He is well known for his novels and stories as well as for his works of nonfiction, including several volumes of art criticism. His first novel, A Painter of Our Time, was published in 1958, and since then his books have included Ways of Seeing, the fiction trilogy Into Their Labours, and the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently and moved to a small village in the French Alps.  He died in 2017.  View titles by John Berger
"It’s a book about art history and the media, but it’s also a magic trick." -- The New Republic

"Berger fulfils the roles of a philosopher, listener, and somewhat of a magician as he makes tantalising worlds appear, and illusions vanish." -- Pratibha Rai, Oxford Culture Review

"Berger reveals a dreamworld that we all move through continuously, a visual bombardment designed to conjure deep feelings of inadequacy and desire, the long seduction by capitalism upon its hapless subjects." -- Olivia Laing author of The Garden Against Time

"The influence of the series and the book . . . was enormous . . . It opened up for general attention to areas of cultural study that are now commonplace." —Geoff Dyer

"...perhaps the most bold, clear, and widely renowned explanation of art’s entanglement with capitalism." -- The Paris Review

"Berger has the ability to cut right through the mystification of the professional art critics . . . He is a liberator of images: and once we have allowed the paintings to work on us directly, we are in a much better position to make a meaningful evaluation." —Peter Fuller, Arts Review

"Over the past sixty years, the great John Berger — art critic, essayist, screenwriter, novelist, poet, and artist — has made immeasurable contributions to our understanding of culture and politics, never more potently than in Ways of Seeing." -The Village Voice

On John Berger:

“In contemporary English letters he seems to me peerless.” -- Susan Sontag

“We learned from him to see that basic assumptions about everything—work, play, art, commerce—are hidden in the surrounding culture of images.” -- Jane Gaines

"One of the most influential intellectuals of our time" -- Observer (London)

About

“The relation between what we see and what we know is never settled” -- so opens John Berger’s revolutionary million-copy bestseller on how to look at art

John Berger's Ways of Seeing is one of the most stimulating and the most influential books on art in any language. First published in 1972, it was based on the BBC television series about which the Sunday Times critic commented: "This is an eye-opener in more ways than one: by concentrating on how we look at paintings . . . he will almost certainly change the way you look at pictures." By now he has.

Author

© Jean Mohr
John Berger was born in London in 1926. He is well known for his novels and stories as well as for his works of nonfiction, including several volumes of art criticism. His first novel, A Painter of Our Time, was published in 1958, and since then his books have included Ways of Seeing, the fiction trilogy Into Their Labours, and the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently and moved to a small village in the French Alps.  He died in 2017.  View titles by John Berger

Praise

"It’s a book about art history and the media, but it’s also a magic trick." -- The New Republic

"Berger fulfils the roles of a philosopher, listener, and somewhat of a magician as he makes tantalising worlds appear, and illusions vanish." -- Pratibha Rai, Oxford Culture Review

"Berger reveals a dreamworld that we all move through continuously, a visual bombardment designed to conjure deep feelings of inadequacy and desire, the long seduction by capitalism upon its hapless subjects." -- Olivia Laing author of The Garden Against Time

"The influence of the series and the book . . . was enormous . . . It opened up for general attention to areas of cultural study that are now commonplace." —Geoff Dyer

"...perhaps the most bold, clear, and widely renowned explanation of art’s entanglement with capitalism." -- The Paris Review

"Berger has the ability to cut right through the mystification of the professional art critics . . . He is a liberator of images: and once we have allowed the paintings to work on us directly, we are in a much better position to make a meaningful evaluation." —Peter Fuller, Arts Review

"Over the past sixty years, the great John Berger — art critic, essayist, screenwriter, novelist, poet, and artist — has made immeasurable contributions to our understanding of culture and politics, never more potently than in Ways of Seeing." -The Village Voice

On John Berger:

“In contemporary English letters he seems to me peerless.” -- Susan Sontag

“We learned from him to see that basic assumptions about everything—work, play, art, commerce—are hidden in the surrounding culture of images.” -- Jane Gaines

"One of the most influential intellectuals of our time" -- Observer (London)

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