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The Great Gatsby

And Stories from All the Sad Young Men

Author F. Scott Fitzgerald
Introduction by Min Jin Lee
Edited by Philip McGowan
Notes by Philip McGowan
Commentaries by Jennifer Buehler
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Paperback
$18.00 US
Penguin Adult HC/TR | Penguin Classics
5.03"W x 7.7"H x 0.55"D  
On sale Apr 08, 2025 | 320 Pages | 9780143138747
Grades 6-12 + AP/IB
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For the centennial of its publication, a new edition of one of the most iconic of American novels, including four of F. Scott Fitzgerald’s short stories about wealth and class from his collection All the Sad Young Men and an introduction by Min Jin Lee, the New York Times bestselling author of Pachinko

One of The Atlantic’s Great American Novels of the Past 100 Years

A Penguin Classic

Young, handsome, and fabulously rich, Jay Gatsby seems to have everything. But at his mansion east of New York City, where the party never seems to end, one thing will always be out of reach: the married Daisy Buchanan, whose house is visible from Gatsby’s just across the bay. A brilliant evocation of the Roaring Twenties and a satire of a postwar America obsessed with wealth and status, The Great Gatsby is a novel whose power remains undiminished after a century.

This centennial edition, based on scholarship dating back to the novel’s first publication in 1925, restores Fitzgerald’s masterpiece to the original American classic he envisioned, and includes an introduction addressing how gender, race, class, and sexuality complicate the pursuit of the American Dream; four beloved stories from Fitzgerald’s 1926 collection, All the Sad Young Men—“Winter Dreams,” “The Rich Boy,” “The Sensible Thing,” and “Absolution”; and suggestions of a wide variety of multimedia resources for exploring the novel’s themes.
F. Scott Fitzgerald was considered the quintessential author of the Jazz Age. Born in St. Paul, Minnesota, in 1896, Fitzgerald attended Princeton University, where he began to write seriously. After joining the U.S. Army in 1917, Fitzgerald met Zelda Sayre, whom he later married. In 1920, Fitzgerald's first novel, This Side of Paradise, transformed Fitzgerald overnight into a literary sensation. The Great Gatsby followed in 1925, although it was not as popular at the time as his second novel, The Beautiful and the Damned. Fitzgerald died in 1940 of a heart attack. He was forty-four years old. View titles by F. Scott Fitzgerald
“Virtuosic . . . Both imperfect and sublime . . . I’ve read and loved Gatsby for a very long time. . . . I’ve always loved it because it shows that Fitzgerald understood unfairness. . . . I cannot imagine a more persuasive and readable book about lost illusions, class, White Americans in the 1920s, and the perils and vanity of assimilation. . . . I turn to Gatsby because it gives me the sober wisdom to imagine and revise my own American dream, and for that, it has a lasting hold.” ―Min Jin Lee, from the Introduction

“One of the most quintessentially American novels ever written.” ―Time
 
“The American masterwork, the finest work of fiction by any of this country’s writers.” ―The Washington Post

“No novel has more thrillingly portrayed the corrupting obsessions of love and money. . . . The romantic myth of self-creation speaks deeply to readers. . . . The prose, sentence by gorgeous sentence, goes down like spun sugar.” —George Packer, The Atlantic, “The Great American Novels”

About

For the centennial of its publication, a new edition of one of the most iconic of American novels, including four of F. Scott Fitzgerald’s short stories about wealth and class from his collection All the Sad Young Men and an introduction by Min Jin Lee, the New York Times bestselling author of Pachinko

One of The Atlantic’s Great American Novels of the Past 100 Years

A Penguin Classic

Young, handsome, and fabulously rich, Jay Gatsby seems to have everything. But at his mansion east of New York City, where the party never seems to end, one thing will always be out of reach: the married Daisy Buchanan, whose house is visible from Gatsby’s just across the bay. A brilliant evocation of the Roaring Twenties and a satire of a postwar America obsessed with wealth and status, The Great Gatsby is a novel whose power remains undiminished after a century.

This centennial edition, based on scholarship dating back to the novel’s first publication in 1925, restores Fitzgerald’s masterpiece to the original American classic he envisioned, and includes an introduction addressing how gender, race, class, and sexuality complicate the pursuit of the American Dream; four beloved stories from Fitzgerald’s 1926 collection, All the Sad Young Men—“Winter Dreams,” “The Rich Boy,” “The Sensible Thing,” and “Absolution”; and suggestions of a wide variety of multimedia resources for exploring the novel’s themes.

Author

F. Scott Fitzgerald was considered the quintessential author of the Jazz Age. Born in St. Paul, Minnesota, in 1896, Fitzgerald attended Princeton University, where he began to write seriously. After joining the U.S. Army in 1917, Fitzgerald met Zelda Sayre, whom he later married. In 1920, Fitzgerald's first novel, This Side of Paradise, transformed Fitzgerald overnight into a literary sensation. The Great Gatsby followed in 1925, although it was not as popular at the time as his second novel, The Beautiful and the Damned. Fitzgerald died in 1940 of a heart attack. He was forty-four years old. View titles by F. Scott Fitzgerald

Praise

“Virtuosic . . . Both imperfect and sublime . . . I’ve read and loved Gatsby for a very long time. . . . I’ve always loved it because it shows that Fitzgerald understood unfairness. . . . I cannot imagine a more persuasive and readable book about lost illusions, class, White Americans in the 1920s, and the perils and vanity of assimilation. . . . I turn to Gatsby because it gives me the sober wisdom to imagine and revise my own American dream, and for that, it has a lasting hold.” ―Min Jin Lee, from the Introduction

“One of the most quintessentially American novels ever written.” ―Time
 
“The American masterwork, the finest work of fiction by any of this country’s writers.” ―The Washington Post

“No novel has more thrillingly portrayed the corrupting obsessions of love and money. . . . The romantic myth of self-creation speaks deeply to readers. . . . The prose, sentence by gorgeous sentence, goes down like spun sugar.” —George Packer, The Atlantic, “The Great American Novels”

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