A New York Times “Biggest New Books Coming Out in September” Selection
A New York Times Book Review Editors Choice Pick
A Guardian “50 Biggest Books of Autumn 2021” Selection
An Esquire “Best Books of Fall 2021” Selection
A Buzzfeed “Best Books Coming Out This Fall” Selection
A Bustle “Most Anticipated Books of September 2021” Selection
A LitHub “22 Novels You Need to Read This Fall” Selection
A Kirkus Reviews “16 Best Books to Read in September” Selection
A Root September “PageTurner”
“A remarkable new outing from a major voice in American letters.”
—Esquire
“A legendary African American novelist returns with her first novel in 22 years, an epic adventure of enchantment, enslavement, and the pursuit of knowledge in 17th-century Brazil . . . . Those familiar with Corregidora (1975) and Eva’s Man (1976) will not be surprised by the sustained intensity of both imagery and tone. There is also sheer wonder, insightful compassion, and droll wit to be found among the book’s riches. Jones seems to have come through a life as tumultuous as her heroine’s with her storytelling gifts not only intact, but enhanced and enriching.”
—Kirkus Reviews, Starred Review
“Jones makes a strong return with a mesmerizing epic of late seventeenth-century Brazil. . . . Jones’ storytelling exerts a powerful pull, and readers will achieve complete immersion in a setting in which African and Indigenous cultures are memorably delineated. Through richly woven prose, Almeyda’s journey compels reflection on how freedom must always be defended and how women bear extra societal burdens. Mystical sequences give the plot additional depth and texture. . . . [A] superb reclamation of the historical novel.”
—Booklist
“An epic and inventive saga . . . a triumphant return.”
—Publishers Weekly
“Now published, the book proves to be one of her most ambitious and, at times, extraordinary works of fiction. . . . By telling a story about the pursuit of freedom, Jones and Almeyda also create a place where Black freedom, if not realized, can at least be imagined, and thus remains a possibility.”
—The Nation
“Palmares is that rare thing, a life’s work . . . . Unlike anything else that will be published this year.”
—Wall Street Journal
“Sprawling, but intimate and dreamily intense in the telling.”
—Daily Mail (UK)
“Astonishingly rich in character and incident, filled with magic and mystery.”
—The Sunday Times (UK)
“Palmares reinvents 17th-century Black Brazil in all its multiplicity, beauty, humanity and chaos. A once-in-a-lifetime work of literature, the kind that changes your understanding of the world.”
—The Guardian
“With Palmares, Jones has built an intricate world, channeled voices from the dead, merged history and memory to create an epic neo-slave narrative. . . . a dazzling picture of love, survival and the monstrous creation of a nation. Jones’ life work is a gift and long love song to the memory of millions.”
—The Undefeated
“A quilt of many colors and textures, held together with patterns of incantatory language and vivid description.”
—Historical Novel Society
"In writing a novel called Palmares, Gayl Jones, recognized since the 1970s as one of America’s most important black writers, is breaking new literary ground and performing a laudable act of historical redemption."
—The New York Review of Books
“A literary giant, and one of my absolute favorite writers.“
—Tayari Jones, author of An American Marriage
“No novel about any black woman could ever be the same after this.”
—Toni Morrison, on reading the manuscript for Corregidora
“Gayl Jones’s work represents a watershed in American literature. From a literary standpoint, her form is impeccable; from a historical standpoint, she stands at the very cutting edge of understanding the modern world, and as a Black woman writer, her truth-telling, filled with beauty, tragedy, humor, and incisiveness, is unmatched. Jones is a writer’s writer, and her influence is found everywhere.”
—Imani Perry, author of Looking for Lorraine and Breathe
“Jones had a marked effect . . . on an entire generation of writers, whether they realized it or not.”
—Calvin Baker, The Atlantic
“Jones’s great achievement is to reckon with both history and interiority, and to collapse the boundary between them.”
—Anna Wiener, The New Yorker
“Gayl Jones has presented problems that are living, historical and important additions to the current American—not just black—scene. Her novels are genuinely imaginative creations.”
—Darryl Pinckney, The New Republic
“Gayl Jones conjures with deep intimacy and immediacy a brutal world that is centuries past but fully alive with spirit and mystery. Page after breathtaking page, her prose is intricate, mesmerizing, and endlessly inventive and subversive. Palmares is absolutely stunning!”
—Deesha Philyaw, author of The Secret Lives of Church Ladies
