The Portable Thoreau

Introduction by Jeffrey S. Cramer
An updated edition of Thoreau's most widely read works

Self-described as "a mystic, a transcendentalist, and a natural philosopher to boot," Henry David Thoreau dedicated his life to preserving his freedom as a man and as an artist. Nature was the fountainhead of his inspiration and his refuge from what he considered the follies of society. Heedless of his friends' advice to live in a more orthodox manner, he determinedly pursued his own inner bent-that of a poet-philosopher-in prose and verse. Edited by noted Thoreau scholar Jeffrey S. Cramer, this edition promises to be the new standard for those interested in discovering the great thinker's influential ideas about everything from environmentalism to limited government.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Henry David Thoreau was born on July 12, 1817, in Concord, Massachusetts. His father worked successively as a farmer, a grocer, and a manufacturer of pencils, and the family was frequently in difficult financial straits. After studying locally, Thoreau won admission to Harvard. When Ralph Waldo Emerson moved to Concord in 1835, Thoreau formed a close relationship with him (although the friendship would later give way to mutual criticism) and with others associated with the Transcendentalist group, including Margaret Fuller, Orestes Brownson, Bronson Alcott, Jones Very, and Theodore Parker. He worked in his father's pencil business while keeping the journals that would become his life's work, running to millions of words.

Thoreau took over the Concord Academy for several years, where he taught foreign languages and science, before closing the school in 1841. By now he was regularly publishing poems and essays in The Dial. For a time he worked in Emerson's household as a handyman, and in 1845 he built a cabin on some property of Emerson's at Walden Pond, staying for a little over two years: 'My purpose in going to Walden Pond was not to live cheaply nor to live dearly there, but to transact some private business with the fewest obstacles.' (During this time he maintained an active social life in Concord.) He spent a night in jail in 1846 as a protest against slavery, and later explained his motives in the essay 'Civil Disobedience' (1849). His first book, A Week on the Concord and Merrimack Rivers (1849), most of which had been written at Walden Pond, was based on a boat trip he took some years earlier with his brother. The book made little impact and sold only a few hundred copies.

Thoreau--who at this time was supporting himself as a surveyor--became increasingly involved in the Abolitionist movement and began to work for the Underground Railroad, sheltering escaped slaves en route to Canada.

Walden, on which he had been working ever since his residence at the pond, went through multiple revisions before he considered it ready for publication. This was intended as the fullest expression of his philosophy: 'Be a Columbus to whole new continents and worlds within you, opening new channels, not of trade, but of thought. Every man is the lord of a realm beside which the earthly empire of the Czar is but a petty state, a hummock left by the ice.' It was published in 1854 and proved unexpectedly successful.

Thoreau met John Brown in 1857, and following Brown's raid on Harper's Ferry delivered 'A Plea for Captain John Brown' in his defense: 'I know that the mass of my countrymen think that the only righteous use that can be made of Sharpe's rifles and revolvers is to fight duels with them, when we are insulted by other nations, or to hunt Indians, or shoot fugitive slaves with them, or the like. I think that for once the Sharpe's rifles and the revolvers were employed in a righteous cause.' For many years Thoreau had been at work on a projected study of American Indians, compiling thousands of pages of notes and extracts, and in 1861 he traveled to Minnesota, where he visited the Lower Sioux Agency at Redwood. By this time, however, he had contracted tuberculosis and it became clear that he would not live long; he died on May 6, 1862. His later travel writings, The Maine Woods (1864) and Cape Cod (1865), were published posthumously. View titles by Henry David Thoreau

How vain it is to sit down to write when you have not stood up to live! Methinks that the moment my legs begin to move, my thoughts begin to flow…
 
—THOREAU IN HIS JOURNAL, AUGUST 19, 18511
 
When Thoreau moved from Concord to New York in 1843, ostensibly to be the tutor for the children of Ralph Waldo Emerson’s brother, William, he was situating himself in the center of the American publishing world. Although for various reasons, including an overwhelming sense of homesickness, he returned to Concord and remained there for the rest of his life, it is clear that at this point Thoreau was determined to be a writer. Whatever else he may have been—social reformer, naturalist, surveyor, pencil-maker, teacher—his work, as he would write in his journal on October 18, 1856, “is writing, and I do not hesitate, though I know that no subject is too trivial for me, tried by ordinary standards.”2
 
Henry David Thoreau was born David Henry Thoreau on July 12, 1817, in Concord, and he died in Concord on May 6, 1862. During his forty-four years, or, more precisely, during the twenty-four years when he was actively writing, he wrote works that have become classics of American literature—Walden, a book on deliberate and purposeful living; “Civil Disobedience,” a treatise on a person’s rights and duties in relation to an unjust government; and “Walking,” a piece on man’s place in Nature—in addition to writing a two-million-word journal.
 
Thoreau’s success as a writer lies in the truth he utters. The questions he asks himself are the questions every individual, at his or her most attentive and sentient moments, asks. As he wrote, “These same questions that disturb and puzzle and confound us have in their turn occurred to all the wise men; not one has been omitted; and each has answered them, according to his ability, by his words and his life.”3 Because the answers change, however, not only from generation to generation but for each individual from year to year, his writings are works to which we return, texts constantly reflecting our own evolution.
 
“To read well, that is, to read true books in a true spirit,” Thoreau wrote in the “Reading” chapter of Walden, “is a noble exercise, and one that will task the reader more than any exercise which the customs of the day esteem. It requires a training such as the athletes underwent, the steady intention almost of the whole life to this object. Books must be read as deliberately and reservedly as they were written.”4 Reading in the way Thoreau meant, you will meet with a realization that many other readers will fail to achieve, which ultimately means that a good book must not only be written by a good writer but that it must be read by a good reader.
 
One way to be a good reader is to understand the nature of an essay. Wendell Berry defined it best in writing about Edward Abbey’s essay “Down the River with Henry Thoreau”: “It is an essay in the literal sense: a trial. Mr. Abbey tries himself against Thoreau and Thoreau against himself; he tries himself and Thoreau against the river; he tries himself and Thoreau and the river against modern times, and vice versa.”5 This is how a reader should approach any piece by Thoreau.
 
Thoreau gave more than seventy lectures between his first in 1838 and his last in 1860. Sometimes he found members of his audience reading the newspaper. He once overheard one person say to another, “What does he lecture for?”6 But some reviews of his talks indicated a man who could move his audience. A talk on “Economy” in 1848 caused The Salem Observer to write that his lecture was “interspersed observations, speculations, and suggestions upon dress, fashions, food, dwellings, furniture, &c., &c., sufficiently queer to keep the audience in almost constant mirth, and sufficiently wise and new to afford many good practical hints and precepts.”7 And The Eastern Argus Semi-Weekly of Portland, Maine, wrote the following year that his talk “was unique, original, comical, and high-falutin. It kept the audience wide awake, and pleasantly excited for nearly two hours.”8 A decade later, The Liberator wrote of Thoreau’s talk on John Brown that a “very large audience listened to this lecture, crowding the hall half an hour before the time of its commencement, and giving hearty applause to some of the most energetic expressions of the speaker.”9
 
Thoreau wrote in his journal on December 6, 1854: “After lecturing twice this winter I feel that I am in danger of cheapening myself by trying to become a successful lecturer, i.e., to interest my audiences. I am disappointed to find that most that I am and value myself for is lost, or worse than lost, on my audience.”10 The lyceum, however, served as a testing ground for much of his writing. Early versions of what would become essays or sections of his books were given as lectures, some multiple times in different locations with audiences of differing backgrounds. That much of his work was originally presented, at least in part, on the lecture circuit accounts for the directness with which Thoreau approached his readers. For Thoreau there was always an audience, not an imagined reader but a real man or woman sitting in the front row looking in his eyes and listening to his words. “I take it for granted, when I am invited to lecture anywhere…that there is a desire to hear what I think on some subject, though I may be the greatest fool in the country,” he wrote in “Life Without Principle,” resolving “that I will give them a strong dose of myself. They have sent for me, and engaged to pay for me, and I am determined that they shall have me, though I bore them beyond all precedent.”11
 
“I would rather write books than lectures,”12 Thoreau confessed in his journal. “How many a man has dated a new era in his life from the reading of a book,” Thoreau wrote in Walden, perhaps understanding at this point the type of work he was trying to present. “The book exists for us, perchance,” he went on to say, “which will explain our miracles and reveal new ones. The at present unutterable things we may find somewhere uttered.”13 With wisdom we also learn not to do desperate things such as his neighbors, living their “lives of quiet desperation,”14 were doing. It was important “so to love wisdom as to live according to its dictates, a life of simplicity, independence, magnanimity, and trust. It is to solve some of the problems of life, not only theoretically, but practically.”15 It was pivotal to Thoreau’s philosophy that action follow thought. “What I began by reading,” he wrote in 1841, “I must finish by acting.”16
 
Although Thoreau wrote that “the writer must to some extent inspire himself,”17 no discussion of Thoreau can ignore the influence of Emerson. Although some tend to downplay the influence of Emerson over the young Thoreau, it is impossible to think of Thoreau without hearing echoes of Emerson. This in no way diminishes Thoreau but adds to an understanding of him. Emerson himself knew that it was “easy to see that the debt is immense to past thought. None escapes it. The originals are not original. There is imitation, model and suggestion, to the very archangels, if we knew their history.”18
 
Emerson was one of the leading men of letters of his day and the center of the transcendental circle as well as a mentor and eventual friend to the younger author. That Emerson was an influence on Thoreau, and a strong one, was as it should be. That Thoreau could take that influence and adapt it without being overwhelmed by it was the key to his strength and individuality. He was a master at absorbing what had come before him and turning it uniquely into his own. Emerson wrote that a “great man” fills what he quotes “with his own voice and humor, and the whole cyclopaedia of his table-talk is presently believed to be his own.”19
 
Emerson, in 1837, presented his oration, “The American Scholar,” to Thoreau’s graduating class at Harvard. It is unclear whether Thoreau heard it at that time, but if he hadn’t, he would certainly have read it later in its pamphlet form at the Emerson home. In this highly charged essay, Emerson wrote of the unfulfilled potential of young Americans in these words:
 
Young men of the fairest promise, who begin life upon our shores, inflated by the mountain winds, shined upon by all the stars of God, find the earth below not in unison with these, but are hindered from action by the disgust which the principles on which business is managed inspire, and turn drudges, or die of disgust,—some of them suicides. What is the remedy? They did not yet see, and thousands of young men as hopeful now crowding to the barriers for the career do not yet see, that if the single man plant himself indomitably on his instincts, and there abide, the huge world will come round to him. Patience,—patience; with the shades of all the good and great for company; and for solace the perspective of your own infinite life; and for work the study and the communication of principles, the making those instincts prevalent, the conversion of the world. Is it not the chief disgrace in the world, not to be an unit;—not to be reckoned one character;—not to yield that peculiar fruit which each man was created to bear…. We will walk on our own feet; we will work with our own hands; we will speak our own minds.20
 
Imagine the power of those words on a young Thoreau, on anyone, who was searching, trying to find out who he was, what he was about; imagine the power of those words as a call to arms, a clarion call, or a call like the crowing of chanticleer waking his neighbors up.
 
When Emerson wrote in the same essay that “the ancient precept, ‘Know thyself,’ and the modern precept, ‘Study nature,’ become at last one maxim,”21 the idea was substantiated that understanding nature was parallel to understanding yourself; that through a close examination of the exterior life you could discern the interior life. Thoreau would be able to put this principle into practice, merging self-examination and the study of nature into one act.
 
A dozen years before Thoreau’s Walden experiment, Emerson asked in his journal, “But would it not be cowardly to flee out of society & live in the woods?”22 Thoreau’s move, however, was no escape but only a temporary repositioning to adjust his angle of vision. The place from which one makes an observation is critical, as when he noted that the seashore of Cape Cod formed “neutral ground, a most advantageous point from which to contemplate this world,”23 or when he wrote in 1852 that the “elevated position” afforded by climbing a mountain allowed him to “see an infinite variety far and near in their relation to each other, thus reduced to a single picture.”24
 
Walden Woods was not the place a Harvard graduate usually went to live. It had been home to former slaves, Irish immigrants working on the railroad, lurkers, alcoholics, and, in 1845, Henry David Thoreau. Unlike many of the others who resided in Walden Woods for whom it was less a matter of choice than necessity, Thoreau’s move to the woods “to live deliberately”25 was a matter of consideration, aspiration, and, ultimately, consequence.
 
Thoreau’s going to Walden Pond was in part a personal, although not necessarily a private, response to the challenges suggested to him by the utopian communities springing up in the early 1840s, and in particular the two with which some of his friends were closely associated: Fruitlands and Brook Farm. George Ripley, one of the founders of Brook Farm, explained that they were trying to prepare “a society of liberal, intelligent, and cultivated persons, whose relations with each other would permit a more simple and wholesome life, than can be led amidst the pressure of our competitive institutions…. If wisely executed, it will be a light over this country and this age.”26
 
Thoreau conducted the same experiments in living as these communities, but did so on a smaller scale and from a different direction. He was not trying to re-create society by reinventing how a community should work or by imposing a new constitution upon a self-created communal association, as Brook Farm had done. This was not the way society would be renewed. The failure of these and other similar efforts to fundamentally change the way people lived showed that Thoreau was correct in searching for another method to reform human culture.
 
At Walden Pond Thoreau could question the individual’s role and obligations, not only to society but to himself: how should he live, how should he interact with his neighbors, how should he obligate himself to the laws, not only of the society within which he lived, but to those laws that were higher than those of the land: moral or religious principles, or laws of conscience, that take precedence over the constitutions or statutes of society. These questions were paramount.
 
Thoreau wrote in his journal, and repeated in his first book, A Week on the Concord and Merrimack Rivers, that autobiography is preferable to biography: “If I am not I, who will be?”27 Or again, in his journal: “Is not the poet bound to write his own biography? Is there any other work for him but a good journal? We do not wish to know how his imaginary hero, but how he, the actual hero, lived from day to day.”28 It was the poet’s business, he wrote, to be “continually watching the moods of his mind, as the astronomer watches the aspects of the heavens. What might we not expect from a long life faithfully spent in this wise?…As travellers go around the world and report natural objects and phenomena, so faithfully let another stay at home and report the phenomena of his own life.”29
 

About

An updated edition of Thoreau's most widely read works

Self-described as "a mystic, a transcendentalist, and a natural philosopher to boot," Henry David Thoreau dedicated his life to preserving his freedom as a man and as an artist. Nature was the fountainhead of his inspiration and his refuge from what he considered the follies of society. Heedless of his friends' advice to live in a more orthodox manner, he determinedly pursued his own inner bent-that of a poet-philosopher-in prose and verse. Edited by noted Thoreau scholar Jeffrey S. Cramer, this edition promises to be the new standard for those interested in discovering the great thinker's influential ideas about everything from environmentalism to limited government.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Author


Henry David Thoreau was born on July 12, 1817, in Concord, Massachusetts. His father worked successively as a farmer, a grocer, and a manufacturer of pencils, and the family was frequently in difficult financial straits. After studying locally, Thoreau won admission to Harvard. When Ralph Waldo Emerson moved to Concord in 1835, Thoreau formed a close relationship with him (although the friendship would later give way to mutual criticism) and with others associated with the Transcendentalist group, including Margaret Fuller, Orestes Brownson, Bronson Alcott, Jones Very, and Theodore Parker. He worked in his father's pencil business while keeping the journals that would become his life's work, running to millions of words.

Thoreau took over the Concord Academy for several years, where he taught foreign languages and science, before closing the school in 1841. By now he was regularly publishing poems and essays in The Dial. For a time he worked in Emerson's household as a handyman, and in 1845 he built a cabin on some property of Emerson's at Walden Pond, staying for a little over two years: 'My purpose in going to Walden Pond was not to live cheaply nor to live dearly there, but to transact some private business with the fewest obstacles.' (During this time he maintained an active social life in Concord.) He spent a night in jail in 1846 as a protest against slavery, and later explained his motives in the essay 'Civil Disobedience' (1849). His first book, A Week on the Concord and Merrimack Rivers (1849), most of which had been written at Walden Pond, was based on a boat trip he took some years earlier with his brother. The book made little impact and sold only a few hundred copies.

Thoreau--who at this time was supporting himself as a surveyor--became increasingly involved in the Abolitionist movement and began to work for the Underground Railroad, sheltering escaped slaves en route to Canada.

Walden, on which he had been working ever since his residence at the pond, went through multiple revisions before he considered it ready for publication. This was intended as the fullest expression of his philosophy: 'Be a Columbus to whole new continents and worlds within you, opening new channels, not of trade, but of thought. Every man is the lord of a realm beside which the earthly empire of the Czar is but a petty state, a hummock left by the ice.' It was published in 1854 and proved unexpectedly successful.

Thoreau met John Brown in 1857, and following Brown's raid on Harper's Ferry delivered 'A Plea for Captain John Brown' in his defense: 'I know that the mass of my countrymen think that the only righteous use that can be made of Sharpe's rifles and revolvers is to fight duels with them, when we are insulted by other nations, or to hunt Indians, or shoot fugitive slaves with them, or the like. I think that for once the Sharpe's rifles and the revolvers were employed in a righteous cause.' For many years Thoreau had been at work on a projected study of American Indians, compiling thousands of pages of notes and extracts, and in 1861 he traveled to Minnesota, where he visited the Lower Sioux Agency at Redwood. By this time, however, he had contracted tuberculosis and it became clear that he would not live long; he died on May 6, 1862. His later travel writings, The Maine Woods (1864) and Cape Cod (1865), were published posthumously. View titles by Henry David Thoreau

Excerpt

How vain it is to sit down to write when you have not stood up to live! Methinks that the moment my legs begin to move, my thoughts begin to flow…
 
—THOREAU IN HIS JOURNAL, AUGUST 19, 18511
 
When Thoreau moved from Concord to New York in 1843, ostensibly to be the tutor for the children of Ralph Waldo Emerson’s brother, William, he was situating himself in the center of the American publishing world. Although for various reasons, including an overwhelming sense of homesickness, he returned to Concord and remained there for the rest of his life, it is clear that at this point Thoreau was determined to be a writer. Whatever else he may have been—social reformer, naturalist, surveyor, pencil-maker, teacher—his work, as he would write in his journal on October 18, 1856, “is writing, and I do not hesitate, though I know that no subject is too trivial for me, tried by ordinary standards.”2
 
Henry David Thoreau was born David Henry Thoreau on July 12, 1817, in Concord, and he died in Concord on May 6, 1862. During his forty-four years, or, more precisely, during the twenty-four years when he was actively writing, he wrote works that have become classics of American literature—Walden, a book on deliberate and purposeful living; “Civil Disobedience,” a treatise on a person’s rights and duties in relation to an unjust government; and “Walking,” a piece on man’s place in Nature—in addition to writing a two-million-word journal.
 
Thoreau’s success as a writer lies in the truth he utters. The questions he asks himself are the questions every individual, at his or her most attentive and sentient moments, asks. As he wrote, “These same questions that disturb and puzzle and confound us have in their turn occurred to all the wise men; not one has been omitted; and each has answered them, according to his ability, by his words and his life.”3 Because the answers change, however, not only from generation to generation but for each individual from year to year, his writings are works to which we return, texts constantly reflecting our own evolution.
 
“To read well, that is, to read true books in a true spirit,” Thoreau wrote in the “Reading” chapter of Walden, “is a noble exercise, and one that will task the reader more than any exercise which the customs of the day esteem. It requires a training such as the athletes underwent, the steady intention almost of the whole life to this object. Books must be read as deliberately and reservedly as they were written.”4 Reading in the way Thoreau meant, you will meet with a realization that many other readers will fail to achieve, which ultimately means that a good book must not only be written by a good writer but that it must be read by a good reader.
 
One way to be a good reader is to understand the nature of an essay. Wendell Berry defined it best in writing about Edward Abbey’s essay “Down the River with Henry Thoreau”: “It is an essay in the literal sense: a trial. Mr. Abbey tries himself against Thoreau and Thoreau against himself; he tries himself and Thoreau against the river; he tries himself and Thoreau and the river against modern times, and vice versa.”5 This is how a reader should approach any piece by Thoreau.
 
Thoreau gave more than seventy lectures between his first in 1838 and his last in 1860. Sometimes he found members of his audience reading the newspaper. He once overheard one person say to another, “What does he lecture for?”6 But some reviews of his talks indicated a man who could move his audience. A talk on “Economy” in 1848 caused The Salem Observer to write that his lecture was “interspersed observations, speculations, and suggestions upon dress, fashions, food, dwellings, furniture, &c., &c., sufficiently queer to keep the audience in almost constant mirth, and sufficiently wise and new to afford many good practical hints and precepts.”7 And The Eastern Argus Semi-Weekly of Portland, Maine, wrote the following year that his talk “was unique, original, comical, and high-falutin. It kept the audience wide awake, and pleasantly excited for nearly two hours.”8 A decade later, The Liberator wrote of Thoreau’s talk on John Brown that a “very large audience listened to this lecture, crowding the hall half an hour before the time of its commencement, and giving hearty applause to some of the most energetic expressions of the speaker.”9
 
Thoreau wrote in his journal on December 6, 1854: “After lecturing twice this winter I feel that I am in danger of cheapening myself by trying to become a successful lecturer, i.e., to interest my audiences. I am disappointed to find that most that I am and value myself for is lost, or worse than lost, on my audience.”10 The lyceum, however, served as a testing ground for much of his writing. Early versions of what would become essays or sections of his books were given as lectures, some multiple times in different locations with audiences of differing backgrounds. That much of his work was originally presented, at least in part, on the lecture circuit accounts for the directness with which Thoreau approached his readers. For Thoreau there was always an audience, not an imagined reader but a real man or woman sitting in the front row looking in his eyes and listening to his words. “I take it for granted, when I am invited to lecture anywhere…that there is a desire to hear what I think on some subject, though I may be the greatest fool in the country,” he wrote in “Life Without Principle,” resolving “that I will give them a strong dose of myself. They have sent for me, and engaged to pay for me, and I am determined that they shall have me, though I bore them beyond all precedent.”11
 
“I would rather write books than lectures,”12 Thoreau confessed in his journal. “How many a man has dated a new era in his life from the reading of a book,” Thoreau wrote in Walden, perhaps understanding at this point the type of work he was trying to present. “The book exists for us, perchance,” he went on to say, “which will explain our miracles and reveal new ones. The at present unutterable things we may find somewhere uttered.”13 With wisdom we also learn not to do desperate things such as his neighbors, living their “lives of quiet desperation,”14 were doing. It was important “so to love wisdom as to live according to its dictates, a life of simplicity, independence, magnanimity, and trust. It is to solve some of the problems of life, not only theoretically, but practically.”15 It was pivotal to Thoreau’s philosophy that action follow thought. “What I began by reading,” he wrote in 1841, “I must finish by acting.”16
 
Although Thoreau wrote that “the writer must to some extent inspire himself,”17 no discussion of Thoreau can ignore the influence of Emerson. Although some tend to downplay the influence of Emerson over the young Thoreau, it is impossible to think of Thoreau without hearing echoes of Emerson. This in no way diminishes Thoreau but adds to an understanding of him. Emerson himself knew that it was “easy to see that the debt is immense to past thought. None escapes it. The originals are not original. There is imitation, model and suggestion, to the very archangels, if we knew their history.”18
 
Emerson was one of the leading men of letters of his day and the center of the transcendental circle as well as a mentor and eventual friend to the younger author. That Emerson was an influence on Thoreau, and a strong one, was as it should be. That Thoreau could take that influence and adapt it without being overwhelmed by it was the key to his strength and individuality. He was a master at absorbing what had come before him and turning it uniquely into his own. Emerson wrote that a “great man” fills what he quotes “with his own voice and humor, and the whole cyclopaedia of his table-talk is presently believed to be his own.”19
 
Emerson, in 1837, presented his oration, “The American Scholar,” to Thoreau’s graduating class at Harvard. It is unclear whether Thoreau heard it at that time, but if he hadn’t, he would certainly have read it later in its pamphlet form at the Emerson home. In this highly charged essay, Emerson wrote of the unfulfilled potential of young Americans in these words:
 
Young men of the fairest promise, who begin life upon our shores, inflated by the mountain winds, shined upon by all the stars of God, find the earth below not in unison with these, but are hindered from action by the disgust which the principles on which business is managed inspire, and turn drudges, or die of disgust,—some of them suicides. What is the remedy? They did not yet see, and thousands of young men as hopeful now crowding to the barriers for the career do not yet see, that if the single man plant himself indomitably on his instincts, and there abide, the huge world will come round to him. Patience,—patience; with the shades of all the good and great for company; and for solace the perspective of your own infinite life; and for work the study and the communication of principles, the making those instincts prevalent, the conversion of the world. Is it not the chief disgrace in the world, not to be an unit;—not to be reckoned one character;—not to yield that peculiar fruit which each man was created to bear…. We will walk on our own feet; we will work with our own hands; we will speak our own minds.20
 
Imagine the power of those words on a young Thoreau, on anyone, who was searching, trying to find out who he was, what he was about; imagine the power of those words as a call to arms, a clarion call, or a call like the crowing of chanticleer waking his neighbors up.
 
When Emerson wrote in the same essay that “the ancient precept, ‘Know thyself,’ and the modern precept, ‘Study nature,’ become at last one maxim,”21 the idea was substantiated that understanding nature was parallel to understanding yourself; that through a close examination of the exterior life you could discern the interior life. Thoreau would be able to put this principle into practice, merging self-examination and the study of nature into one act.
 
A dozen years before Thoreau’s Walden experiment, Emerson asked in his journal, “But would it not be cowardly to flee out of society & live in the woods?”22 Thoreau’s move, however, was no escape but only a temporary repositioning to adjust his angle of vision. The place from which one makes an observation is critical, as when he noted that the seashore of Cape Cod formed “neutral ground, a most advantageous point from which to contemplate this world,”23 or when he wrote in 1852 that the “elevated position” afforded by climbing a mountain allowed him to “see an infinite variety far and near in their relation to each other, thus reduced to a single picture.”24
 
Walden Woods was not the place a Harvard graduate usually went to live. It had been home to former slaves, Irish immigrants working on the railroad, lurkers, alcoholics, and, in 1845, Henry David Thoreau. Unlike many of the others who resided in Walden Woods for whom it was less a matter of choice than necessity, Thoreau’s move to the woods “to live deliberately”25 was a matter of consideration, aspiration, and, ultimately, consequence.
 
Thoreau’s going to Walden Pond was in part a personal, although not necessarily a private, response to the challenges suggested to him by the utopian communities springing up in the early 1840s, and in particular the two with which some of his friends were closely associated: Fruitlands and Brook Farm. George Ripley, one of the founders of Brook Farm, explained that they were trying to prepare “a society of liberal, intelligent, and cultivated persons, whose relations with each other would permit a more simple and wholesome life, than can be led amidst the pressure of our competitive institutions…. If wisely executed, it will be a light over this country and this age.”26
 
Thoreau conducted the same experiments in living as these communities, but did so on a smaller scale and from a different direction. He was not trying to re-create society by reinventing how a community should work or by imposing a new constitution upon a self-created communal association, as Brook Farm had done. This was not the way society would be renewed. The failure of these and other similar efforts to fundamentally change the way people lived showed that Thoreau was correct in searching for another method to reform human culture.
 
At Walden Pond Thoreau could question the individual’s role and obligations, not only to society but to himself: how should he live, how should he interact with his neighbors, how should he obligate himself to the laws, not only of the society within which he lived, but to those laws that were higher than those of the land: moral or religious principles, or laws of conscience, that take precedence over the constitutions or statutes of society. These questions were paramount.
 
Thoreau wrote in his journal, and repeated in his first book, A Week on the Concord and Merrimack Rivers, that autobiography is preferable to biography: “If I am not I, who will be?”27 Or again, in his journal: “Is not the poet bound to write his own biography? Is there any other work for him but a good journal? We do not wish to know how his imaginary hero, but how he, the actual hero, lived from day to day.”28 It was the poet’s business, he wrote, to be “continually watching the moods of his mind, as the astronomer watches the aspects of the heavens. What might we not expect from a long life faithfully spent in this wise?…As travellers go around the world and report natural objects and phenomena, so faithfully let another stay at home and report the phenomena of his own life.”29
 

Books for LGBTQIA+ Pride Month

In June we celebrate Pride Month, which honors the 1969 Stonewall riots in Manhattan and highlights the accomplishments of those in the Lesbian, Gay, Bisexual, Transgender, Queer, Intersex, and Asexual + (LGBTQIA+) community, while recognizing the ongoing struggles faced by many across the world who wish to live as their most authentic selves. Here is

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PRH Education High School Collections

All reading communities should contain protected time for the sake of reading. Independent reading practices emphasize the process of making meaning through reading, not an end product. The school culture (teachers, administration, etc.) should affirm this daily practice time as inherently important instructional time for all readers. (NCTE, 2019)   The Penguin Random House High

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PRH Education Translanguaging Collections

Translanguaging is a communicative practice of bilinguals and multilinguals, that is, it is a practice whereby bilinguals and multilinguals use their entire linguistic repertoire to communicate and make meaning (García, 2009; García, Ibarra Johnson, & Seltzer, 2017)   It is through that lens that we have partnered with teacher educators and bilingual education experts, Drs.

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PRH Education Classroom Libraries

“Books are a students’ passport to entering and actively participating in a global society with the empathy, compassion, and knowledge it takes to become the problem solvers the world needs.” –Laura Robb   Research shows that reading and literacy directly impacts students’ academic success and personal growth. To help promote the importance of daily independent

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