No Country for Eight-Spot Butterflies

A Lyric Essay

Introduction by Arundhati Roy
A Michelle Obama Reach Higher Fall 2022 reading list pick

A Library Journal "BEST BOOK OF 2022"

"Aguon’s book is for everyone, but he challenges history by placing indigenous consciousness at the center of his project . . . the most tender polemic I’ve ever read."
—Lenika Cruz, The Atlantic

"It's clear [Aguon] poured his whole heart into this slim book . . . [his] sense of hope, fierce determination, and love for his people and culture permeates every page."
—Laura Sackton, BookRiot


Part memoir, part manifesto, Chamorro climate activist Julian Aguon’s No Country for Eight-Spot Butterflies is a collection of essays on resistance, resilience, and collective power in the age of climate disaster; and a call for justice—for everyone, but in particular, for Indigenous peoples.

In bracing poetry and compelling prose, Aguon weaves together stories from his childhood in the villages of Guam with searing political commentary about matters ranging from nuclear weapons to global warming. Undertaking the work of bearing witness, wrestling with the most pressing questions of the modern day, and reckoning with the challenge of truth-telling in an era of rampant obfuscation, he culls from his own life experiences—from losing his father to pancreatic cancer to working for Mother Teresa to an edifying chance encounter with Sherman Alexie—to illuminate a collective path out of the darkness.

A powerful, bold, new voice writing at the intersection of Indigenous rights and environmental justice, Julian Aguon is entrenched in the struggles of the people of the Pacific to liberate themselves from colonial rule, defend their sacred sites, and obtain justice for generations of harm. In No Country for Eight-Spot Butterflies, Aguon shares his wisdom and reflections on love, grief, joy, and triumph and extends an offer to join him in a hard-earned hope for a better world.
Julian Aguon is a Chamorro human rights lawyer and defender from Guam. He is the founder of Blue Ocean Law, a progressive firm that works at the intersection of Indigenous rights and environmental justice; and serves on the council of Progressive International—a global collective with the mission of mobilizing progressive forces around the world behind a shared vision of social justice. He lives in the village of Yona. Visit julianaguon.com.
View titles by Julian Aguon
Introduction by Arundhati Roy 

The Properties of Perpetual Light 
Go with the Moon 
No Country for Eight-Spot Butterflies 
My Mother’s Bamboo Bracelets: A Handful of Lessons on Saving the World 
A Handful of Lessons on Saving the World 
Sherman Alexie Looked Me Dead in the Eye Once 
More Right 
Birthday Cakes Mean Birthdays 
Yugu Means Yoke 
A Crowbar and a Conch Shell 
The Gift Anne Gave Me 
Nirmal Hriday 
Mugo' 
The Ocean Within 
We Have No Need for Scientists | 59 We Reach for You 
Reflections While Driving 
Nikki and Me 
Onion and Garlic 
Fighting Words 
Yeye Tere 
Our Father 
Gaosåli 

Curved Sticks and Cowry Shells: A Conversation between Julian Aguon & Desiree Taimanglo-Ventura 

Afterword
No Country for Eight-Spot Butterflies

IN GUAM, even the dead are dying.

As I write this, the US Department of Defense is ramping up the militarization of my homeland—part of its $8 billion scheme to relocate roughly 5,000 Marines from Okinawa to Guam. In fact, ground has already been broken along the island’s beautiful northern coastline for a massive firing range complex. The complex—consisting of five live-fire training ranges and support facilities—is being built
dangerously close to the island’s primary source of drinking water, the Northern Guam Lens Aquifer. Moreover, the complex is situated over several historically and culturally significant sites, including the remnants of ancient villages several thousands of years old, where our ancestors’ remains remain.

The construction of these firing ranges will entail the destruction of more than 1,000 acres of native limestone forest. These forests are unbearably beautiful, took millennia to evolve, and today function as essential habitat for several endangered endemic species, including a fruit bat, a flightless rail, and three species of tree snails—not to mention a swiftlet, a starling, and a slender-toed gecko. The largest of the five ranges, a 59-acre multipurpose machine-gun range, will be built a mere 100 feet from the last remaining reproductive håyon lågu tree in Guam.

If only superpowers were concerned with the stuff of lowercase earth—like forests and fresh water. If only they were curious about the whisper and scurry of small lives. If only they were moved by beauty.

If only.

But the militarization of Guam is nothing if not proof that they are not so moved. In fact, the military buildup now underway is happening over the objections of thousands of the island’s residents. Many of these protestors, including myself, are Indigenous Chamorros whose ancestors endured five centuries of colonization and who see this most recent wave of unilateral action by the United States simply as the latest course in a long and steady diet of dispossession.

When the US Navy first released its highly technical (and 11,000-page-long) Draft Environmental Impact Statement in November 2009, the people of Guam submitted over 10,000 comments outlining our concerns, many of us strenuously opposed to the military’s plans. We produced simplified educational materials on the anticipated adverse impacts of those plans, and provided community trainings on them. We took hundreds of people hiking through the jungles specifically slated for destruction. We took several others swimming in the harbor where the military proposed dredging some 40 acres of coral reef for the berthing of a nuclear-powered aircraft carrier. We testified so many times and in so many ways, in the streets and in the offices of elected officials. We
even filed a lawsuit under the National Environmental Pol-icy Act, effectively forcing the navy to conduct further environmental impact assessments, thus pushing the buildup back a few years.

But delay was all we won and the bulldozers are back witha vengeance.

A $78 million contract for the live-fire training range complex has been awarded to Black Construction, which has already begun clearing 89 acres of primary limestone forest and 110 acres of secondary limestone forest. It’s bitterly ironic that so many of these machines bear the name “Caterpillar” when the very thing they are destroying is that precious creature’s preciously singular habitat. To be sure, such forests house the host plants for the endemic Mariana eight-spot butterfly. But then again maybe a country that routinely prefers power over strength, and living over letting live, is no country for eight-spot butterflies.

While this wave of militarization should elicit our every outrage, indignation is not nearly enough to build a bridge.To anywhere. It’s useful, yes. But we need to get a hell of alot more serious about articulating alternatives if we hope to withstand the forces of predatory global capitalism and ultimately replace its ethos of extraction with one of ourown. In the case of my own people, an ethos of reciprocity.

And nowhere is that ethos more alive than in those very same forests—for it is there that our yo’åmte, or healers, are perpetuating our culture, in particular our traditional healing practices. It is there on the forest floor and in the crevices of the limestone rock that many of the plants needed to make our medicine grow. It is there that our medicine women gather the plants their mothers, and their mothers’ mothers, gathered before them.

These plants, combined with others harvested from elsewhere on the island, treat everything from anxiety to arthritis. As someone who suffers from regular bouts of bronchitis, I can attest to the fact that the medicine Auntie Frances Arriola Cabrera Meno makes to treat respiratory problems has proven more effective in my case than any medicine of the modern world. Yet Auntie Frances, like so many other yo’åmte I know, takes no credit for the cure. As she tells it, to do so would be hubris, as so many others are involved in the healing process: the plants themselves, with whom she con-verses in a secret language; her mother, who taught her how to identify which plants have which properties and also how and when to pick them; and the ancestors, who give her permission to enter the jungle and who, on occasion, favor her, allowing her to find everything she needs and more.

More than this, she tells me that I too am part of that process—that people like me, who seek out her services, give her life meaning. That she wouldn’t know what to do with herself if she wasn’t making medicine. That the life of a healer was always hers to have because she was born breech under anew moon and thus had the hands for healing.

But such things are inevitably lost in translation. And no military on earth is sensitive enough to perceive something as soft as the whisper of another worldview.

Earlier this month, I received an invitation to serve on the Global Advisory Council for Progressive International—a new and exciting global initiative to mobilize people around the world behind a shared vision of social justice.

So of course I said yes.

Truth be told, I know little by way of details—what kind of time commitment are we talking about? how will we work as a group? who else said yes?—but I am ready anyway. Ready to build a global justice movement that is anchored, at least in part, in the intellectual contributions of Indigenous peoples. Peoples who have a unique capacity to resist despair through connection to collective memory and who just might be our best hope to build a new world rooted in reciprocity and mutual respect—for the earth and for each other. The world we need. The world of our dreams.

The same world who, on a quiet day in September, bent down low and breathed in the ear of Arundhati Roy.

She is still on her way.
A Library Journal "BEST BOOK OF 2022"

A Michelle Obama Reach Higher Fall 2022 reading list pick


"Julian Aguon is an astounding writer . . . No Country for Eight-Spot Butterflies is a fierce yet tender lyric essay, one that demands our attention at every page . . . He is a remarkable human being, and his book could not have come at a better time. The world needs this kind of story right now. Julian’s words, his resistance and resilience give us hope. This book is a gift."
Sasha LaPointe, Publishers Weekly

"If there’s one book of the year for me, it’s Julian Aguon’s No Country for Eight-Spot Butterflies . . . [Aguon] reminds us of the importance of remarking beauty, storytelling and awareness as medicine. This book will expand your imagination and nourishes the soul of the world."
—Joseph Han, The Millions

“Aguon is a skilled and heartfelt writer, and his book will most likely be inspiring to readers who share his political analysis and seek out the personal stories hidden by geo-political conflicts.” 
Adrienne Ross Scanlan, New York Journal of Books

"No Country for Eight-Spot Butterflies . . . inspires activism and celebrates beauty worth preserving . . . [A] varied and heartfelt collection. The author's deep love for Guam's people and nature shines through."
—Rebecca Foster, Shelf Awareness

"[No Country for Eight-Spot Butterflies is] a moving, invigorating and deeply personal call to action from a man who has been working to combat some of the most important issues facing our world today; a deeply profound collection."
Evan Rosen, Brooklyn Daily Eagle

"It's clear [Aguon] poured his whole heart into this slim book . . . [his] sense of hope, fierce determination, and love for his people and culture permeates every page."
—Laura Sackton, BookRiot

"Skillfully balancing his individual struggles while stressing the importance of community, No Country for Eight-Spot Butterflies is a call for justice and protection for the environment, one that encourages both outrage and hope."
Alejandra Gularte, Vulture

"Aguon's clear thinking and bright language illustrate the urgency of fighting global climate injustice . . . [His] clarity of focus and radical empathy are desperately necessary for imagining another world."
Diego Báez, Booklist

"It is hard to pin down this book. It is political, in the sense that 'the personal is political,' but it is not a political history of the colonization of Guam by the United States. It is philosophical, but not dense, nor full of moral arguments . . . Perhaps it is easier, then, to call this book a gift: a gift to Indigenous communities everywhere in the world."
—Sarah Souli, Teen Vogue

“Aguon’s writing is not prescriptive, so much as it is a call to action to reimagine, to reclaim language . . . if colonization fails the imagination, and it kills dreams and self-realization, then self-determination is the cure and Aguon inspires a future of connection and liberatory possibilities.”
—Jason Wu, Truthout

"Moving and impassioned . . . This collection of essays, personal stories, speeches, and prose shines a light on the struggles of Guam, nuclear warfare, and global warming . . . While there are serious themes in this book, there is also plenty of hope. This short read packs a great deal of heart and promise for readers. Aguon has written both an informational and philosophical book that will please readers interested in environmental and political issues."
—Anna Kallemeyn, Library Journal

"[An] incandescent debut . . .  In eloquent maxims that call forth comparisons to Thoreau, Aguon pits lofty ideals against a backdrop of racism, brutality, and habitat destruction, but optimism prevails . . . This is bound to inspire any activist."
—Publisher's Weekly, Starred Review

"A slender but meaningful call for justice."
—Kirkus Reviews

"Aguon’s book is for everyone, but he challenges history by placing indigenous consciousness at the center of his project . . . The result is the most tender polemic I’ve ever read."
—Lenika Cruz, The Atlantic

"Julian Aguon connects the global struggles for justice with the local precision and anecdotes of Guam and Oceania. The result is this deeply felt book: Aguon writes so you understand the arguments for change with your mind and feel the urgency in your heart."
—José Olivarez, author of Citizen Illegal

"No Country for Eight-Spot Butterflies is a masterpiece, a literary talisman shaped by mad beauty and grief, evoking the magic of presence and poetry, warding off cynicism and injustice. I keep it close. You will too."
—V (formerly Eve Ensler), author of The Vagina Monologues and The Apology

“A powerful, beautiful book. Its fierce love—of the land, the ocean, the elders, and the ancestors—warms the heart and moves the spirit.”
—Alice Walker, author of Taking the Arrow Out of the Heart

“Powerful with love, and tender about what it needs to be tender about, and direct, even fierce where it means to tell us what we need to be thinking about what we’ve been doing to this world, to Aguon’s people, and to Indigenous people everywhere, to the land and to all its beings . . . as the dying eight-spot butterfly he writes about, strong and luminous as a needed beacon in a fog of disinformation and dismay, Julian Aguon with this small book emerges already a giant.”
—Tommy Orange, author of There There

“I did not know I needed this book until it had me in its embrace like the oldest and dearest of friends, from the very first page . . . With bottomless love for his people and place, Aguon guides us through a portal to the Pacific, sharing deep insights earned from life on the existential knife’s edge.”
—Naomi Klein, author of How to Change Everything: The Young Human’s Guide to Protecting the Planet and Each Other

“Inspired spiritual and practical wisdom from a Guam lawyer/poet/seer that transmits ways of knowing, feeling, and acting, which speak directly to the mind and heart of everyone on the planet. If reading this short book doesn’t change your life, nothing will.”
—Richard Falk, author of Public Intellectual: The Life of a Citizen Pilgrim

“A breathtaking book and I mean it—this book took my breath away . . . alive with passion, wisdom, and heart, you can almost feel its pulse. A call not only for justice but for a brand-new covenant with our world.”
—Junot Díaz, author of The Brief Wondrous Life of Oscar Wao, winner of the Pulitzer Prize for Fiction

“Aguon’s pen is a spear. He has the unerring ability to pierce the heart of any matter he writes about, from colonialism to climate change, and he writes in a way that both exposes horrors and expresses love to the young.”
—Noenoe K. Silva, author of Aloha Betrayed

“This book is a gift—full of beauty, truth telling, and love. This book will enlighten and inspire anyone interested in understanding and doing something about colonialism, capitalism, racism, militarism, war, and violence of all kinds. As importantly, this book will move you emotionally. It will move you to change how you live your life. It will move you to help change the world for the better.”
—David Vine, author of Base Nation and The United States of War

“Aguon is one of Oceania’s most important thinkers who uses his ability to see through complicated systems to fight for our islands and peoples. With razor-sharp analysis and a ton of heart, he both defends and calls forth our communities. I will regularly return to this book for inspiration—to remind me why I do my own work.”
—Kathy Jetnil-Kijiner, author of Iep Jaltok: Poems from a Marshallese Daughter

“Aguon’s work transcends all boundaries and centers Indigenous relationships to people and place. Whether drawing on his legal or poetic skills, Aguon reckons with the rage and violence of colonialism while gently unfolding a new vision for justice and healing.”
—Holly Barker, author of Bravo for the Marshallese

“Aguon gifts us, in shrunken times, the indigenous version of the all-encompassing vision that Aristotle and his disciple Aquinas bequeathed humanity: truth equals beauty equals goodness.”
—Maivân Lâm, author of At the Edge of the State

“What an incredible gift. This book is a powerful spiritual remix, a multi-scalar tapestry of love, kinship, resistance, and creative survival from Oceania. His tribute to our late elder sister, Teresia, brought tears of grief and joy. Ko bati n rabwa Julian,
‘we will live . . . on our own terms.’”
—Katerina Martina Teaiwa, author of Consuming Ocean Island

“A celebration of Indigenous hope and survival amid the destructive and desecrating forces of militarism, capitalism, and climate change, and a provocation for collective action for just and sustainable futures in the Marianas—a must read for anyone interested in the beauty of Indigenous worlds and struggles for liberation!”
—Christine Taitano DeLisle, author of Placental Politics

“Reading this collection reminds me of being immersed in our ocean. The sunlight that illuminates the water cannot be held, and yet to behold the ways rays and sea dance together opens the soul . . . Aguon is one of Oceania’s most brilliant advocates and expansive voices—a voice that urgently needs to be heard.”
—Noelani Goodyear-Ka‘ōpua, author of The Seeds We Planted

“A devastatingly gentle song of resistance.”
—Jonathan K. K. Osorio, author of Dismembering Lāhui

“Aguon tells the Chamorro story by merging a profound love for our indigenous people and culture with his potent intellect and creative genius.”
—Anne Perez Hattori, author of Colonial Dis-Ease

About

A Michelle Obama Reach Higher Fall 2022 reading list pick

A Library Journal "BEST BOOK OF 2022"

"Aguon’s book is for everyone, but he challenges history by placing indigenous consciousness at the center of his project . . . the most tender polemic I’ve ever read."
—Lenika Cruz, The Atlantic

"It's clear [Aguon] poured his whole heart into this slim book . . . [his] sense of hope, fierce determination, and love for his people and culture permeates every page."
—Laura Sackton, BookRiot


Part memoir, part manifesto, Chamorro climate activist Julian Aguon’s No Country for Eight-Spot Butterflies is a collection of essays on resistance, resilience, and collective power in the age of climate disaster; and a call for justice—for everyone, but in particular, for Indigenous peoples.

In bracing poetry and compelling prose, Aguon weaves together stories from his childhood in the villages of Guam with searing political commentary about matters ranging from nuclear weapons to global warming. Undertaking the work of bearing witness, wrestling with the most pressing questions of the modern day, and reckoning with the challenge of truth-telling in an era of rampant obfuscation, he culls from his own life experiences—from losing his father to pancreatic cancer to working for Mother Teresa to an edifying chance encounter with Sherman Alexie—to illuminate a collective path out of the darkness.

A powerful, bold, new voice writing at the intersection of Indigenous rights and environmental justice, Julian Aguon is entrenched in the struggles of the people of the Pacific to liberate themselves from colonial rule, defend their sacred sites, and obtain justice for generations of harm. In No Country for Eight-Spot Butterflies, Aguon shares his wisdom and reflections on love, grief, joy, and triumph and extends an offer to join him in a hard-earned hope for a better world.

Author

Julian Aguon is a Chamorro human rights lawyer and defender from Guam. He is the founder of Blue Ocean Law, a progressive firm that works at the intersection of Indigenous rights and environmental justice; and serves on the council of Progressive International—a global collective with the mission of mobilizing progressive forces around the world behind a shared vision of social justice. He lives in the village of Yona. Visit julianaguon.com.
View titles by Julian Aguon

Table of Contents

Introduction by Arundhati Roy 

The Properties of Perpetual Light 
Go with the Moon 
No Country for Eight-Spot Butterflies 
My Mother’s Bamboo Bracelets: A Handful of Lessons on Saving the World 
A Handful of Lessons on Saving the World 
Sherman Alexie Looked Me Dead in the Eye Once 
More Right 
Birthday Cakes Mean Birthdays 
Yugu Means Yoke 
A Crowbar and a Conch Shell 
The Gift Anne Gave Me 
Nirmal Hriday 
Mugo' 
The Ocean Within 
We Have No Need for Scientists | 59 We Reach for You 
Reflections While Driving 
Nikki and Me 
Onion and Garlic 
Fighting Words 
Yeye Tere 
Our Father 
Gaosåli 

Curved Sticks and Cowry Shells: A Conversation between Julian Aguon & Desiree Taimanglo-Ventura 

Afterword

Excerpt

No Country for Eight-Spot Butterflies

IN GUAM, even the dead are dying.

As I write this, the US Department of Defense is ramping up the militarization of my homeland—part of its $8 billion scheme to relocate roughly 5,000 Marines from Okinawa to Guam. In fact, ground has already been broken along the island’s beautiful northern coastline for a massive firing range complex. The complex—consisting of five live-fire training ranges and support facilities—is being built
dangerously close to the island’s primary source of drinking water, the Northern Guam Lens Aquifer. Moreover, the complex is situated over several historically and culturally significant sites, including the remnants of ancient villages several thousands of years old, where our ancestors’ remains remain.

The construction of these firing ranges will entail the destruction of more than 1,000 acres of native limestone forest. These forests are unbearably beautiful, took millennia to evolve, and today function as essential habitat for several endangered endemic species, including a fruit bat, a flightless rail, and three species of tree snails—not to mention a swiftlet, a starling, and a slender-toed gecko. The largest of the five ranges, a 59-acre multipurpose machine-gun range, will be built a mere 100 feet from the last remaining reproductive håyon lågu tree in Guam.

If only superpowers were concerned with the stuff of lowercase earth—like forests and fresh water. If only they were curious about the whisper and scurry of small lives. If only they were moved by beauty.

If only.

But the militarization of Guam is nothing if not proof that they are not so moved. In fact, the military buildup now underway is happening over the objections of thousands of the island’s residents. Many of these protestors, including myself, are Indigenous Chamorros whose ancestors endured five centuries of colonization and who see this most recent wave of unilateral action by the United States simply as the latest course in a long and steady diet of dispossession.

When the US Navy first released its highly technical (and 11,000-page-long) Draft Environmental Impact Statement in November 2009, the people of Guam submitted over 10,000 comments outlining our concerns, many of us strenuously opposed to the military’s plans. We produced simplified educational materials on the anticipated adverse impacts of those plans, and provided community trainings on them. We took hundreds of people hiking through the jungles specifically slated for destruction. We took several others swimming in the harbor where the military proposed dredging some 40 acres of coral reef for the berthing of a nuclear-powered aircraft carrier. We testified so many times and in so many ways, in the streets and in the offices of elected officials. We
even filed a lawsuit under the National Environmental Pol-icy Act, effectively forcing the navy to conduct further environmental impact assessments, thus pushing the buildup back a few years.

But delay was all we won and the bulldozers are back witha vengeance.

A $78 million contract for the live-fire training range complex has been awarded to Black Construction, which has already begun clearing 89 acres of primary limestone forest and 110 acres of secondary limestone forest. It’s bitterly ironic that so many of these machines bear the name “Caterpillar” when the very thing they are destroying is that precious creature’s preciously singular habitat. To be sure, such forests house the host plants for the endemic Mariana eight-spot butterfly. But then again maybe a country that routinely prefers power over strength, and living over letting live, is no country for eight-spot butterflies.

While this wave of militarization should elicit our every outrage, indignation is not nearly enough to build a bridge.To anywhere. It’s useful, yes. But we need to get a hell of alot more serious about articulating alternatives if we hope to withstand the forces of predatory global capitalism and ultimately replace its ethos of extraction with one of ourown. In the case of my own people, an ethos of reciprocity.

And nowhere is that ethos more alive than in those very same forests—for it is there that our yo’åmte, or healers, are perpetuating our culture, in particular our traditional healing practices. It is there on the forest floor and in the crevices of the limestone rock that many of the plants needed to make our medicine grow. It is there that our medicine women gather the plants their mothers, and their mothers’ mothers, gathered before them.

These plants, combined with others harvested from elsewhere on the island, treat everything from anxiety to arthritis. As someone who suffers from regular bouts of bronchitis, I can attest to the fact that the medicine Auntie Frances Arriola Cabrera Meno makes to treat respiratory problems has proven more effective in my case than any medicine of the modern world. Yet Auntie Frances, like so many other yo’åmte I know, takes no credit for the cure. As she tells it, to do so would be hubris, as so many others are involved in the healing process: the plants themselves, with whom she con-verses in a secret language; her mother, who taught her how to identify which plants have which properties and also how and when to pick them; and the ancestors, who give her permission to enter the jungle and who, on occasion, favor her, allowing her to find everything she needs and more.

More than this, she tells me that I too am part of that process—that people like me, who seek out her services, give her life meaning. That she wouldn’t know what to do with herself if she wasn’t making medicine. That the life of a healer was always hers to have because she was born breech under anew moon and thus had the hands for healing.

But such things are inevitably lost in translation. And no military on earth is sensitive enough to perceive something as soft as the whisper of another worldview.

Earlier this month, I received an invitation to serve on the Global Advisory Council for Progressive International—a new and exciting global initiative to mobilize people around the world behind a shared vision of social justice.

So of course I said yes.

Truth be told, I know little by way of details—what kind of time commitment are we talking about? how will we work as a group? who else said yes?—but I am ready anyway. Ready to build a global justice movement that is anchored, at least in part, in the intellectual contributions of Indigenous peoples. Peoples who have a unique capacity to resist despair through connection to collective memory and who just might be our best hope to build a new world rooted in reciprocity and mutual respect—for the earth and for each other. The world we need. The world of our dreams.

The same world who, on a quiet day in September, bent down low and breathed in the ear of Arundhati Roy.

She is still on her way.

Praise

A Library Journal "BEST BOOK OF 2022"

A Michelle Obama Reach Higher Fall 2022 reading list pick


"Julian Aguon is an astounding writer . . . No Country for Eight-Spot Butterflies is a fierce yet tender lyric essay, one that demands our attention at every page . . . He is a remarkable human being, and his book could not have come at a better time. The world needs this kind of story right now. Julian’s words, his resistance and resilience give us hope. This book is a gift."
Sasha LaPointe, Publishers Weekly

"If there’s one book of the year for me, it’s Julian Aguon’s No Country for Eight-Spot Butterflies . . . [Aguon] reminds us of the importance of remarking beauty, storytelling and awareness as medicine. This book will expand your imagination and nourishes the soul of the world."
—Joseph Han, The Millions

“Aguon is a skilled and heartfelt writer, and his book will most likely be inspiring to readers who share his political analysis and seek out the personal stories hidden by geo-political conflicts.” 
Adrienne Ross Scanlan, New York Journal of Books

"No Country for Eight-Spot Butterflies . . . inspires activism and celebrates beauty worth preserving . . . [A] varied and heartfelt collection. The author's deep love for Guam's people and nature shines through."
—Rebecca Foster, Shelf Awareness

"[No Country for Eight-Spot Butterflies is] a moving, invigorating and deeply personal call to action from a man who has been working to combat some of the most important issues facing our world today; a deeply profound collection."
Evan Rosen, Brooklyn Daily Eagle

"It's clear [Aguon] poured his whole heart into this slim book . . . [his] sense of hope, fierce determination, and love for his people and culture permeates every page."
—Laura Sackton, BookRiot

"Skillfully balancing his individual struggles while stressing the importance of community, No Country for Eight-Spot Butterflies is a call for justice and protection for the environment, one that encourages both outrage and hope."
Alejandra Gularte, Vulture

"Aguon's clear thinking and bright language illustrate the urgency of fighting global climate injustice . . . [His] clarity of focus and radical empathy are desperately necessary for imagining another world."
Diego Báez, Booklist

"It is hard to pin down this book. It is political, in the sense that 'the personal is political,' but it is not a political history of the colonization of Guam by the United States. It is philosophical, but not dense, nor full of moral arguments . . . Perhaps it is easier, then, to call this book a gift: a gift to Indigenous communities everywhere in the world."
—Sarah Souli, Teen Vogue

“Aguon’s writing is not prescriptive, so much as it is a call to action to reimagine, to reclaim language . . . if colonization fails the imagination, and it kills dreams and self-realization, then self-determination is the cure and Aguon inspires a future of connection and liberatory possibilities.”
—Jason Wu, Truthout

"Moving and impassioned . . . This collection of essays, personal stories, speeches, and prose shines a light on the struggles of Guam, nuclear warfare, and global warming . . . While there are serious themes in this book, there is also plenty of hope. This short read packs a great deal of heart and promise for readers. Aguon has written both an informational and philosophical book that will please readers interested in environmental and political issues."
—Anna Kallemeyn, Library Journal

"[An] incandescent debut . . .  In eloquent maxims that call forth comparisons to Thoreau, Aguon pits lofty ideals against a backdrop of racism, brutality, and habitat destruction, but optimism prevails . . . This is bound to inspire any activist."
—Publisher's Weekly, Starred Review

"A slender but meaningful call for justice."
—Kirkus Reviews

"Aguon’s book is for everyone, but he challenges history by placing indigenous consciousness at the center of his project . . . The result is the most tender polemic I’ve ever read."
—Lenika Cruz, The Atlantic

"Julian Aguon connects the global struggles for justice with the local precision and anecdotes of Guam and Oceania. The result is this deeply felt book: Aguon writes so you understand the arguments for change with your mind and feel the urgency in your heart."
—José Olivarez, author of Citizen Illegal

"No Country for Eight-Spot Butterflies is a masterpiece, a literary talisman shaped by mad beauty and grief, evoking the magic of presence and poetry, warding off cynicism and injustice. I keep it close. You will too."
—V (formerly Eve Ensler), author of The Vagina Monologues and The Apology

“A powerful, beautiful book. Its fierce love—of the land, the ocean, the elders, and the ancestors—warms the heart and moves the spirit.”
—Alice Walker, author of Taking the Arrow Out of the Heart

“Powerful with love, and tender about what it needs to be tender about, and direct, even fierce where it means to tell us what we need to be thinking about what we’ve been doing to this world, to Aguon’s people, and to Indigenous people everywhere, to the land and to all its beings . . . as the dying eight-spot butterfly he writes about, strong and luminous as a needed beacon in a fog of disinformation and dismay, Julian Aguon with this small book emerges already a giant.”
—Tommy Orange, author of There There

“I did not know I needed this book until it had me in its embrace like the oldest and dearest of friends, from the very first page . . . With bottomless love for his people and place, Aguon guides us through a portal to the Pacific, sharing deep insights earned from life on the existential knife’s edge.”
—Naomi Klein, author of How to Change Everything: The Young Human’s Guide to Protecting the Planet and Each Other

“Inspired spiritual and practical wisdom from a Guam lawyer/poet/seer that transmits ways of knowing, feeling, and acting, which speak directly to the mind and heart of everyone on the planet. If reading this short book doesn’t change your life, nothing will.”
—Richard Falk, author of Public Intellectual: The Life of a Citizen Pilgrim

“A breathtaking book and I mean it—this book took my breath away . . . alive with passion, wisdom, and heart, you can almost feel its pulse. A call not only for justice but for a brand-new covenant with our world.”
—Junot Díaz, author of The Brief Wondrous Life of Oscar Wao, winner of the Pulitzer Prize for Fiction

“Aguon’s pen is a spear. He has the unerring ability to pierce the heart of any matter he writes about, from colonialism to climate change, and he writes in a way that both exposes horrors and expresses love to the young.”
—Noenoe K. Silva, author of Aloha Betrayed

“This book is a gift—full of beauty, truth telling, and love. This book will enlighten and inspire anyone interested in understanding and doing something about colonialism, capitalism, racism, militarism, war, and violence of all kinds. As importantly, this book will move you emotionally. It will move you to change how you live your life. It will move you to help change the world for the better.”
—David Vine, author of Base Nation and The United States of War

“Aguon is one of Oceania’s most important thinkers who uses his ability to see through complicated systems to fight for our islands and peoples. With razor-sharp analysis and a ton of heart, he both defends and calls forth our communities. I will regularly return to this book for inspiration—to remind me why I do my own work.”
—Kathy Jetnil-Kijiner, author of Iep Jaltok: Poems from a Marshallese Daughter

“Aguon’s work transcends all boundaries and centers Indigenous relationships to people and place. Whether drawing on his legal or poetic skills, Aguon reckons with the rage and violence of colonialism while gently unfolding a new vision for justice and healing.”
—Holly Barker, author of Bravo for the Marshallese

“Aguon gifts us, in shrunken times, the indigenous version of the all-encompassing vision that Aristotle and his disciple Aquinas bequeathed humanity: truth equals beauty equals goodness.”
—Maivân Lâm, author of At the Edge of the State

“What an incredible gift. This book is a powerful spiritual remix, a multi-scalar tapestry of love, kinship, resistance, and creative survival from Oceania. His tribute to our late elder sister, Teresia, brought tears of grief and joy. Ko bati n rabwa Julian,
‘we will live . . . on our own terms.’”
—Katerina Martina Teaiwa, author of Consuming Ocean Island

“A celebration of Indigenous hope and survival amid the destructive and desecrating forces of militarism, capitalism, and climate change, and a provocation for collective action for just and sustainable futures in the Marianas—a must read for anyone interested in the beauty of Indigenous worlds and struggles for liberation!”
—Christine Taitano DeLisle, author of Placental Politics

“Reading this collection reminds me of being immersed in our ocean. The sunlight that illuminates the water cannot be held, and yet to behold the ways rays and sea dance together opens the soul . . . Aguon is one of Oceania’s most brilliant advocates and expansive voices—a voice that urgently needs to be heard.”
—Noelani Goodyear-Ka‘ōpua, author of The Seeds We Planted

“A devastatingly gentle song of resistance.”
—Jonathan K. K. Osorio, author of Dismembering Lāhui

“Aguon tells the Chamorro story by merging a profound love for our indigenous people and culture with his potent intellect and creative genius.”
—Anne Perez Hattori, author of Colonial Dis-Ease

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