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The Kingdom

A novel

Author Jo Nesbo
Read by Euan Morton
Translated by Robert Ferguson
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“I read The Kingdom and couldn’t put it down ... Suspenseful ... Original ... This one is special in every way.” —Stephen King

Two brothers. One small town. A lifetime of dark secrets. A tense and atmospheric standalone thriller from best-selling author Jo Nesbø.


Roy has never left the quiet mountain town he grew up in, unlike his little brother Carl who couldn't wait to get out and escape his troubled past. Just like everyone else in town, Roy believed Carl was gone for good. But Carl has big plans for his hometown. And when he returns with a mysterious new wife and a business opportunity that seems too good to be true, simmering tensions begin to surface and unexplained deaths in the town's past come under new scrutiny. Soon powerful players set their sights on taking the brothers down by exposing their role in the town's sordid history.

But Roy and Carl are survivors, and no strangers to violence. Roy has always protected his younger brother. As the body count rises, though, Roy's loyalty to family is tested. And then Roy finds himself inextricably drawn to Carl's wife, Shannon, an attraction that will have devastating consequences. Roy's world is coming apart and soon there will be no turning back. He'll be forced to choose between his own flesh and blood and a future he had never dared to believe possible.
© Stian Broch
JO NESBØ is a #1 New York Times bestselling author, whose books have sold sixty million copies worldwide and have been translated into fifty languages. In addition to the Harry Hole series, his novels include The Night HouseHeadhuntersThe Son, Blood on SnowMidnight SunMacbeth, and The Kingdom. He is a recipient of the Raymond Chandler Award for lifetime achievement. He lives in Oslo. View titles by Jo Nesbo
I heard him before I saw him.


Carl was back. I don’t know why I thought of Dog, it was almost twenty years ago. Maybe I suspected the reason for this sudden and unannounced homecoming was the same as it was back then. The same as it always was. That he needed his big brother’s help. I was standing out in the yard and looked at my watch. Two thirty. He’d sent a text message, that was all. Said they’d probably arrive by two. But my little brother’s always been an optimist, always promised more than he could deliver. I looked out over the landscape. The little bit of it that showed above the cloud cover below me. The slope on the other side of the valley looked like it was floating in a sea of grey. Already the vegetation up here on the heights had a touch of autumnal red. Above me the sky was heavenly blue and as clear as the gaze of a pure young girl. The air was good and cold, it nipped at my lungs if I breathed in too quickly. I felt as though I was completely alone, had the whole world to myself. Well, a world that was just Mount Ararat with a farm on it. Tourists sometimes drove up the twisting road from the village to enjoy the view, and sooner or later they would always end up in our yard here. They usually asked if I still ran the smallholding. The reason these idiots referred to it as a smallholding was probably that they thought a proper farm would have to be like one of those you get down on the lowlands, with vast fields, oversized barns and enormous and splendid farmhouses. They had never seen what a storm in the mountains could do to a roof that was a bit too large or tried to start a fire in a room that was a little too big with a gale thirty degrees below blowing through the wall. They didn’t know the difference between cultivated land and wilderness, that a mountain farm is grazing for animals and can be a wilderness kingdom many times the size of the ashy, corn-yellow fields of a lowland farmer.
 
For fifteen years I had been living here alone, but now that was over. A V8 engine growled and snarled somewhere down below the cloud cover. Sounded so close it had to have passed the corner at Japansvingen halfway up the climb. The driver put his foot down, took his foot off, rounded a hairpin bend, foot down again. Closer and closer. You could tell he’d navigated those bends before. And now that I could hear the nuances in the sound of the engine, the deep sighs when he changed gear, that deep bass note that’s unique to a Cadillac in low gear, I knew it was a DeVille. Same as the great black beast our dad had driven. Of course.
 
And there was the aggressive jut of the grille of a DeVille, rounding Geitesvingen. Black, but more recent; I guessed an ’85 model. The accompaniment the same though.
 
The car drove right up to me and the window on the driver’s side slid down. I hoped it didn’t show, but my heart was pounding like a piston. How many letters, text messages and emails and phone calls had we exchanged in all these years? Not many. And yet: had even a single day passed when I didn’t think about Carl? Probably not. But missing him was better than dealing with Carl-trouble. The first thing I noticed was that he looked older.
 
‘Excuse me, my good man, but does this farm belong to the famous Opgard brothers?’
 
And then he grinned. Gave me that warm, wide irresistible smile, and it was as though time was wiped from his face, as well as the calendar which told me it had been fifteen years since last time. But there was also something quizzical about his face, as though he were testing the waters. I didn’t want to laugh. Not yet. But I couldn’t help it.
 
The car door opened. He spread his arms wide and I leaned into his embrace. Something tells me it should have been the other way round. That it was me – the big brother – who should have been inviting the embrace. But somewhere along the line the division of roles between me and Carl had become unclear. He had grown bigger than me, both physically and as a person, and – at least when we were in the company of others – now he was the one conducting the orchestra. I closed my eyes, trembling, took a quavering breath, breathed in the smell of autumn, of Cadillac and kid brother. He was wearing some kind of ‘male fragrance’, as they call it.
 
The passenger door had opened.
 
Carl let go of me and walked me round the enormous front end of the car to where she stood, facing the valley.
 
‘It’s really lovely here,’ she said. She was thin and slightly built, but her voice was deep. Her accent was obvious, and although she got the intonation wrong, at least the sentence was Norwegian. I wondered if it was something she had been rehearsing on the drive up, something she had made up her mind to say whether she meant it or not. Something that would make me like her, whether I wanted to or not. Then she turned towards me and smiled. The first thing I noticed was that her face was white. Not pale, but white like snow that reflects light in such a way as to make it difficult to see the contours in it. The second was the eyelid of one of her eyes. It drooped, like a half-drawn blind. As though half of her was very sleepy. But the other half looked wide awake. A lively brown eye peering out at me from beneath a short crop of flaming red hair. She was wearing a simple black coat with no sidecut and there was no indication of shape beneath it either, just a black, high-necked sweater sticking up above the collar. The general first impression was of a scrawny little kid photographed in black and white and the hair coloured in afterwards.
 
Carl always had a way with girls, so in all honesty I was a bit surprised. It wasn’t that she wasn’t sweet, because she actually was, but she wasn’t a smasher, as people round here say. She carried on smiling, and since the teeth could hardly be distinguished from the skin it meant they were white too. Carl had white teeth too, always did have, unlike me. He used to joke and say it was because his were bleached by daylight because he smiled so much more. Maybe that was what they had fallen for in each other, the white teeth. Mirror images. Because even though Carl was tall and broad, fair and blue-eyed, I could see the likeness at once. Something life-enhancing, as people call it. Something optimistic that is prepared to see the best in people. Themselves as well as others. Well, maybe; of course, I didn’t know the girl yet.
 
‘This is—’ Carl began.
 
‘Shannon Alleyne,’ she interrupted, reaching out a hand so small that it felt like taking hold of a chicken’s foot.
 
‘Opgard,’ Carl added proudly.
 
Shannon Alleyne Opgard wanted to hold hands longer than me. I saw Carl in that too. Some are in more of a hurry to be liked than others.
 
‘Jet-lagged?’ I asked, and regretted it, feeling like an idiot for asking. Not because I didn’t know what jet lag was, but because Carl knew that I had never crossed even a single time zone and that whatever the answer was it wouldn’t mean a lot to me.
 
Carl shook his head. ‘We landed two days ago. Had to wait for the car – it came by boat.’
 
I nodded, glanced at the registration plates. MC. Monaco. Exotic, but not exotic enough for me to ask for it if the car was to be re-registered. On the walls of the office at the service station I had obsolete plates from French Equatorial Africa, Burma, Basutoland, British Honduras and Johor. The standard was high.
 
Shannon looked from Carl to me and then back again. Smiled. I don’t know why, maybe she was happy to see Carl and his big brother – his only close relative – laughing together. That the slight tension was gone now. That he – that they were welcome home.
A KIRKUS REVIEWS BEST MYSTERY AND THRILLER OF THE YEAR

“Mesmerizing . . . A dense suspenseful bundle of Norwegian noir.” —Richard Lipez, The Washington Post
 
“Intricately plotted . . . With The Kingdom, Nesbø builds a slow-burn thriller that leaps to myriad twists as he peels back the brothers' strong relationship, which is partially built on terrible secrets and tinged with violence.” —Oline Cogdill, South Florida Sun-Sentinel

The Kingdom, like most Jo Nesbo novels, is rooted in crime, mystery and the exploration of long-held dark secrets . . . Vivid characters speak dialogue that is always pungent and convincing . . . Mr. Nesbo explores the depths of the human psyche, along with more mundane foibles of a closed society. One of the more interesting questions, not resolved until the end, is just who will survive.” —Robert Croan, Pittsburgh Post-Gazette

The Kingdom, much like a rollercoaster begins slowly as Nesbo sets the stage and explains the intricate web of connections all of the characters have with each other after living in a small town together for decades. Once all of the characters are in place, Nesbo flips the switch and sends readers hurdling along the track as he reveals the numerous crimes the brothers have committed and the motives that led them along their path.” —Hearst Connecticut Media Group

“Our current love affair with Nordic noir continues unabated, and the Norwegian writer Jo Nesbo is a virtuoso of the genre . . . His latest crime thriller, The Kingdom, is set in a small mountain town, where a mechanic’s life is upended by the unexpected homecoming of his younger brother, his brother’s mysterious wife, and the unspooling of chilling family secrets.”Avenue Magazine

 “Nesbo is always a great storyteller. The world he depicts is bleak and potentially depressing, but he presents it with relentless power.”  —John M. Clum, New York Journal of Books
 
The Kingdom [is] in some ways more American in tone than Scandinavian . . . [it] picks up speed, until Roy is swept up in the momentum of his own story.” —The New York Times Book Review

“ [A] richly characterized, perfectly paced and plotted thriller.” —The Lineup

“For mystery readers in search of heroes a shade darker than Agatha Christie’s Hercule Poirot, enter . . . Jo Nesbø . . . The Kingdom, Nesbø’s new standalone story, sees him peeling back layers of unnerving secrets surrounding a pair of brothers in Oslo, from their parents’ mysterious deaths to their family’s disturbing history and the secrets of their hometown.”TIME, “The 42 Most Anticipated Books of Fall 2020”

“The Kingdom is a complex and simmering standalone novel from the author of the popular Harry Hole detective series, and it dives deeply into the psyches of its characters. Twisty, violent, gripping, and very disturbing.” Buzzfeed

“Captivating . . . Guaranteed to be in high demand. As the story unfolds, it builds in dread and depravity. The small-town atmosphere resembles a Peyton Place as envisioned in an unlikely collaboration between Raymond Chandler and Henrik Ibsen. The complex characters and twisting plot will keep readers turning the pages and eager to discuss.” Library Journal
 
“Echoes of such classic noir authors as Dorothy B. Hughes, James M. Cain, and Jim Thompson … Nesbø brilliantly uses the insularity of Roy’s world, both internally and externally, to accentuate the Shakespearean inevitability of the impending tragedy.”—Booklist (starred review)

Nesbø peels away the secrets surrounding Carl’s project, his backstory, and his connections to his old neighbors so methodically that most readers, like frogs in a gradually warming pan of water, will take quite a while to realize just how extensive, wholesale, and disturbing those secrets really are. The illusions of a family and its close-knit town constructed and demolished on a truly epic scale.” —Kirkus (starred review)

“Twisty … Fans of classic noir such as Double Indemnity will be hooked.” —Publishers Weekly

About

“I read The Kingdom and couldn’t put it down ... Suspenseful ... Original ... This one is special in every way.” —Stephen King

Two brothers. One small town. A lifetime of dark secrets. A tense and atmospheric standalone thriller from best-selling author Jo Nesbø.


Roy has never left the quiet mountain town he grew up in, unlike his little brother Carl who couldn't wait to get out and escape his troubled past. Just like everyone else in town, Roy believed Carl was gone for good. But Carl has big plans for his hometown. And when he returns with a mysterious new wife and a business opportunity that seems too good to be true, simmering tensions begin to surface and unexplained deaths in the town's past come under new scrutiny. Soon powerful players set their sights on taking the brothers down by exposing their role in the town's sordid history.

But Roy and Carl are survivors, and no strangers to violence. Roy has always protected his younger brother. As the body count rises, though, Roy's loyalty to family is tested. And then Roy finds himself inextricably drawn to Carl's wife, Shannon, an attraction that will have devastating consequences. Roy's world is coming apart and soon there will be no turning back. He'll be forced to choose between his own flesh and blood and a future he had never dared to believe possible.

Author

© Stian Broch
JO NESBØ is a #1 New York Times bestselling author, whose books have sold sixty million copies worldwide and have been translated into fifty languages. In addition to the Harry Hole series, his novels include The Night HouseHeadhuntersThe Son, Blood on SnowMidnight SunMacbeth, and The Kingdom. He is a recipient of the Raymond Chandler Award for lifetime achievement. He lives in Oslo. View titles by Jo Nesbo

Excerpt

I heard him before I saw him.


Carl was back. I don’t know why I thought of Dog, it was almost twenty years ago. Maybe I suspected the reason for this sudden and unannounced homecoming was the same as it was back then. The same as it always was. That he needed his big brother’s help. I was standing out in the yard and looked at my watch. Two thirty. He’d sent a text message, that was all. Said they’d probably arrive by two. But my little brother’s always been an optimist, always promised more than he could deliver. I looked out over the landscape. The little bit of it that showed above the cloud cover below me. The slope on the other side of the valley looked like it was floating in a sea of grey. Already the vegetation up here on the heights had a touch of autumnal red. Above me the sky was heavenly blue and as clear as the gaze of a pure young girl. The air was good and cold, it nipped at my lungs if I breathed in too quickly. I felt as though I was completely alone, had the whole world to myself. Well, a world that was just Mount Ararat with a farm on it. Tourists sometimes drove up the twisting road from the village to enjoy the view, and sooner or later they would always end up in our yard here. They usually asked if I still ran the smallholding. The reason these idiots referred to it as a smallholding was probably that they thought a proper farm would have to be like one of those you get down on the lowlands, with vast fields, oversized barns and enormous and splendid farmhouses. They had never seen what a storm in the mountains could do to a roof that was a bit too large or tried to start a fire in a room that was a little too big with a gale thirty degrees below blowing through the wall. They didn’t know the difference between cultivated land and wilderness, that a mountain farm is grazing for animals and can be a wilderness kingdom many times the size of the ashy, corn-yellow fields of a lowland farmer.
 
For fifteen years I had been living here alone, but now that was over. A V8 engine growled and snarled somewhere down below the cloud cover. Sounded so close it had to have passed the corner at Japansvingen halfway up the climb. The driver put his foot down, took his foot off, rounded a hairpin bend, foot down again. Closer and closer. You could tell he’d navigated those bends before. And now that I could hear the nuances in the sound of the engine, the deep sighs when he changed gear, that deep bass note that’s unique to a Cadillac in low gear, I knew it was a DeVille. Same as the great black beast our dad had driven. Of course.
 
And there was the aggressive jut of the grille of a DeVille, rounding Geitesvingen. Black, but more recent; I guessed an ’85 model. The accompaniment the same though.
 
The car drove right up to me and the window on the driver’s side slid down. I hoped it didn’t show, but my heart was pounding like a piston. How many letters, text messages and emails and phone calls had we exchanged in all these years? Not many. And yet: had even a single day passed when I didn’t think about Carl? Probably not. But missing him was better than dealing with Carl-trouble. The first thing I noticed was that he looked older.
 
‘Excuse me, my good man, but does this farm belong to the famous Opgard brothers?’
 
And then he grinned. Gave me that warm, wide irresistible smile, and it was as though time was wiped from his face, as well as the calendar which told me it had been fifteen years since last time. But there was also something quizzical about his face, as though he were testing the waters. I didn’t want to laugh. Not yet. But I couldn’t help it.
 
The car door opened. He spread his arms wide and I leaned into his embrace. Something tells me it should have been the other way round. That it was me – the big brother – who should have been inviting the embrace. But somewhere along the line the division of roles between me and Carl had become unclear. He had grown bigger than me, both physically and as a person, and – at least when we were in the company of others – now he was the one conducting the orchestra. I closed my eyes, trembling, took a quavering breath, breathed in the smell of autumn, of Cadillac and kid brother. He was wearing some kind of ‘male fragrance’, as they call it.
 
The passenger door had opened.
 
Carl let go of me and walked me round the enormous front end of the car to where she stood, facing the valley.
 
‘It’s really lovely here,’ she said. She was thin and slightly built, but her voice was deep. Her accent was obvious, and although she got the intonation wrong, at least the sentence was Norwegian. I wondered if it was something she had been rehearsing on the drive up, something she had made up her mind to say whether she meant it or not. Something that would make me like her, whether I wanted to or not. Then she turned towards me and smiled. The first thing I noticed was that her face was white. Not pale, but white like snow that reflects light in such a way as to make it difficult to see the contours in it. The second was the eyelid of one of her eyes. It drooped, like a half-drawn blind. As though half of her was very sleepy. But the other half looked wide awake. A lively brown eye peering out at me from beneath a short crop of flaming red hair. She was wearing a simple black coat with no sidecut and there was no indication of shape beneath it either, just a black, high-necked sweater sticking up above the collar. The general first impression was of a scrawny little kid photographed in black and white and the hair coloured in afterwards.
 
Carl always had a way with girls, so in all honesty I was a bit surprised. It wasn’t that she wasn’t sweet, because she actually was, but she wasn’t a smasher, as people round here say. She carried on smiling, and since the teeth could hardly be distinguished from the skin it meant they were white too. Carl had white teeth too, always did have, unlike me. He used to joke and say it was because his were bleached by daylight because he smiled so much more. Maybe that was what they had fallen for in each other, the white teeth. Mirror images. Because even though Carl was tall and broad, fair and blue-eyed, I could see the likeness at once. Something life-enhancing, as people call it. Something optimistic that is prepared to see the best in people. Themselves as well as others. Well, maybe; of course, I didn’t know the girl yet.
 
‘This is—’ Carl began.
 
‘Shannon Alleyne,’ she interrupted, reaching out a hand so small that it felt like taking hold of a chicken’s foot.
 
‘Opgard,’ Carl added proudly.
 
Shannon Alleyne Opgard wanted to hold hands longer than me. I saw Carl in that too. Some are in more of a hurry to be liked than others.
 
‘Jet-lagged?’ I asked, and regretted it, feeling like an idiot for asking. Not because I didn’t know what jet lag was, but because Carl knew that I had never crossed even a single time zone and that whatever the answer was it wouldn’t mean a lot to me.
 
Carl shook his head. ‘We landed two days ago. Had to wait for the car – it came by boat.’
 
I nodded, glanced at the registration plates. MC. Monaco. Exotic, but not exotic enough for me to ask for it if the car was to be re-registered. On the walls of the office at the service station I had obsolete plates from French Equatorial Africa, Burma, Basutoland, British Honduras and Johor. The standard was high.
 
Shannon looked from Carl to me and then back again. Smiled. I don’t know why, maybe she was happy to see Carl and his big brother – his only close relative – laughing together. That the slight tension was gone now. That he – that they were welcome home.

Praise

A KIRKUS REVIEWS BEST MYSTERY AND THRILLER OF THE YEAR

“Mesmerizing . . . A dense suspenseful bundle of Norwegian noir.” —Richard Lipez, The Washington Post
 
“Intricately plotted . . . With The Kingdom, Nesbø builds a slow-burn thriller that leaps to myriad twists as he peels back the brothers' strong relationship, which is partially built on terrible secrets and tinged with violence.” —Oline Cogdill, South Florida Sun-Sentinel

The Kingdom, like most Jo Nesbo novels, is rooted in crime, mystery and the exploration of long-held dark secrets . . . Vivid characters speak dialogue that is always pungent and convincing . . . Mr. Nesbo explores the depths of the human psyche, along with more mundane foibles of a closed society. One of the more interesting questions, not resolved until the end, is just who will survive.” —Robert Croan, Pittsburgh Post-Gazette

The Kingdom, much like a rollercoaster begins slowly as Nesbo sets the stage and explains the intricate web of connections all of the characters have with each other after living in a small town together for decades. Once all of the characters are in place, Nesbo flips the switch and sends readers hurdling along the track as he reveals the numerous crimes the brothers have committed and the motives that led them along their path.” —Hearst Connecticut Media Group

“Our current love affair with Nordic noir continues unabated, and the Norwegian writer Jo Nesbo is a virtuoso of the genre . . . His latest crime thriller, The Kingdom, is set in a small mountain town, where a mechanic’s life is upended by the unexpected homecoming of his younger brother, his brother’s mysterious wife, and the unspooling of chilling family secrets.”Avenue Magazine

 “Nesbo is always a great storyteller. The world he depicts is bleak and potentially depressing, but he presents it with relentless power.”  —John M. Clum, New York Journal of Books
 
The Kingdom [is] in some ways more American in tone than Scandinavian . . . [it] picks up speed, until Roy is swept up in the momentum of his own story.” —The New York Times Book Review

“ [A] richly characterized, perfectly paced and plotted thriller.” —The Lineup

“For mystery readers in search of heroes a shade darker than Agatha Christie’s Hercule Poirot, enter . . . Jo Nesbø . . . The Kingdom, Nesbø’s new standalone story, sees him peeling back layers of unnerving secrets surrounding a pair of brothers in Oslo, from their parents’ mysterious deaths to their family’s disturbing history and the secrets of their hometown.”TIME, “The 42 Most Anticipated Books of Fall 2020”

“The Kingdom is a complex and simmering standalone novel from the author of the popular Harry Hole detective series, and it dives deeply into the psyches of its characters. Twisty, violent, gripping, and very disturbing.” Buzzfeed

“Captivating . . . Guaranteed to be in high demand. As the story unfolds, it builds in dread and depravity. The small-town atmosphere resembles a Peyton Place as envisioned in an unlikely collaboration between Raymond Chandler and Henrik Ibsen. The complex characters and twisting plot will keep readers turning the pages and eager to discuss.” Library Journal
 
“Echoes of such classic noir authors as Dorothy B. Hughes, James M. Cain, and Jim Thompson … Nesbø brilliantly uses the insularity of Roy’s world, both internally and externally, to accentuate the Shakespearean inevitability of the impending tragedy.”—Booklist (starred review)

Nesbø peels away the secrets surrounding Carl’s project, his backstory, and his connections to his old neighbors so methodically that most readers, like frogs in a gradually warming pan of water, will take quite a while to realize just how extensive, wholesale, and disturbing those secrets really are. The illusions of a family and its close-knit town constructed and demolished on a truly epic scale.” —Kirkus (starred review)

“Twisty … Fans of classic noir such as Double Indemnity will be hooked.” —Publishers Weekly

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