Twelve Years a Slave

“I could not believe that I had never heard of this book. It felt as important as Anne Frank’s Diary, only published nearly a hundred years before. . . . The book blew [my] mind: the epic range, the details, the adventure, the horror, and the humanity. . . . I hope my film can play a part in drawing attention to this important book of courage. Solomon’s bravery and life deserve nothing less.” —Steve McQueen, director of 12 Years a Slave, from the Foreword

“Frightening, gripping and inspiring . . . Northup’s story seems almost biblical, structured as it is as a descent and resurrection narrative of a protagonist who, like Christ, was 33 at the time of his abduction. . . . Northup reminds us of the fragile nature of freedom in any human society and the harsh reality that whatever legal boundaries existed between so-called free states and slave states in 1841, no black man, woman or child was permanently safe.” —Henry Louis Gates, Jr., from the Afterword
 
“For sheer drama, few accounts of slavery match Solomon Northup’s tale of abduction from freedom and forcible enslavement.” —Ira Berlin, from the Introduction

“If you think the movie offers a terrible-enough portrait of slavery, please, do read the book. . . . The film is stupendous art, but it owes much to a priceless piece of document. Solomon Northup’s memoir is history. . . . His was not simply an extraordinary story, but an account of the life of a great many ordinary people.” —The Daily Beast

“An incredible document, amazingly told and structured. Tough, but riveting. The movie of it by Steve McQueen might be the most successful adaptation of a book ever undertaken; text and film complement each other wildly.” —Rachel Kushner, The New York Times Book Review

“The best firsthand account of slavery.” —James M. McPherson, Pulitzer Prize–winning author of Battle Cry of Freedom, in The New York Times Book Review

“Northup published a memoir of his 12-year nightmare in 1853, the year after Uncle Tom’s Cabin came out, and it was so successful that he went on to participate in two stage adaptations. The book dropped from sight in the 20th century, but the movie tie-in will certainly reestablish its virtually unique status as a work by an educated free man who managed to return from slavery.” —The Hollywood Reporter