The multimillion-copy bestselling modern classic of autobiographical fiction about a young woman’s struggle with mental health, featuring a new foreword by Esmé Weijun Wang, the New York Times bestselling author of The Collected Schizophrenias, and a new afterword by the author

Also available from Penguin Classics: Joanne Greenberg’s bestselling modern classic In This Sign


After making an attempt on her own life, sixteen-year-old Deborah Blau is diagnosed with schizophrenia. With the reluctant and fearful consent of her parents, she enters a psychiatric hospital many hours from her home in suburban Chicago. Here she will spend the next three years, trying, with the help of a gifted psychiatrist, to find a path back to her “normal” life, and to emerge from the imaginary Kingdom of Yr in which she has sought refuge.

A semiautobiographical novel originally published under the pen name Hannah Green just a year after Sylvia Plath’s The Bell Jar--a very different portrait of psychological breakdown--I Never Promised You a Rose Garden remains, more than half a century later, a timeless and ultimately hopeful book, ripe for rediscovery by a new generation eager to erase the stigma of mental illness.

For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
© Daniel Mackler
Joanne Greenberg is an internationally renowned, award-winning author of sixteen novels and four collections of short stories. Born in Brooklyn, New York, she graduated from American University, where she majored in anthropology and English, and also studied at the University of London and the University of Colorado. Her second novel, I Never Promised You a Rose Garden, published in 1964, has sold millions of copies and was adapted into a 1977 movie and a 2004 play of the same name. Greenberg lives near Lookout Mountain, Colorado, where she writes daily, tutors Latin and Hebrew, is active in the Beth Evergreen congregation, has been an adjunct professor of cultural anthropology and fiction writing at the Colorado School of Mines, and has volunteered as an EMT. View titles by Joanne Greenberg

Chapter One

 

They rode through the lush farm country in the middle of autumn, through quaint old towns whose streets showed the brilliant colors of turning trees. They said little. Of the three, the father was most visibly strained. Now and then he would place bits of talk into the long silences, random and inopportune things with which he himself seemed to have no patience. Once he demanded of the girl, whose face he had caught in the rearview mirror: "You know, don't you, that I was a fool when I married-a damn young fool who didn't know about bringing up children-about being a father?" His defense was half attack, but the girl responded to neither. The mother suggested that they stop for coffee. This was really like a pleasure trip, she said, in the fall of the year with their lovely young daughter and such beautiful country to see.

 

They found a roadside diner and turned in. The girl got out quickly and walked toward the restrooms behind the building. As she walked the heads of the two parents turned quickly to look after her. Then the father said, "It's all right."

 

"Should we wait here or go in?" the mother asked aloud, but to herself. She was the more analytical of the two, planning effects in advance-how to act and what to say-and her husband let himself be guided by her because it was easy and she was usually right. Now, feeling confused and lonely, he let her talk on-planning and figuring-because it was her way of taking comfort. It was easier for him to be silent.

 

"If we stay in the car," she was saying, "we can be with her if she needs us. Maybe if she comes out and doesn't see us . . . But then it should look as if we trust her. She must feel that we trust her. . . ."

 

They decided to go into the diner, being very careful and obviously usual about their movements. When they had seated themselves in a booth by the windows, they could see her coming back around the corner of the building and moving toward them; they tried to look at her as if she were a stranger, someone else's daughter to whom they had only now been introduced, a Deborah not their own. They studied the graceless adolescent body and found it good, the face intelligent and alive, but the expression somehow too young for sixteen.

 

They were used to a certain bitter precocity in their child, but they could not see it now in the familiar face that they were trying to convince themselves they could estrange. The father kept thinking: How could strangers be right? She's ours . . . all her life. They don't know her. It's a mistake-a mistake!

 

The mother was watching herself watching her daughter. "On my surface . . . there must be no sign showing, no seam-a perfect surface." And she smiled.

 

 

In the evening they stopped at a small city and ate at its best restaurant, in a spirit of rebellion and adventure because they were not dressed for it. After dinner, they went to a movie. Deborah seemed delighted with the evening. They joked through dinner and the movie, and afterward, heading out farther into the country darkness, they talked about other trips, congratulating one another on their recollection of the little funny details of past vacations. When they stopped at a motel to sleep, Deborah was given a room to herself, another special privilege for which no one knew, not even the parents who loved her, how great was the need.

 

When they were sitting together in their room, Jacob and Esther Blau looked at each other from behind their faces, and wondered why the poses did not fall away, now that they were alone, so that they might breathe out, relax, and find some peace with each other. In the next room, a thin wall away, they could hear their daughter undressing for bed. They did not admit to each other, even with their eyes, that all night they would be guarding against a sound other than her breathing in sleep-a sound that might mean . . . danger. Only once, before they lay down for their dark watch, did Jacob break from behind his face and whisper hard in his wife's ear, "Why are we sending her away?"

 

"The doctors say she has to go," Esther whispered back, lying rigid and looking toward the silent wall.

 

"The doctors." Jacob had never wanted to put them all through the experience, even from the beginning.

 

"It's a good place," she said, a little louder because she wanted to make it so.

 

"They call it a mental hospital, but it's a place, Es, a place where they put people away. How can it be a good place for a girl-almost a child!"

 

"Oh, God, Jacob," she said, "how much did it take out of us to make the decision? If we can't trust the doctors, who can we ask or trust? Dr. Lister says that it's the only help she can get now. We have to try it!" Stubbornly she turned her head again, toward the wall.

 

He was silent, conceding to her once more; she was so much quicker with words than he. They said good night; each pretended to sleep, and lay, breathing deeply to delude the other, eyes aching through the darkness, watching.

 

On the other side of the wall Deborah stretched to sleep. The Kingdom of Yr had a kind of neutral place, which was called the Fourth Level. It was achieved only by accident and could not be reached by formula or an act of will. At the Fourth Level there was no emotion to endure, no past or future to grind against. There was no memory or possession of any self, nothing except dead facts which came unbidden when she needed them and which had no feeling attached to them.

 

Now, in bed, as she achieved the Fourth Level, a future was of no concern to her. The people in the next room were supposedly her parents. Very well. But that was part of a shadowy world that was dissolving and now she was being flung unencumbered into a new one in which she had not the slightest concern. In moving from the old world, she was moving also from the intricacies of Yr's Kingdom, from the Collect of Others, the Censor, and the Yri gods. She rolled over and slept a deep, dreamless, and restful sleep.

 

 

In the morning the family started on its trip again. It occurred to Deborah, as the car pulled away from the motel and out into the sunny day, that the trip might last forever and that the calm and marvelous freedom she felt might be a new gift from the usually too demanding gods and offices of Yr.

 

After a few hours of riding through more brown and golden country and sun-dappled town streets, the mother said, "Where is the turnoff, Jacob?"

 

 

In Yr a voice shrieked out of the deep Pit: Innocent! Innocent!

 

From freedom, Deborah Blau smashed headlong into the collision of the two worlds. As always before it was a weirdly silent shattering. In the world where she was most alive, the sun split in the sky, the earth erupted, her body was torn to pieces, her teeth and bones crazed and broken to fragments. In the other place, where the ghosts and shadows lived, a car turned into a side drive and down a road to where an old redbrick building stood. It was Victorian, a little run-down, and surrounded by trees. Very good faade for a madhouse. When the car stopped in front of it, she was still stunned with the collision, and it was hard to get out of the car and walk properly up the steps and into the building, where the doctors would be. There were bars on all the windows. Deborah smiled slightly. It was fitting. Good.

 

When Jacob Blau saw the bars, he paled. In the face of this, it was no longer possible to say to himself "rest home" or "convalescent care." The truth was as bare and cold for him as the iron. Esther tried to reach him with her mind: We should have expected them. Why should we be so surprised?

 

They waited, Esther Blau trying still to be gay now and then. Except for the barred windows the room was like an ordinary waiting room and she joked about the age of the magazines there. From a distance down the hall they heard the grate of a large key in a lock and again Jacob stiffened, moaning softly, "Not for her-our little Debby. . . ." He did not see the sudden, ruthless look in his daughter's face.

 

 

The doctor walked down the hall, and steeled himself a little before entering the room. He was a squared-off, blunt-bodied man and now he dived into the room, where their anguish seemed to hang palpably. It was an old building, a frightening place to come to, he knew. He would try to get the girl away soon and the parents comforted enough to leave her, feeling that they had done the right thing.

 

Sometimes in this room, at the last minute, the parents, husbands, wives, turned with loathing from the truth of the awful, frightening sickness. Sometimes they took their strange-eyed ones away again. It was fear, or bad judgment well meant enough, or-his eyes appraised the two parents again-that straying grain of jealousy and anger that would not let the long line of misery be severed a generation beyond their own. He tried to be compassionate but not foolish, and soon he was able to send for a nurse to take the girl to the wards. She looked like a shock victim. As she left, he felt the wrench of her going in the two parents.

 

He promised them that they could say good-by to her before they left, and surrendered them to the secretary with her pad of information to be gotten. When he saw them again, leaving after their good-by, they, too, looked like people in shock, and he thought briefly: wound-shock-the cutting-away of a daughter.

 

 

Jacob Blau was not a man who studied himself, or who looked back over his life to weigh and measure its shape. At times, he suspected his wife of being voracious, picking over her passions again and again with endless words and words. But part of this feeling was envy. He, too, loved his daughters, though he had never told them so; he, too, had wished confidences, but was never able to open his own heart; and, because of this, they had also been kept from venturing their secrets. His oldest daughter had just parted from him, almost eagerly, in that grim place of locks and bars, turning away from his kiss, stepping back. She had not seemed to want comfort from him, almost shrinking from touch. He was a man of tempers and now he needed a rage that was cleansing, simple, and direct. But the anger here was so laced with pity, fear, and love that he did not know how he could free himself of it. It lay writhing and stinking inside him, and he began to feel the old, slow-waking ache of his ulcer.

 

Chapter Two

 

They took Deborah to a small, plain room, guarding her there until the showers were empty. She was watched there also, by a woman who sat placidly in the steam and looked her up and down as she dried herself. Deborah did what she was told dutifully, but she kept her left arm slightly turned inward, so as to hide from sight the two small, healing puncture wounds on the wrist. Serving the new routine, she went back to the room and answered some questions about herself put to her by a sardonic doctor who seemed to be displeased. It was obvious that he did not hear the roaring behind her.

 

Into the vacuum of the Midworld where she stood between Yr and Now, the Collect was beginning to come to life. Soon they would be shouting curses and taunts at her, deafening her for both worlds. She was fighting against their coming the way a child, expecting punishment, anticipates it by striking out wildly. She began to tell the doctor the truth about some of the questions he was asking. Let them call her lazy and a liar now. The roar mounted a little and she could hear some of the words in it. The room offered no distraction. To escape engulfment there was only the Here, with its ice-cold doctor and his notebook, or Yr with its golden meadows and gods. But Yr also held its regions of horror and lostness, and she no longer knew to which kingdom in Yr there was passage. Doctors were supposed to help in this.

 

She looked at the one who sat fading amid the clamor and said, "I told you the truth about these things you asked. Now are you going to help me?"

 

"That depends on you," he said acidly, shut his notebook, and left. A specialist, laughed Anterrabae, the Falling God.

 

Let me go with you, she begged him, down and down beside him because he was eternally falling.

 

So it shall be, he said. His hair, which was fire, curled a little in the wind of the fall.

 

That day and the next she spent on Yr's plains, simple long sweeps of land where the eye was soothed by the depth of space.

 

For this great mercy, Deborah was deeply grateful to the Powers. There had been too much blindness, cold, and pain in Yr these past hard months. Now, as by the laws of the world, her image walked around and answered and asked and acted; she, no longer Deborah, but a person bearing the appropriate name for a dweller on Yr's plains, sang and danced and recited the ritual songs to a caressing wind that blew on the long grasses.

 

 

For Jacob and Esther Blau the way home was no shorter than the way to the hospital had been. Although Deborah was not with them, their freedom to say what they really wanted to say was even more circumscribed than before.

 

Esther felt that she knew Deborah better than her husband did. To her, it had not been the childish attempt at suicide that had begun this round of doctors and decisions. She sat in the car beside her husband wanting to tell him that she was grateful for the silly and theatrical wrist-cutting. At last a dragging suspicion of something subtly and terribly wrong had had outlet in a fact. The half-cup of blood on the bathroom floor had given all their nebulous feelings and vague fears weight, and she had gone to the doctor the next day. Now she wanted to show Jacob the many things he did not know, but she knew she could not do it without hurting him. She looked over at him driving with his eyes hard on the road and his face set. "We'll be able to visit her in a month or two," she said.

“I adore this book. . . . I continue to marvel at how Greenberg makes visceral the agony of psychosis. . . . [She] is not afraid to challenge the reader with a true view of the so-called sane world, to hold a crazy candle to reality, and to say, What can we see now? Is the darkness only inside, or is it outside, too?” ―Esmé Weijun Wang, from the Foreword

“A fearless coming-of-age novel . . . When I was 16 years old, I found a brittle mass-market-paperback edition of Joanne Greenberg’s I Never Promised You a Rose Garden. . . . I inhaled the book . . . and, as one did, promptly shared it with a friend. . . . When I passed along my copy . . . I wasn’t making a statement about depression or mental illness. I was trying to share the story of a girl like the two of us, who is scared and lost, but survives. . . . I continue to take comfort in the power of Greenberg’s book . . . to have said things I couldn’t say. . . . Today’s teenagers have access to a much wider range of resources than I did to help them deal with the difficulty of adolescence. But they might still find something relatable, and useful, in books like Greenberg’s—which champions nonlinear journeys and tough, humane conversations about growing up. The enduring dignity it gives to so many facets of girlhood secures its place as a classic.” ―Lauren LeBlanc, The Atlantic

“Convincing and emotionally gripping.” ―The New York Times

“The life and wit in this book jump right off the page.” ―Vanity Fair

“Marvelous . . . With a courage that is sometimes breathtaking . . . [Greenberg] makes a faultless series of discriminations between the justifications for living in an evil and complex reality and the justifications for retreating into the security of madness.” ―The New York Times Book Review

“A rare and wonderful insight into the dark kingdom of the mind.” ―Chicago Tribune
 
“[Joanne Greenberg] is a living example of someone who refused the fate prescribed to her and chose instead to be many other things: clever, attentive, kind, iconoclastic, and the author of more than fifteen books on wildly varying topics. Her life as a recovered patient is not a glamorous or a tragic or a particularly scary one--but it might be a truer one.” ―The New Republic

“Captur[es] something about the peculiar anxieties associated with being young, and [offers] a lens through which to better understand the symptoms and complexities of mental illness.” ―Oprah Daily

“Striking . . . Provides an important step on that journey for us all . . . [to understand] severe mental health problems.” ―The Guardian

“A mov­ing nov­el of per­se­ver­ance against life’s strug­gles . . . [This] new edi­tion under the Pen­guin Clas­sics imprint . . . pro­vides a frame­work for more com­plex under­stand­ings of the nov­el—espe­cial­ly when it comes to its por­tray­al of men­tal health issues and Jew­ish­ness. . . . [It] facil­i­tates mean­ing­ful dis­cus­sion about the con­nec­tions between anti­semitism, gen­er­a­tional trau­ma, and men­tal health.” ―Jewish Book Council

“A gorgeous, hopeful story that deserves to be better read.” —STAT

About

The multimillion-copy bestselling modern classic of autobiographical fiction about a young woman’s struggle with mental health, featuring a new foreword by Esmé Weijun Wang, the New York Times bestselling author of The Collected Schizophrenias, and a new afterword by the author

Also available from Penguin Classics: Joanne Greenberg’s bestselling modern classic In This Sign


After making an attempt on her own life, sixteen-year-old Deborah Blau is diagnosed with schizophrenia. With the reluctant and fearful consent of her parents, she enters a psychiatric hospital many hours from her home in suburban Chicago. Here she will spend the next three years, trying, with the help of a gifted psychiatrist, to find a path back to her “normal” life, and to emerge from the imaginary Kingdom of Yr in which she has sought refuge.

A semiautobiographical novel originally published under the pen name Hannah Green just a year after Sylvia Plath’s The Bell Jar--a very different portrait of psychological breakdown--I Never Promised You a Rose Garden remains, more than half a century later, a timeless and ultimately hopeful book, ripe for rediscovery by a new generation eager to erase the stigma of mental illness.

For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Author

© Daniel Mackler
Joanne Greenberg is an internationally renowned, award-winning author of sixteen novels and four collections of short stories. Born in Brooklyn, New York, she graduated from American University, where she majored in anthropology and English, and also studied at the University of London and the University of Colorado. Her second novel, I Never Promised You a Rose Garden, published in 1964, has sold millions of copies and was adapted into a 1977 movie and a 2004 play of the same name. Greenberg lives near Lookout Mountain, Colorado, where she writes daily, tutors Latin and Hebrew, is active in the Beth Evergreen congregation, has been an adjunct professor of cultural anthropology and fiction writing at the Colorado School of Mines, and has volunteered as an EMT. View titles by Joanne Greenberg

Excerpt

Chapter One

 

They rode through the lush farm country in the middle of autumn, through quaint old towns whose streets showed the brilliant colors of turning trees. They said little. Of the three, the father was most visibly strained. Now and then he would place bits of talk into the long silences, random and inopportune things with which he himself seemed to have no patience. Once he demanded of the girl, whose face he had caught in the rearview mirror: "You know, don't you, that I was a fool when I married-a damn young fool who didn't know about bringing up children-about being a father?" His defense was half attack, but the girl responded to neither. The mother suggested that they stop for coffee. This was really like a pleasure trip, she said, in the fall of the year with their lovely young daughter and such beautiful country to see.

 

They found a roadside diner and turned in. The girl got out quickly and walked toward the restrooms behind the building. As she walked the heads of the two parents turned quickly to look after her. Then the father said, "It's all right."

 

"Should we wait here or go in?" the mother asked aloud, but to herself. She was the more analytical of the two, planning effects in advance-how to act and what to say-and her husband let himself be guided by her because it was easy and she was usually right. Now, feeling confused and lonely, he let her talk on-planning and figuring-because it was her way of taking comfort. It was easier for him to be silent.

 

"If we stay in the car," she was saying, "we can be with her if she needs us. Maybe if she comes out and doesn't see us . . . But then it should look as if we trust her. She must feel that we trust her. . . ."

 

They decided to go into the diner, being very careful and obviously usual about their movements. When they had seated themselves in a booth by the windows, they could see her coming back around the corner of the building and moving toward them; they tried to look at her as if she were a stranger, someone else's daughter to whom they had only now been introduced, a Deborah not their own. They studied the graceless adolescent body and found it good, the face intelligent and alive, but the expression somehow too young for sixteen.

 

They were used to a certain bitter precocity in their child, but they could not see it now in the familiar face that they were trying to convince themselves they could estrange. The father kept thinking: How could strangers be right? She's ours . . . all her life. They don't know her. It's a mistake-a mistake!

 

The mother was watching herself watching her daughter. "On my surface . . . there must be no sign showing, no seam-a perfect surface." And she smiled.

 

 

In the evening they stopped at a small city and ate at its best restaurant, in a spirit of rebellion and adventure because they were not dressed for it. After dinner, they went to a movie. Deborah seemed delighted with the evening. They joked through dinner and the movie, and afterward, heading out farther into the country darkness, they talked about other trips, congratulating one another on their recollection of the little funny details of past vacations. When they stopped at a motel to sleep, Deborah was given a room to herself, another special privilege for which no one knew, not even the parents who loved her, how great was the need.

 

When they were sitting together in their room, Jacob and Esther Blau looked at each other from behind their faces, and wondered why the poses did not fall away, now that they were alone, so that they might breathe out, relax, and find some peace with each other. In the next room, a thin wall away, they could hear their daughter undressing for bed. They did not admit to each other, even with their eyes, that all night they would be guarding against a sound other than her breathing in sleep-a sound that might mean . . . danger. Only once, before they lay down for their dark watch, did Jacob break from behind his face and whisper hard in his wife's ear, "Why are we sending her away?"

 

"The doctors say she has to go," Esther whispered back, lying rigid and looking toward the silent wall.

 

"The doctors." Jacob had never wanted to put them all through the experience, even from the beginning.

 

"It's a good place," she said, a little louder because she wanted to make it so.

 

"They call it a mental hospital, but it's a place, Es, a place where they put people away. How can it be a good place for a girl-almost a child!"

 

"Oh, God, Jacob," she said, "how much did it take out of us to make the decision? If we can't trust the doctors, who can we ask or trust? Dr. Lister says that it's the only help she can get now. We have to try it!" Stubbornly she turned her head again, toward the wall.

 

He was silent, conceding to her once more; she was so much quicker with words than he. They said good night; each pretended to sleep, and lay, breathing deeply to delude the other, eyes aching through the darkness, watching.

 

On the other side of the wall Deborah stretched to sleep. The Kingdom of Yr had a kind of neutral place, which was called the Fourth Level. It was achieved only by accident and could not be reached by formula or an act of will. At the Fourth Level there was no emotion to endure, no past or future to grind against. There was no memory or possession of any self, nothing except dead facts which came unbidden when she needed them and which had no feeling attached to them.

 

Now, in bed, as she achieved the Fourth Level, a future was of no concern to her. The people in the next room were supposedly her parents. Very well. But that was part of a shadowy world that was dissolving and now she was being flung unencumbered into a new one in which she had not the slightest concern. In moving from the old world, she was moving also from the intricacies of Yr's Kingdom, from the Collect of Others, the Censor, and the Yri gods. She rolled over and slept a deep, dreamless, and restful sleep.

 

 

In the morning the family started on its trip again. It occurred to Deborah, as the car pulled away from the motel and out into the sunny day, that the trip might last forever and that the calm and marvelous freedom she felt might be a new gift from the usually too demanding gods and offices of Yr.

 

After a few hours of riding through more brown and golden country and sun-dappled town streets, the mother said, "Where is the turnoff, Jacob?"

 

 

In Yr a voice shrieked out of the deep Pit: Innocent! Innocent!

 

From freedom, Deborah Blau smashed headlong into the collision of the two worlds. As always before it was a weirdly silent shattering. In the world where she was most alive, the sun split in the sky, the earth erupted, her body was torn to pieces, her teeth and bones crazed and broken to fragments. In the other place, where the ghosts and shadows lived, a car turned into a side drive and down a road to where an old redbrick building stood. It was Victorian, a little run-down, and surrounded by trees. Very good faade for a madhouse. When the car stopped in front of it, she was still stunned with the collision, and it was hard to get out of the car and walk properly up the steps and into the building, where the doctors would be. There were bars on all the windows. Deborah smiled slightly. It was fitting. Good.

 

When Jacob Blau saw the bars, he paled. In the face of this, it was no longer possible to say to himself "rest home" or "convalescent care." The truth was as bare and cold for him as the iron. Esther tried to reach him with her mind: We should have expected them. Why should we be so surprised?

 

They waited, Esther Blau trying still to be gay now and then. Except for the barred windows the room was like an ordinary waiting room and she joked about the age of the magazines there. From a distance down the hall they heard the grate of a large key in a lock and again Jacob stiffened, moaning softly, "Not for her-our little Debby. . . ." He did not see the sudden, ruthless look in his daughter's face.

 

 

The doctor walked down the hall, and steeled himself a little before entering the room. He was a squared-off, blunt-bodied man and now he dived into the room, where their anguish seemed to hang palpably. It was an old building, a frightening place to come to, he knew. He would try to get the girl away soon and the parents comforted enough to leave her, feeling that they had done the right thing.

 

Sometimes in this room, at the last minute, the parents, husbands, wives, turned with loathing from the truth of the awful, frightening sickness. Sometimes they took their strange-eyed ones away again. It was fear, or bad judgment well meant enough, or-his eyes appraised the two parents again-that straying grain of jealousy and anger that would not let the long line of misery be severed a generation beyond their own. He tried to be compassionate but not foolish, and soon he was able to send for a nurse to take the girl to the wards. She looked like a shock victim. As she left, he felt the wrench of her going in the two parents.

 

He promised them that they could say good-by to her before they left, and surrendered them to the secretary with her pad of information to be gotten. When he saw them again, leaving after their good-by, they, too, looked like people in shock, and he thought briefly: wound-shock-the cutting-away of a daughter.

 

 

Jacob Blau was not a man who studied himself, or who looked back over his life to weigh and measure its shape. At times, he suspected his wife of being voracious, picking over her passions again and again with endless words and words. But part of this feeling was envy. He, too, loved his daughters, though he had never told them so; he, too, had wished confidences, but was never able to open his own heart; and, because of this, they had also been kept from venturing their secrets. His oldest daughter had just parted from him, almost eagerly, in that grim place of locks and bars, turning away from his kiss, stepping back. She had not seemed to want comfort from him, almost shrinking from touch. He was a man of tempers and now he needed a rage that was cleansing, simple, and direct. But the anger here was so laced with pity, fear, and love that he did not know how he could free himself of it. It lay writhing and stinking inside him, and he began to feel the old, slow-waking ache of his ulcer.

 

Chapter Two

 

They took Deborah to a small, plain room, guarding her there until the showers were empty. She was watched there also, by a woman who sat placidly in the steam and looked her up and down as she dried herself. Deborah did what she was told dutifully, but she kept her left arm slightly turned inward, so as to hide from sight the two small, healing puncture wounds on the wrist. Serving the new routine, she went back to the room and answered some questions about herself put to her by a sardonic doctor who seemed to be displeased. It was obvious that he did not hear the roaring behind her.

 

Into the vacuum of the Midworld where she stood between Yr and Now, the Collect was beginning to come to life. Soon they would be shouting curses and taunts at her, deafening her for both worlds. She was fighting against their coming the way a child, expecting punishment, anticipates it by striking out wildly. She began to tell the doctor the truth about some of the questions he was asking. Let them call her lazy and a liar now. The roar mounted a little and she could hear some of the words in it. The room offered no distraction. To escape engulfment there was only the Here, with its ice-cold doctor and his notebook, or Yr with its golden meadows and gods. But Yr also held its regions of horror and lostness, and she no longer knew to which kingdom in Yr there was passage. Doctors were supposed to help in this.

 

She looked at the one who sat fading amid the clamor and said, "I told you the truth about these things you asked. Now are you going to help me?"

 

"That depends on you," he said acidly, shut his notebook, and left. A specialist, laughed Anterrabae, the Falling God.

 

Let me go with you, she begged him, down and down beside him because he was eternally falling.

 

So it shall be, he said. His hair, which was fire, curled a little in the wind of the fall.

 

That day and the next she spent on Yr's plains, simple long sweeps of land where the eye was soothed by the depth of space.

 

For this great mercy, Deborah was deeply grateful to the Powers. There had been too much blindness, cold, and pain in Yr these past hard months. Now, as by the laws of the world, her image walked around and answered and asked and acted; she, no longer Deborah, but a person bearing the appropriate name for a dweller on Yr's plains, sang and danced and recited the ritual songs to a caressing wind that blew on the long grasses.

 

 

For Jacob and Esther Blau the way home was no shorter than the way to the hospital had been. Although Deborah was not with them, their freedom to say what they really wanted to say was even more circumscribed than before.

 

Esther felt that she knew Deborah better than her husband did. To her, it had not been the childish attempt at suicide that had begun this round of doctors and decisions. She sat in the car beside her husband wanting to tell him that she was grateful for the silly and theatrical wrist-cutting. At last a dragging suspicion of something subtly and terribly wrong had had outlet in a fact. The half-cup of blood on the bathroom floor had given all their nebulous feelings and vague fears weight, and she had gone to the doctor the next day. Now she wanted to show Jacob the many things he did not know, but she knew she could not do it without hurting him. She looked over at him driving with his eyes hard on the road and his face set. "We'll be able to visit her in a month or two," she said.

Praise

“I adore this book. . . . I continue to marvel at how Greenberg makes visceral the agony of psychosis. . . . [She] is not afraid to challenge the reader with a true view of the so-called sane world, to hold a crazy candle to reality, and to say, What can we see now? Is the darkness only inside, or is it outside, too?” ―Esmé Weijun Wang, from the Foreword

“A fearless coming-of-age novel . . . When I was 16 years old, I found a brittle mass-market-paperback edition of Joanne Greenberg’s I Never Promised You a Rose Garden. . . . I inhaled the book . . . and, as one did, promptly shared it with a friend. . . . When I passed along my copy . . . I wasn’t making a statement about depression or mental illness. I was trying to share the story of a girl like the two of us, who is scared and lost, but survives. . . . I continue to take comfort in the power of Greenberg’s book . . . to have said things I couldn’t say. . . . Today’s teenagers have access to a much wider range of resources than I did to help them deal with the difficulty of adolescence. But they might still find something relatable, and useful, in books like Greenberg’s—which champions nonlinear journeys and tough, humane conversations about growing up. The enduring dignity it gives to so many facets of girlhood secures its place as a classic.” ―Lauren LeBlanc, The Atlantic

“Convincing and emotionally gripping.” ―The New York Times

“The life and wit in this book jump right off the page.” ―Vanity Fair

“Marvelous . . . With a courage that is sometimes breathtaking . . . [Greenberg] makes a faultless series of discriminations between the justifications for living in an evil and complex reality and the justifications for retreating into the security of madness.” ―The New York Times Book Review

“A rare and wonderful insight into the dark kingdom of the mind.” ―Chicago Tribune
 
“[Joanne Greenberg] is a living example of someone who refused the fate prescribed to her and chose instead to be many other things: clever, attentive, kind, iconoclastic, and the author of more than fifteen books on wildly varying topics. Her life as a recovered patient is not a glamorous or a tragic or a particularly scary one--but it might be a truer one.” ―The New Republic

“Captur[es] something about the peculiar anxieties associated with being young, and [offers] a lens through which to better understand the symptoms and complexities of mental illness.” ―Oprah Daily

“Striking . . . Provides an important step on that journey for us all . . . [to understand] severe mental health problems.” ―The Guardian

“A mov­ing nov­el of per­se­ver­ance against life’s strug­gles . . . [This] new edi­tion under the Pen­guin Clas­sics imprint . . . pro­vides a frame­work for more com­plex under­stand­ings of the nov­el—espe­cial­ly when it comes to its por­tray­al of men­tal health issues and Jew­ish­ness. . . . [It] facil­i­tates mean­ing­ful dis­cus­sion about the con­nec­tions between anti­semitism, gen­er­a­tional trau­ma, and men­tal health.” ―Jewish Book Council

“A gorgeous, hopeful story that deserves to be better read.” —STAT

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