Download high-resolution image Look inside
Listen to a clip from the audiobook
audio pause button
0:00
0:00

There's Someone Inside Your House

Look inside
Listen to a clip from the audiobook
audio pause button
0:00
0:00
Best Seller
Now a Netflix Feature Film!

“A heart-pounding page-turner with an outstanding cast of characters, a deliciously creepy setting, and an absolutely merciless body count.” –Courtney Summers, New York Times bestselling author of Sadie and The Project

A New York Times bestseller

It’s been almost a year since Makani Young came to live with her grandmother and she’s still adjusting to her new life in rural Nebraska. Then, one by one, students at her high school begin to die in a series of gruesome murders, each with increasing and grotesque flair.

As the body count rises and the terror grows closer, can Makani survive the killer’s twisted plan?
Stephanie Perkins is the New York Times bestselling author and anthology editor of multiple books for young adults, including Anna and the French Kiss, Lola and the Boy Next Door, and Isla and the Happily Ever After. She has always worked with books—first as a bookseller, then as a librarian, and now as a novelist. Stephanie lives in the mountains of North Carolina with her husband. Every room of their house is painted a different color of the rainbow. View titles by Stephanie Perkins

Chapter One

The egg-shaped timer was on the welcome mat when she came home.

Haley Whitehall glanced over her shoulder, as if expecting someone behind her. Far in the distance, a red combine rolled through the sallow cornfields. Her father. Harvest time. Her mother was still at work, too, a dental technician at the only practice in town. Which one of them had left it here? The decaying porch boards sagged and splintered beneath Haley’s shifting weight as she picked up the timer. It rattled in her hand. The day had been cold, but the plastic eggshell was warm. Faintly so.

Her phone rang. It was Brooke, of course.

. . .

Haley stared out the windows and finished her sandwich. The sun hung low on the horizon. It shone through the cornfields, making the brittle stalks appear soft and dull. Her father was still out there. Somewhere. This time of year, he didn’t let a single ray go to waste. The world looked abandoned. It was the opposite of the loud, colorful, enthusiastic group of people she’d left behind at school. She should have stuck it out. She hated the quiet isolation that permeated her house. It was exhausting in its own way.

Haley made sympathetic noises into the phone—though she had no idea what she was sympathizing with—and stood. She walked her plate back to the kitchen, rinsed off the crumbs, and popped open the dishwasher.

The only thing inside it was a dirty butter knife.

Haley glanced at the sink, which was empty. A frown appeared between her brows. She put the plate into the dishwasher and shook her head.

“Even if we can get the sprayer working,” Brooke was saying, their connection suddenly clear, “I’m not sure enough people will even want to sit in the first three rows. I mean, who goes to the theater to wear ponchos and get drenched in blood?”

Haley sensed that her friend needed vocal reassurance. “It’s Halloween weekend. People will buy the tickets. They’ll think it’s fun.” She took a step toward the stairs, toward her bedroom, and her sneaker connected with a small, hard object. It shot across the floor tiles, skidding and rattling and clattering and clanging, until it smacked into the bottom of the pantry.

It was the egg timer.

Haley’s heart stopped. Just for a moment.

An uneasy prickling grew under her skin as she moved toward the pantry door, which one of her parents had left ajar. She pushed it closed with her fingertips and then picked up the timer, slowly. As if it were heavy. She could have sworn she’d set it on the countertop, but she must have dropped it to the floor along with her backpack.

“. . . still listening?”

The voice barely reached her ears. “Sorry?”

“I asked if you were still listening to me.”

“Sorry,” Haley said again. She stared at the timer. “I must be more tired than I thought. I think I’m gonna crash until my mom gets home.”

They hung up, and Haley shoved the phone into the front right pocket of her jeans. She placed the timer back on the countertop. The timer was smooth and white. Innocuous. Haley couldn’t pinpoint why, exactly, but the damn thing unsettled her.

She trekked upstairs and went directly to bed, collapsing in a weary heap, kicking off her sneakers, too drained to unlace them. The phone jabbed at her hip. She pulled it from her pocket and slung it onto her nightstand. The setting sun pierced through her window at a perfect, irritating angle, and she winced and rolled over.

She fell asleep instantly.

Haley startled awake. Her heart was pounding, and the house was dark.

She exhaled—a long, unclenching, diaphragm-deep breath. And that was when her brain processed the noise. The noise that had woken her up.

Ticking.

Haley’s blood chilled. She rolled over to face the nightstand. Her phone was gone, and in its place, right at eye level, was the egg timer.

It went off.

PRAISE FOR NEW YORK TIMES BESTSELLER THERE'S SOMEONE INSIDE YOUR HOUSE!

Equal parts heart-stopping horror and steamy romance. It’s tons of bloody fun.” –HelloGiggles

“A chilling, fast-paced, horror-inducing story that will have you quickly flipping through the pages to find out what happens.” –BuzzFeed 

Romance and grisly murders crawl into the back seat of the car for a make-out session, producing a read that is as eerie as it is delightful.” –Associated Press

Addictive.”  –Bustle
 
Truly terrifying.” –Hypable
 
Absolutely thrilling.”  –Paste
 
“Mixes the wit of modern slasher films like Scream with the grounded characters and emotions of contemporary YA.” –Mashable
 
Readers will be sleeping with one eye open.” –Booklist
 
AND DON'T MISS STEPHANIE'S BELOVED ROMANCE TRILOGY—ANNA AND THE FRENCH KISS, LOLA AND THE BOY NEXT DOOR, AND ISLA AND THE HAPPILY EVER AFTER

“Stephanie Perkins’s characters fall in love the way we all want to, in real time and for good.” -Rainbow Rowell, #1 New York Times bestselling author
 
“Magical. Anna and the French Kiss really captures the feeling of being in love.” –Cassandra Clare, #1 New York Times bestselling author of the Mortal Instruments series and the Infernal Devices trilogy

“Very sly. Very funny. Very romantic. You should date this book.” –Maureen Johnson, New York Times bestselling author of the Truly Devious series and 13 Little Blue Envelopes
 


About

Now a Netflix Feature Film!

“A heart-pounding page-turner with an outstanding cast of characters, a deliciously creepy setting, and an absolutely merciless body count.” –Courtney Summers, New York Times bestselling author of Sadie and The Project

A New York Times bestseller

It’s been almost a year since Makani Young came to live with her grandmother and she’s still adjusting to her new life in rural Nebraska. Then, one by one, students at her high school begin to die in a series of gruesome murders, each with increasing and grotesque flair.

As the body count rises and the terror grows closer, can Makani survive the killer’s twisted plan?

Author

Stephanie Perkins is the New York Times bestselling author and anthology editor of multiple books for young adults, including Anna and the French Kiss, Lola and the Boy Next Door, and Isla and the Happily Ever After. She has always worked with books—first as a bookseller, then as a librarian, and now as a novelist. Stephanie lives in the mountains of North Carolina with her husband. Every room of their house is painted a different color of the rainbow. View titles by Stephanie Perkins

Excerpt

Chapter One

The egg-shaped timer was on the welcome mat when she came home.

Haley Whitehall glanced over her shoulder, as if expecting someone behind her. Far in the distance, a red combine rolled through the sallow cornfields. Her father. Harvest time. Her mother was still at work, too, a dental technician at the only practice in town. Which one of them had left it here? The decaying porch boards sagged and splintered beneath Haley’s shifting weight as she picked up the timer. It rattled in her hand. The day had been cold, but the plastic eggshell was warm. Faintly so.

Her phone rang. It was Brooke, of course.

. . .

Haley stared out the windows and finished her sandwich. The sun hung low on the horizon. It shone through the cornfields, making the brittle stalks appear soft and dull. Her father was still out there. Somewhere. This time of year, he didn’t let a single ray go to waste. The world looked abandoned. It was the opposite of the loud, colorful, enthusiastic group of people she’d left behind at school. She should have stuck it out. She hated the quiet isolation that permeated her house. It was exhausting in its own way.

Haley made sympathetic noises into the phone—though she had no idea what she was sympathizing with—and stood. She walked her plate back to the kitchen, rinsed off the crumbs, and popped open the dishwasher.

The only thing inside it was a dirty butter knife.

Haley glanced at the sink, which was empty. A frown appeared between her brows. She put the plate into the dishwasher and shook her head.

“Even if we can get the sprayer working,” Brooke was saying, their connection suddenly clear, “I’m not sure enough people will even want to sit in the first three rows. I mean, who goes to the theater to wear ponchos and get drenched in blood?”

Haley sensed that her friend needed vocal reassurance. “It’s Halloween weekend. People will buy the tickets. They’ll think it’s fun.” She took a step toward the stairs, toward her bedroom, and her sneaker connected with a small, hard object. It shot across the floor tiles, skidding and rattling and clattering and clanging, until it smacked into the bottom of the pantry.

It was the egg timer.

Haley’s heart stopped. Just for a moment.

An uneasy prickling grew under her skin as she moved toward the pantry door, which one of her parents had left ajar. She pushed it closed with her fingertips and then picked up the timer, slowly. As if it were heavy. She could have sworn she’d set it on the countertop, but she must have dropped it to the floor along with her backpack.

“. . . still listening?”

The voice barely reached her ears. “Sorry?”

“I asked if you were still listening to me.”

“Sorry,” Haley said again. She stared at the timer. “I must be more tired than I thought. I think I’m gonna crash until my mom gets home.”

They hung up, and Haley shoved the phone into the front right pocket of her jeans. She placed the timer back on the countertop. The timer was smooth and white. Innocuous. Haley couldn’t pinpoint why, exactly, but the damn thing unsettled her.

She trekked upstairs and went directly to bed, collapsing in a weary heap, kicking off her sneakers, too drained to unlace them. The phone jabbed at her hip. She pulled it from her pocket and slung it onto her nightstand. The setting sun pierced through her window at a perfect, irritating angle, and she winced and rolled over.

She fell asleep instantly.

Haley startled awake. Her heart was pounding, and the house was dark.

She exhaled—a long, unclenching, diaphragm-deep breath. And that was when her brain processed the noise. The noise that had woken her up.

Ticking.

Haley’s blood chilled. She rolled over to face the nightstand. Her phone was gone, and in its place, right at eye level, was the egg timer.

It went off.

Praise

PRAISE FOR NEW YORK TIMES BESTSELLER THERE'S SOMEONE INSIDE YOUR HOUSE!

Equal parts heart-stopping horror and steamy romance. It’s tons of bloody fun.” –HelloGiggles

“A chilling, fast-paced, horror-inducing story that will have you quickly flipping through the pages to find out what happens.” –BuzzFeed 

Romance and grisly murders crawl into the back seat of the car for a make-out session, producing a read that is as eerie as it is delightful.” –Associated Press

Addictive.”  –Bustle
 
Truly terrifying.” –Hypable
 
Absolutely thrilling.”  –Paste
 
“Mixes the wit of modern slasher films like Scream with the grounded characters and emotions of contemporary YA.” –Mashable
 
Readers will be sleeping with one eye open.” –Booklist
 
AND DON'T MISS STEPHANIE'S BELOVED ROMANCE TRILOGY—ANNA AND THE FRENCH KISS, LOLA AND THE BOY NEXT DOOR, AND ISLA AND THE HAPPILY EVER AFTER

“Stephanie Perkins’s characters fall in love the way we all want to, in real time and for good.” -Rainbow Rowell, #1 New York Times bestselling author
 
“Magical. Anna and the French Kiss really captures the feeling of being in love.” –Cassandra Clare, #1 New York Times bestselling author of the Mortal Instruments series and the Infernal Devices trilogy

“Very sly. Very funny. Very romantic. You should date this book.” –Maureen Johnson, New York Times bestselling author of the Truly Devious series and 13 Little Blue Envelopes
 


Books for Native American Heritage Month

In celebration of Native American Heritage Month this November, Penguin Random House Education is highlighting books that detail the history of Native Americans, and stories that explore Native American culture and experiences. Browse our collections here: Native American Creators Native American History & Culture

Read more

2024 Middle and High School Collections

The Penguin Random House Education Middle School and High School Digital Collections feature outstanding fiction and nonfiction from the children’s, adult, DK, and Grupo Editorial divisions, as well as publishers distributed by Penguin Random House. Peruse online or download these valuable resources to discover great books in specific topic areas such as: English Language Arts,

Read more

PRH Education High School Collections

All reading communities should contain protected time for the sake of reading. Independent reading practices emphasize the process of making meaning through reading, not an end product. The school culture (teachers, administration, etc.) should affirm this daily practice time as inherently important instructional time for all readers. (NCTE, 2019)   The Penguin Random House High

Read more

PRH Education Translanguaging Collections

Translanguaging is a communicative practice of bilinguals and multilinguals, that is, it is a practice whereby bilinguals and multilinguals use their entire linguistic repertoire to communicate and make meaning (García, 2009; García, Ibarra Johnson, & Seltzer, 2017)   It is through that lens that we have partnered with teacher educators and bilingual education experts, Drs.

Read more