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When the Bones Sing

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From New York Times bestselling author of Dark and Shallow Lies comes a new southern gothic supernatural thriller about a teen girl in a small Ozark town who can hear the bones of the dead.

For fans of House of Hollow and She Is a Haunting.


The past three years have been tough for Lucifer’s Creek, Arkansas, a small town quietly tucked away in the Ozark mountains. More than two dozen people have disappeared on the local hiking trails; there one moment, gone the next, not a trace left behind, until their buried bodies are discovered.

17-year-old Dovie doesn’t believe in magic even though she comes from a long line of women who can hear the bones of the dead sing, and for the past few years the bones have been crooning nonstop, calling out to Dovie to dig them up.

Some of the old-timers believe that it’s the monstrous Ozarks howler snatching people off the Aux Arc Trail. Well Dovie doesn’t believe in the howler, and she doesn’t believe her best friend Lo when he tells her he is being haunted by dark shadows. All she believes in is her talent that guides the local sheriff to the bones when they begin their song, then reuniting the dead with their families to give them some peace.

Lo doesn’t know peace, though. The shadows follow him everywhere. He soon learns they’re the murdered hikers and they want answers. But the truth of their deaths isn’t buried with their bones; it’s hidden somewhere deep in the hills. And Lo and Dovie must unearth it before anyone else is killed.
Ginny Myers Sain is the New York Times bestselling author of Dark and Shallow Lies, Secrets So Deep, and One Last Breath. She lives in Florida and has spent the past twenty years working closely with teens as a director and acting instructor in a program designed for high school students seriously intent on pursuing a career in the professional theatre. Having grown up in deeply rural America, she is interested in telling stories about resilient kids who come of age in remote settings.

Follow her on Twitter @stageandpage and on Instagram @ginnymyerssain or find her on her website at ginnymyerssain.com. View titles by Ginny Myers Sain
The first time I pulled a skeleton from the ground, I wasn’t even four years old. I’d wandered away from a church picnic while Daddy sat in the shade turning the crank on our old ice cream maker and mopping sweat from his forehead with a faded red bandana. Nana found me on my hands and knees just inside the tree line, chubby fingers plunged deep into the rich, black dirt. Dovie girl, she had scolded. You can’t be takin’ off like that. It’s ­danger—­ She froze when she saw me holding a pale finger bone out to her like a prize in an Easter egg hunt. Then her eyes caught fire and she opened up wide enough for me to see clear down her throat when she threw her head back and hollered, “Del! Come look what Dovie’s got! Come see what our girl can do!”
Daddy left the ice cream to melt and scooped me up quick as summer lightning. In one move, his strong hands knocked the bone from my fingers and the damp earth from the front of my dress, and I wailed as he carried me back home.
“Like her mama, God help her,” my Sunday School teacher whispered as we passed. “And her grandmother.” The words wormed their way into my ear, even over the sound of my own shrieking.
“Cryin’ for the dead,” one of the old men added. There were always a handful of them gathered like crows outside the little coffee shop on Mud Street. And the rest agreed like a Greek chorus.
But they were all wrong. I wasn’t worked up over whoever that finger belonged to. I didn’t understand enough back then to weep for someone who was only bones. Somebody I didn’t know, besides.
I was crying because I knew I wasn’t gonna get any of that strawberry ice cream Daddy had been churning. And I’d had my mouth set for it so bad.
I must have been dreaming about that day, because I wake up craving the taste of fresh strawberries cold on my tongue. But as soon as I sit up in bed, I know what it was that pulled me out of my dreams, and it wasn’t the memory of ice cream I didn’t get thirteen years ago.
My teeth are chattering louder than the shuddering air conditioner propped up in the attic window. My whole body is humming. Vibrating at a familiar frequency.
I can feel the dead deep in my bones.
★"Lyrical prose…. vividly descriptive text evokes an ethereal yet grounded setting. Plot points offer shocking twists that feel appropriately earned in a rural Southern gothic horror novel that will stay with readers well beyond the last page." —PW (starred review)

"A twisted, gripping mystery."Booklist

"Like the sulfurous stream that gives Lucifer’s Creek its name, the central mystery twists and turns in unexpected ways, building up to a chilling reveal in the final act that skirts the edge of horror. Gripping and intensely atmospheric." —Kirkus

"This is a remarkable story with a fresh take on supernatural mysteries. The story is brimming with the warm, lazy days of a small town while also managing to be fast-paced and thrilling. It captures the small-town feel—and its scandals." —SLJ

About

From New York Times bestselling author of Dark and Shallow Lies comes a new southern gothic supernatural thriller about a teen girl in a small Ozark town who can hear the bones of the dead.

For fans of House of Hollow and She Is a Haunting.


The past three years have been tough for Lucifer’s Creek, Arkansas, a small town quietly tucked away in the Ozark mountains. More than two dozen people have disappeared on the local hiking trails; there one moment, gone the next, not a trace left behind, until their buried bodies are discovered.

17-year-old Dovie doesn’t believe in magic even though she comes from a long line of women who can hear the bones of the dead sing, and for the past few years the bones have been crooning nonstop, calling out to Dovie to dig them up.

Some of the old-timers believe that it’s the monstrous Ozarks howler snatching people off the Aux Arc Trail. Well Dovie doesn’t believe in the howler, and she doesn’t believe her best friend Lo when he tells her he is being haunted by dark shadows. All she believes in is her talent that guides the local sheriff to the bones when they begin their song, then reuniting the dead with their families to give them some peace.

Lo doesn’t know peace, though. The shadows follow him everywhere. He soon learns they’re the murdered hikers and they want answers. But the truth of their deaths isn’t buried with their bones; it’s hidden somewhere deep in the hills. And Lo and Dovie must unearth it before anyone else is killed.

Author

Ginny Myers Sain is the New York Times bestselling author of Dark and Shallow Lies, Secrets So Deep, and One Last Breath. She lives in Florida and has spent the past twenty years working closely with teens as a director and acting instructor in a program designed for high school students seriously intent on pursuing a career in the professional theatre. Having grown up in deeply rural America, she is interested in telling stories about resilient kids who come of age in remote settings.

Follow her on Twitter @stageandpage and on Instagram @ginnymyerssain or find her on her website at ginnymyerssain.com. View titles by Ginny Myers Sain

Excerpt

The first time I pulled a skeleton from the ground, I wasn’t even four years old. I’d wandered away from a church picnic while Daddy sat in the shade turning the crank on our old ice cream maker and mopping sweat from his forehead with a faded red bandana. Nana found me on my hands and knees just inside the tree line, chubby fingers plunged deep into the rich, black dirt. Dovie girl, she had scolded. You can’t be takin’ off like that. It’s ­danger—­ She froze when she saw me holding a pale finger bone out to her like a prize in an Easter egg hunt. Then her eyes caught fire and she opened up wide enough for me to see clear down her throat when she threw her head back and hollered, “Del! Come look what Dovie’s got! Come see what our girl can do!”
Daddy left the ice cream to melt and scooped me up quick as summer lightning. In one move, his strong hands knocked the bone from my fingers and the damp earth from the front of my dress, and I wailed as he carried me back home.
“Like her mama, God help her,” my Sunday School teacher whispered as we passed. “And her grandmother.” The words wormed their way into my ear, even over the sound of my own shrieking.
“Cryin’ for the dead,” one of the old men added. There were always a handful of them gathered like crows outside the little coffee shop on Mud Street. And the rest agreed like a Greek chorus.
But they were all wrong. I wasn’t worked up over whoever that finger belonged to. I didn’t understand enough back then to weep for someone who was only bones. Somebody I didn’t know, besides.
I was crying because I knew I wasn’t gonna get any of that strawberry ice cream Daddy had been churning. And I’d had my mouth set for it so bad.
I must have been dreaming about that day, because I wake up craving the taste of fresh strawberries cold on my tongue. But as soon as I sit up in bed, I know what it was that pulled me out of my dreams, and it wasn’t the memory of ice cream I didn’t get thirteen years ago.
My teeth are chattering louder than the shuddering air conditioner propped up in the attic window. My whole body is humming. Vibrating at a familiar frequency.
I can feel the dead deep in my bones.

Praise

★"Lyrical prose…. vividly descriptive text evokes an ethereal yet grounded setting. Plot points offer shocking twists that feel appropriately earned in a rural Southern gothic horror novel that will stay with readers well beyond the last page." —PW (starred review)

"A twisted, gripping mystery."Booklist

"Like the sulfurous stream that gives Lucifer’s Creek its name, the central mystery twists and turns in unexpected ways, building up to a chilling reveal in the final act that skirts the edge of horror. Gripping and intensely atmospheric." —Kirkus

"This is a remarkable story with a fresh take on supernatural mysteries. The story is brimming with the warm, lazy days of a small town while also managing to be fast-paced and thrilling. It captures the small-town feel—and its scandals." —SLJ

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