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On the Move

A Life

Read by Dan Woren
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On sale Apr 28, 2015 | 11 Hours and 54 Minutes | 9780804192309
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When Oliver Sacks was twelve years old, a perceptive schoolmaster wrote in his report: “Sacks will go far, if he does not go too far.” It is now abundantly clear that Sacks has never stopped going. From its opening pages on his youthful obsession with motorcycles and speed, On the Move is infused with his restless energy. As he recounts his experiences as a young neurologist in the early 1960s, first in California, where he struggled with drug addiction, and then in New York, where he discovered a long-forgotten illness in the back wards of a chronic hospital, we see how his engagement with patients comes to define his life.

With unbridled honesty and humor, Sacks shows us that the same energy that drives his physical passions—weight lifting and swimming—also drives his cerebral passions. He writes about his love affairs, both romantic and intellectual; his guilt over leaving his family to come to America; his bond with his schizophrenic brother; and the writers and scientists—Thom Gunn, A. R. Luria, W. H. Auden, Gerald M. Edelman, Francis Crick—who influenced him. On the Move is the story of a brilliantly unconventional physician and writer—and of the man who has illuminated the many ways that the brain makes us human.

© Adam Scourfield
OLIVER SACKS, referred by the New York Times as “the poet laureate of medicine,” spent more than fifty years working as a neurologist and writing books about the neurological predicaments and conditions of his patients, including The Man Who Mistook His Wife for a HatMusicophilia, and Awakenings. His work was frequently published in The New Yorker and The New York Review of Books, and over the years, he received many awards, including honors from the Guggenheim Foundation, the National Science Foundation, the American Academy of Arts and Letters, the American Academy of Arts and Sciences, and the Royal College of Physicians. View titles by Oliver Sacks
Muscle Beach
 
When I finally made it to New York in June of 1961, I borrowed money from a cousin and bought a new bike, a BMW R60—the trustiest of all the BMW models. I wanted no more to do with used bikes, like the R69 which some idiot or criminal had fitted with the wrong pistons, the pistons that had seized up in Alabama.
 
I spent a few days in New York, and then the open road beckoned me. I covered thousands of miles in my slow, erratic return to California. The roads were wonderfully empty, and going across South Dakota and Wyoming, I would scarcely see another soul for hours. The silence of the bike, the effortlessness of riding, lent a magical, dreamlike quality to my motion.
 
There is a direct union of oneself with a motorcycle, for it is so geared to one’s proprioception, one’s movements and postures, that it responds almost like part of one’s own body. Bike and rider become a single, indivisible entity; it is very much like riding a horse. A car cannot become part of one in quite the same way.
 
I arrived back in San Francisco at the end of June, just in time to exchange my bike leathers for the white coat of an intern in Mount Zion Hospital.
 
During my long road trip, with snatched meals here and there, I had lost weight, but I had also worked out when possible at gyms, so I was in trim shape, under two hundred pounds, when I showed off my new bike and my new body in New York in June. But when I returned to San Francisco, I decided to “bulk up” (as weight lifters say) and have a go at a weight- lifting record, one which I thought might be just within my reach. Putting on weight was particularly easy to do at Mount Zion, because its coffee shop offered double cheeseburgers and huge milk shakes, and these were free to residents and interns. Rationing myself to five double cheeseburgers and half a dozen milkshakes per evening and training hard, I bulked up swiftly, moving from the mid-heavy category (up to 198 pounds) to the heavy (up to 240 pounds) to the superheavy (no limit). I told my parents about this—as I told them almost everything—and they were a bit disturbed, which surprised me, because my father was no lightweight and weighed around 250 himself.1
 
I had done some weight lifting as a medical student in London in the 1950s. I belonged to a Jewish sports club, the Maccabi, and we would have power-lifting contests with other sports clubs, the three competition lifts being the curl, the bench press, and the squat, or deep knee bend.
 
Very different from these were the three Olympic lifts— the press, the snatch, and the clean and jerk—and here we had world-class lifters in our little gym. One of them, Ben Helfgott, had captained the British weight-lifting team in the 1956 Olympic Games. He became a good friend (and even now, in his eighties, he is still extraordinarily strong and agile).2  I tried the Olympic lifts, but I was too clumsy. My snatches, in particular, were dangerous to those around me, and I was told in no uncertain terms to get off the Olympic lifting platform and go back to power lifting.
 
 
The Central YMCA in San Francisco had particularly good weight-lifting facilities. The first time I went there, my eye was caught by a bench-press bar loaded with nearly 400 pounds. No one at the Maccabi could bench-press anything like this, and when I looked around, I saw no one in the Y who looked up to such a weight. No one, at least, until a short but hugely broad and thick-chested man, a white-haired gorilla, hobbled into the gym—he was slightly bowlegged—lay down on the bench, and, by way of warmup, did a dozen easy reps with the bench-press bar. He added weights for subsequent sets, going to nearly 500 pounds. I had a Polaroid camera with me and took a picture as he rested between sets. I got talking to him later; he was very genial. He told me that his name was Karl Norberg, that he was Swedish, that he had worked all his life as a longshoreman, and that he was now seventy years old. His phenomenal strength had come to him naturally; his only exercise had been hefting boxes and barrels at the docks, often one on each shoulder, boxes and barrels which no “normal” person could even lift off the ground.
 
I felt inspired by Karl and determined to lift greater pound- ages myself, to work on the one lift I was already fairly good at—the squat. Training intensively, even obsessively, at a small gym in San Rafael, I worked up to doing five sets of five reps with 555 pounds every fifth day. The symmetry of this pleased me but caused amusement at the gym—“Sacks and his fives.” I didn’t realize how exceptional this was until another lifter encouraged me to have a go at the California squat record. I did so, diffidently, and to my delight was able to set a new record, a squat with a 600-pound bar on my shoulders. This was to serve as my introduction to the power-lifting world; a weight-lifting record is equivalent, in these circles, to publishing a scientific paper or a book in academia.
 
 
1. My father would eat continually in the presence of food but go all day without food if it was not available; it is similar with me. In the absence of internal controls, I have to have external ones. I have fixed routines for eating and dislike deviations from them.
2. Helfgott’s achievement was all the more extraordinary because he had survived the camps at Buchenwald and Theresienstadt.
**A New York Times Notable Book of 2015**

Michiko Kakutani, The New York Times
“Dr. Sacks writes not only with a doctor’s understanding of medicine and science but also with a Chekhovian sympathy for his patients and a metaphysical appreciation of their emotional quandaries....That writing, which Dr. Sacks says gives him a pleasure ‘unlike any other,’ has also been a gift to his readers—of erudition, sympathy and an abiding understanding of the joys, trials and consolations of the human condition.” 

Lauren Slater, Los Angeles Review of Books
“The summation of a life lived with so much breadth and depth that it serves as a primer for how to navigate human existence with humor, humility, passion, speed, intelligence, and ongoing grace — the tale tying together all the stories Sacks has published in his lifetime…. In this book, Sacks reveals himself as a writer, laying bare the process, which was sometimes exquisitely painful and sometimes straightforward; it’s a rare behind-the-scenes glimpse into how one of this country’s most beloved physicians and authors actually plies his craft....Sacks is so vulnerable, so naked, so exposed in the telling of his life that the reader wants to fall in love with him, because what else can you do when a person such as Sacks gives you the gift of such honesty?…. On the Move can be read in many different ways…. In the end, though, what the reader walks away with, or rather, what this reader walked away with, was a field guide on how to live an excellent life, moment by moment, mile by mile, making each droplet count.”

Colin McGinn, Wall Street Journal
“This is a very striking book by a very striking man. It is honest, lucid, passionate, humorous, humane and human (also slightly Martian). The Oliver Sacks you thought you knew may surprise you with his back story…”

Carmela Ciuraru, San Francisco Chronicle
“No matter what he writes about — whether struggling to understand what his patients are going through, or describing his love of swimming or photography — Sacks always seems open to learning more. He appears keenly interested in everything and everyone he encounters. He’s a wonderful storyteller, a gift he says he inherited from his parents, both of whom were doctors. But as he proves again in his latest…book, it’s his keen attentiveness as a listener and observer, and his insatiable curiosity, that makes his work so powerful.”
 
Heller McAlpin, LA Times
On the Move is filled with both wonder and wonderments….Sacks’ discursive, revealing memoir chronicles his surprising route to becoming the bard of brain disorders. Pit stops along the way include his biker days (in which he went by his middle name, Wolf), avid weightlifting, experimentation with psychotropic drugs leading to amphetamine addiction, numerous brushes with death, lifelong passion for long-distance swims, and so many carelessly lost manuscripts you can’t help but wonder about Freudian slips. The vivid self-portrait that emerges is of an immoderate risk taker with a brilliant ‘wildly associative mind,’ an enthusiast who regards ‘all neurology, everything as a sort of adventure.’ A teacher’s astute assessment best sums up Sacks’ nature: ‘Sacks will go far, if he does not go too far.’ He has frequently pushed the limits.”

Suzanne Koven, Boston Globe
“Sacks’ empathy and intellectual curiosity, his delight in, as he calls it, ‘joining particulars with generalities’ and, especially, ‘narratives with neuroscience’ —have never been more evident than in his beautifully conceived new book, On The Move. This meta memoir, in which Sacks reconsiders aspects of his life and work that he’s written about in a dozen previous books, is remarkably candid and deeply affecting.”
 
Colette Bancroft, Tampa Bay Times
“On the Move is entertaining and illuminating and sometimes shocking, and it’s given a deep tinge of poignancy by Sacks’ public announcement in February that he has terminal cancer. If On the Move is his effort, at age 81 and in the face of death, to record a life well lived, he has succeeded beautifully.”
 
Laura Miller, Salon
On the Move is an enchanting window on just how much vitality you can pack into four-score years on this planet…"

Tyghe Trimble, Men’s Journal
“What you likely don’t know about Sacks is that he once held a weightlifting record in California, is a serious motorcycle enthusiast, and fell in love at 77. Such moments make On the Move a compelling read. The memoir offers a glimpse into one of the greatest minds of our time, made all the more special by the knowledge that it’s one of his last gifts to a devoted readership.”
 
Jennie Yabroff, Biographile
“You finish On the Move with a sense of wonder and admiration.” 

Melissa Pierson, Daily Beast
“…an unforgettably passionate, joyous journey.” 

Jeff Milo, Paste
“An ebullient telling of a remarkable life.” 

Dan Cryer, Newsday
“Learning to come to terms with unique patients has given Oliver Sacks permission to come to terms with himself. And what a self this book reveals! A man animated by boundless curiosity, wide-ranging intelligence, gratitude for flawed humanity, perseverance despite setbacks…. Oliver Sacks can never be replaced. We’re lucky to have all the books, including On the Move. It’s intensely, beautifully, incandescently alive."
 
Alden Mudge, BookPage
“In these pages, Sacks is always on the move, leaping adroitly from one topic to the next. We are swept along by the velocity of his account of a long and eventful life.”

About

When Oliver Sacks was twelve years old, a perceptive schoolmaster wrote in his report: “Sacks will go far, if he does not go too far.” It is now abundantly clear that Sacks has never stopped going. From its opening pages on his youthful obsession with motorcycles and speed, On the Move is infused with his restless energy. As he recounts his experiences as a young neurologist in the early 1960s, first in California, where he struggled with drug addiction, and then in New York, where he discovered a long-forgotten illness in the back wards of a chronic hospital, we see how his engagement with patients comes to define his life.

With unbridled honesty and humor, Sacks shows us that the same energy that drives his physical passions—weight lifting and swimming—also drives his cerebral passions. He writes about his love affairs, both romantic and intellectual; his guilt over leaving his family to come to America; his bond with his schizophrenic brother; and the writers and scientists—Thom Gunn, A. R. Luria, W. H. Auden, Gerald M. Edelman, Francis Crick—who influenced him. On the Move is the story of a brilliantly unconventional physician and writer—and of the man who has illuminated the many ways that the brain makes us human.

Author

© Adam Scourfield
OLIVER SACKS, referred by the New York Times as “the poet laureate of medicine,” spent more than fifty years working as a neurologist and writing books about the neurological predicaments and conditions of his patients, including The Man Who Mistook His Wife for a HatMusicophilia, and Awakenings. His work was frequently published in The New Yorker and The New York Review of Books, and over the years, he received many awards, including honors from the Guggenheim Foundation, the National Science Foundation, the American Academy of Arts and Letters, the American Academy of Arts and Sciences, and the Royal College of Physicians. View titles by Oliver Sacks

Excerpt

Muscle Beach
 
When I finally made it to New York in June of 1961, I borrowed money from a cousin and bought a new bike, a BMW R60—the trustiest of all the BMW models. I wanted no more to do with used bikes, like the R69 which some idiot or criminal had fitted with the wrong pistons, the pistons that had seized up in Alabama.
 
I spent a few days in New York, and then the open road beckoned me. I covered thousands of miles in my slow, erratic return to California. The roads were wonderfully empty, and going across South Dakota and Wyoming, I would scarcely see another soul for hours. The silence of the bike, the effortlessness of riding, lent a magical, dreamlike quality to my motion.
 
There is a direct union of oneself with a motorcycle, for it is so geared to one’s proprioception, one’s movements and postures, that it responds almost like part of one’s own body. Bike and rider become a single, indivisible entity; it is very much like riding a horse. A car cannot become part of one in quite the same way.
 
I arrived back in San Francisco at the end of June, just in time to exchange my bike leathers for the white coat of an intern in Mount Zion Hospital.
 
During my long road trip, with snatched meals here and there, I had lost weight, but I had also worked out when possible at gyms, so I was in trim shape, under two hundred pounds, when I showed off my new bike and my new body in New York in June. But when I returned to San Francisco, I decided to “bulk up” (as weight lifters say) and have a go at a weight- lifting record, one which I thought might be just within my reach. Putting on weight was particularly easy to do at Mount Zion, because its coffee shop offered double cheeseburgers and huge milk shakes, and these were free to residents and interns. Rationing myself to five double cheeseburgers and half a dozen milkshakes per evening and training hard, I bulked up swiftly, moving from the mid-heavy category (up to 198 pounds) to the heavy (up to 240 pounds) to the superheavy (no limit). I told my parents about this—as I told them almost everything—and they were a bit disturbed, which surprised me, because my father was no lightweight and weighed around 250 himself.1
 
I had done some weight lifting as a medical student in London in the 1950s. I belonged to a Jewish sports club, the Maccabi, and we would have power-lifting contests with other sports clubs, the three competition lifts being the curl, the bench press, and the squat, or deep knee bend.
 
Very different from these were the three Olympic lifts— the press, the snatch, and the clean and jerk—and here we had world-class lifters in our little gym. One of them, Ben Helfgott, had captained the British weight-lifting team in the 1956 Olympic Games. He became a good friend (and even now, in his eighties, he is still extraordinarily strong and agile).2  I tried the Olympic lifts, but I was too clumsy. My snatches, in particular, were dangerous to those around me, and I was told in no uncertain terms to get off the Olympic lifting platform and go back to power lifting.
 
 
The Central YMCA in San Francisco had particularly good weight-lifting facilities. The first time I went there, my eye was caught by a bench-press bar loaded with nearly 400 pounds. No one at the Maccabi could bench-press anything like this, and when I looked around, I saw no one in the Y who looked up to such a weight. No one, at least, until a short but hugely broad and thick-chested man, a white-haired gorilla, hobbled into the gym—he was slightly bowlegged—lay down on the bench, and, by way of warmup, did a dozen easy reps with the bench-press bar. He added weights for subsequent sets, going to nearly 500 pounds. I had a Polaroid camera with me and took a picture as he rested between sets. I got talking to him later; he was very genial. He told me that his name was Karl Norberg, that he was Swedish, that he had worked all his life as a longshoreman, and that he was now seventy years old. His phenomenal strength had come to him naturally; his only exercise had been hefting boxes and barrels at the docks, often one on each shoulder, boxes and barrels which no “normal” person could even lift off the ground.
 
I felt inspired by Karl and determined to lift greater pound- ages myself, to work on the one lift I was already fairly good at—the squat. Training intensively, even obsessively, at a small gym in San Rafael, I worked up to doing five sets of five reps with 555 pounds every fifth day. The symmetry of this pleased me but caused amusement at the gym—“Sacks and his fives.” I didn’t realize how exceptional this was until another lifter encouraged me to have a go at the California squat record. I did so, diffidently, and to my delight was able to set a new record, a squat with a 600-pound bar on my shoulders. This was to serve as my introduction to the power-lifting world; a weight-lifting record is equivalent, in these circles, to publishing a scientific paper or a book in academia.
 
 
1. My father would eat continually in the presence of food but go all day without food if it was not available; it is similar with me. In the absence of internal controls, I have to have external ones. I have fixed routines for eating and dislike deviations from them.
2. Helfgott’s achievement was all the more extraordinary because he had survived the camps at Buchenwald and Theresienstadt.

Praise

**A New York Times Notable Book of 2015**

Michiko Kakutani, The New York Times
“Dr. Sacks writes not only with a doctor’s understanding of medicine and science but also with a Chekhovian sympathy for his patients and a metaphysical appreciation of their emotional quandaries....That writing, which Dr. Sacks says gives him a pleasure ‘unlike any other,’ has also been a gift to his readers—of erudition, sympathy and an abiding understanding of the joys, trials and consolations of the human condition.” 

Lauren Slater, Los Angeles Review of Books
“The summation of a life lived with so much breadth and depth that it serves as a primer for how to navigate human existence with humor, humility, passion, speed, intelligence, and ongoing grace — the tale tying together all the stories Sacks has published in his lifetime…. In this book, Sacks reveals himself as a writer, laying bare the process, which was sometimes exquisitely painful and sometimes straightforward; it’s a rare behind-the-scenes glimpse into how one of this country’s most beloved physicians and authors actually plies his craft....Sacks is so vulnerable, so naked, so exposed in the telling of his life that the reader wants to fall in love with him, because what else can you do when a person such as Sacks gives you the gift of such honesty?…. On the Move can be read in many different ways…. In the end, though, what the reader walks away with, or rather, what this reader walked away with, was a field guide on how to live an excellent life, moment by moment, mile by mile, making each droplet count.”

Colin McGinn, Wall Street Journal
“This is a very striking book by a very striking man. It is honest, lucid, passionate, humorous, humane and human (also slightly Martian). The Oliver Sacks you thought you knew may surprise you with his back story…”

Carmela Ciuraru, San Francisco Chronicle
“No matter what he writes about — whether struggling to understand what his patients are going through, or describing his love of swimming or photography — Sacks always seems open to learning more. He appears keenly interested in everything and everyone he encounters. He’s a wonderful storyteller, a gift he says he inherited from his parents, both of whom were doctors. But as he proves again in his latest…book, it’s his keen attentiveness as a listener and observer, and his insatiable curiosity, that makes his work so powerful.”
 
Heller McAlpin, LA Times
On the Move is filled with both wonder and wonderments….Sacks’ discursive, revealing memoir chronicles his surprising route to becoming the bard of brain disorders. Pit stops along the way include his biker days (in which he went by his middle name, Wolf), avid weightlifting, experimentation with psychotropic drugs leading to amphetamine addiction, numerous brushes with death, lifelong passion for long-distance swims, and so many carelessly lost manuscripts you can’t help but wonder about Freudian slips. The vivid self-portrait that emerges is of an immoderate risk taker with a brilliant ‘wildly associative mind,’ an enthusiast who regards ‘all neurology, everything as a sort of adventure.’ A teacher’s astute assessment best sums up Sacks’ nature: ‘Sacks will go far, if he does not go too far.’ He has frequently pushed the limits.”

Suzanne Koven, Boston Globe
“Sacks’ empathy and intellectual curiosity, his delight in, as he calls it, ‘joining particulars with generalities’ and, especially, ‘narratives with neuroscience’ —have never been more evident than in his beautifully conceived new book, On The Move. This meta memoir, in which Sacks reconsiders aspects of his life and work that he’s written about in a dozen previous books, is remarkably candid and deeply affecting.”
 
Colette Bancroft, Tampa Bay Times
“On the Move is entertaining and illuminating and sometimes shocking, and it’s given a deep tinge of poignancy by Sacks’ public announcement in February that he has terminal cancer. If On the Move is his effort, at age 81 and in the face of death, to record a life well lived, he has succeeded beautifully.”
 
Laura Miller, Salon
On the Move is an enchanting window on just how much vitality you can pack into four-score years on this planet…"

Tyghe Trimble, Men’s Journal
“What you likely don’t know about Sacks is that he once held a weightlifting record in California, is a serious motorcycle enthusiast, and fell in love at 77. Such moments make On the Move a compelling read. The memoir offers a glimpse into one of the greatest minds of our time, made all the more special by the knowledge that it’s one of his last gifts to a devoted readership.”
 
Jennie Yabroff, Biographile
“You finish On the Move with a sense of wonder and admiration.” 

Melissa Pierson, Daily Beast
“…an unforgettably passionate, joyous journey.” 

Jeff Milo, Paste
“An ebullient telling of a remarkable life.” 

Dan Cryer, Newsday
“Learning to come to terms with unique patients has given Oliver Sacks permission to come to terms with himself. And what a self this book reveals! A man animated by boundless curiosity, wide-ranging intelligence, gratitude for flawed humanity, perseverance despite setbacks…. Oliver Sacks can never be replaced. We’re lucky to have all the books, including On the Move. It’s intensely, beautifully, incandescently alive."
 
Alden Mudge, BookPage
“In these pages, Sacks is always on the move, leaping adroitly from one topic to the next. We are swept along by the velocity of his account of a long and eventful life.”

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