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Furious Hours

Murder, Fraud, and the Last Trial of Harper Lee

Author Casey Cep
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In Furious Hours, Casey Cep masterfully brings together the tales of a serial killer in 1970s Alabama and of Harper Lee, the beloved author of To Kill a Mockingbird, who tried to write his story. Reverend Willie Maxwell was a rural preacher accused of murdering five of his family members, but with the help of a savvy lawyer, he escaped justice for years until a relative assassinated him at the funeral of his last victim. Despite hundreds of witnesses, Maxwell’s murderer was acquitted—thanks to the same attorney who had previously defended the reverend himself. Sitting in the audience during the vigilante’s trial was Harper Lee, who spent a year in town reporting on the Maxwell case and many more trying to finish the book she called The Reverend. Cep brings this remarkable story to life, from the horrifying murders to the courtroom drama to the racial politics of the Deep South, while offering a deeply moving portrait of one of our most revered writers.

“Captivating. . . . A spellbinding true crime story.” —The New York Times Book Review

“A triumph on every level. One of the losses to literature is that Harper Lee never found a way to tell a gothic true-crime story she’d spent years researching. Casey Cep has excavated this mesmerizing story and tells it with grace and insight and a fierce fidelity to the truth.” —David Grann, author of Killers of the Flower Moon

“The sort of story that even Lee would have been proud to write.” —Michael Lewis, The New York Times

“Remarkable, thoroughly researched. . . . Cep manages the feat that all great nonfiction aspires to: combining the clean precision of fact with the urgency of gossip.” —The New York Review of Books

“A gripping, incredibly well-written portrait of not only Harper Lee, but of mid-20th century Alabama. . . . What I didn’t see coming was the emotional response I’d have as I blazed through the last 20 pages of the book—yet there I was, weeping.” —Ilana Masad, NPR

“It’s been a long time since I picked up a book so impossible to put down. Furious Hours made me forget dinner, ignore incoming calls, and stay up reading into the small hours.” —Helen Macdonald, author of H Is for Hawk

“A well-told, ingeniously structured double mystery—one an unsolved serial killing, the other an elusive book—rich in droll humour and deep but lightly worn research.” —The Economist

“An enthralling work of narrative nonfiction. . . . Cep delivers edge-of-your-seat courtroom drama while brilliantly reinventing Southern Gothic.” —O, The Oprah Magazine

“I woke up early just so I could keep reading Furious Hours, conflicted between feeling desperate to know more and not wanting it to end. It’s a marvelous accomplishment that left me completely enthralled.” —Sarah Jessica Parker
 
“A marvel. . . . Cep’s is an account emotionally attuned to the toll that great writing takes, and shows that sometimes one perfect book is all we can ask for, even while we wish for another.” —Time
 
“A terrific book about murder, race, and Harper Lee.” —Al Roker via Twitter
 
“A brilliant take on the mystery of inspiration and the even darker mysteries of the human heart.” —People
 
“A compelling hybrid of a novel, at once a true-crime thriller, courtroom drama, and miniature biography of Harper Lee.” —Southern Living
 
“There’s a stirring poetry to Furious Hours that eludes most contemporary nonfiction. . . . [The book] fills in the gap of Lee’s post-Mockingbird career with insatiable curiosity and impressive research. It reveals not just her intellectual interests, but within them, her personal relationships and motivations.”
Entertainment Weekly
© © Kathryn Schulz
Casey Cep is a staff writer at The New Yorker. After graduating from Harvard with a degree in English, she earned an M.Phil in theology at Oxford as a Rhodes Scholar. She lives on the Eastern Shore of Maryland with her family. Furious Hoursis her first book. www.caseycep.com View titles by Casey Cep
Excerpted from Furious Hours:

Nobody recognized her. Harper Lee was well known, but not by sight, and if she hadn’t introduced herself, it’s unlikely that anyone in the courtroom would have figured out who she was. Hundreds of people were crowded into the gallery, filling the wooden benches that squeaked whenever someone moved or leaning against the back wall if they hadn’t arrived in time for a seat. Late September wasn’t late enough for the Alabama heat to have died down, and the air-conditioning in the courthouse wasn’t working, so the women waved fans while the men’s suits grew damp under their arms and around their collars. The spectators whispered from time to time, and every so often they laughed—an uneasy laughter that evaporated whenever the judge quieted them.

The defendant was black, but the lawyers were white, and so were the judge and the jury. The charge was murder in the first degree. Three months before, at the funeral of a sixteen-year-old girl, the man with his legs crossed patiently beside the defense table had pulled a pistol from the inside pocket of his jacket and shot the Reverend Willie Maxwell three times in the head. Three hundred people had seen him do it. Many of them were now at his trial, not to learn why he had killed the Reverend—everyone in three counties knew that, and some were surprised no one had done it sooner—but to understand the disturbing series of deaths that had come before the one they’d witnessed.

One by one, over a period of seven years, six people close to the Reverend had died under circumstances that nearly everyone agreed were suspicious and some deemed supernatural. Through all of the resulting investigations, the Reverend was represented by a lawyer named Tom Radney, whose presence in the courtroom that day wouldn’t have been remarkable had he not been there to defend the man who killed his former client. A Kennedy liberal in the Wallace South, Radney was used to making headlines, and this time he would make them far beyond the local Alexander City Outlook. Reporters from the Associated Press and other wire services, along with national magazines and newspapers including Newsweek and The New York Times, had flocked to Alexander City to cover what was already being called the tale of the murderous voodoo preacher and the vigilante who shot him.

One of the reporters, though, wasn’t constrained by a daily deadline. Harper Lee lived in Manhattan but still spent some of each year in Monroeville, the town where she was born and raised, only 150 miles away from Alex City. Seventeen years had passed since she’d published To Kill a Mockingbird and twelve since she’d finished helping her friend Truman Capote report the crime story in Kansas that became In Cold Blood. Now, finally, she was ready to try again. One of the state’s best trial lawyers was arguing one of the state’s strangest cases, and the state’s most famous author was there to write about it. She would spend a year in town investigating the case, and many more turning it into prose. The mystery in the courtroom that day was what would become of the man who shot the Reverend Willie Maxwell. But for decades after the verdict, the mystery was what became of Harper Lee’s book.
  • SHORTLIST | 2019
    The Baillie Gifford Prize
One of the Best Books of the Year
The New York Times * The Washington Post * Time * Dallas Morning News * The Economist


“Captivating. . . . A spellbinding true crime story.” —The New York Times Book Review

“A triumph on every level. One of the losses to literature is that Harper Lee never found a way to tell a gothic true-crime story she’d spent years researching. Casey Cep has excavated this mesmerizing story and tells it with grace and insight and a fierce fidelity to the truth.” —David Grann, author of Killers of the Flower Moon

“An enthralling work of narrative nonfiction. . . . Cep delivers edge-of-your-seat courtroom drama while brilliantly reinventing Southern Gothic.” —O, The Oprah Magazine
 
“The sort of story that even Lee would have been proud to write.” —Michael Lewis, The New York Times

“A marvel.” —Time

“Impossible to put down.” —Helen Macdonald, author of H Is for Hawk

“Remarkable, thoroughly researched. . . . Cep manages the feat that all great nonfiction aspires to: combining the clean precision of fact with the urgency of gossip.” —The New York Review of Books

"Fascinating. . . . Lyrically composed." —Minneapolis Star Tribune

"Stunning." —Financial Times

“A rich, ambitious, beautifully written book.” —The Washington Post

“[A] well-told, ingeniously structured double mystery.” —The Economist

“A gripping, incredibly well-written portrait of not only Harper Lee, but of mid-20th century Alabama. . . . What I didn’t see coming was the emotional response I’d have as I blazed through the last 20 pages of the book—yet there I was, weeping.” —Ilana Masad, NPR

“A brilliant take on the mystery of inspiration and the even darker mysteries of the human heart.” —People

“A compelling hybrid of a novel, at once a true-crime thriller, courtroom drama, and miniature biography of Harper Lee.” —Southern Living

“There’s a stirring poetry to Furious Hours that eludes most contemporary nonfiction. . . . [The book] fills in the gap of Lee’s post-Mockingbird career with insatiable curiosity and impressive research. It reveals not just her intellectual interests, but within them, her personal relationships and motivations.” —Entertainment Weekly

“Gripping and meticulous, Cep’s work doesn’t make us choose between fidelity and style.” —Vulture
 
“This riveting account of both the murders and Lee’s reporting, writing, and editing process is fascinating for its behind-the-scenes look at one of the South’s cherished creative minds.” —Garden & Gun

“Essential reading.” —Publishers Weekly (starred review)
 
“Cep paints a vivid picture of the political and social makeup of a small Southern town, where family trees and the organizational charts of local institutions intersect often; where memories are long; and where the collective conscience of a community sometimes carries more weight than the law.” —The Atlanta Journal-Constitution
 
“A riveting true crime story, and a dazzling biography of one of America’s most beloved writers.” —Bustle

About

In Furious Hours, Casey Cep masterfully brings together the tales of a serial killer in 1970s Alabama and of Harper Lee, the beloved author of To Kill a Mockingbird, who tried to write his story. Reverend Willie Maxwell was a rural preacher accused of murdering five of his family members, but with the help of a savvy lawyer, he escaped justice for years until a relative assassinated him at the funeral of his last victim. Despite hundreds of witnesses, Maxwell’s murderer was acquitted—thanks to the same attorney who had previously defended the reverend himself. Sitting in the audience during the vigilante’s trial was Harper Lee, who spent a year in town reporting on the Maxwell case and many more trying to finish the book she called The Reverend. Cep brings this remarkable story to life, from the horrifying murders to the courtroom drama to the racial politics of the Deep South, while offering a deeply moving portrait of one of our most revered writers.

“Captivating. . . . A spellbinding true crime story.” —The New York Times Book Review

“A triumph on every level. One of the losses to literature is that Harper Lee never found a way to tell a gothic true-crime story she’d spent years researching. Casey Cep has excavated this mesmerizing story and tells it with grace and insight and a fierce fidelity to the truth.” —David Grann, author of Killers of the Flower Moon

“The sort of story that even Lee would have been proud to write.” —Michael Lewis, The New York Times

“Remarkable, thoroughly researched. . . . Cep manages the feat that all great nonfiction aspires to: combining the clean precision of fact with the urgency of gossip.” —The New York Review of Books

“A gripping, incredibly well-written portrait of not only Harper Lee, but of mid-20th century Alabama. . . . What I didn’t see coming was the emotional response I’d have as I blazed through the last 20 pages of the book—yet there I was, weeping.” —Ilana Masad, NPR

“It’s been a long time since I picked up a book so impossible to put down. Furious Hours made me forget dinner, ignore incoming calls, and stay up reading into the small hours.” —Helen Macdonald, author of H Is for Hawk

“A well-told, ingeniously structured double mystery—one an unsolved serial killing, the other an elusive book—rich in droll humour and deep but lightly worn research.” —The Economist

“An enthralling work of narrative nonfiction. . . . Cep delivers edge-of-your-seat courtroom drama while brilliantly reinventing Southern Gothic.” —O, The Oprah Magazine

“I woke up early just so I could keep reading Furious Hours, conflicted between feeling desperate to know more and not wanting it to end. It’s a marvelous accomplishment that left me completely enthralled.” —Sarah Jessica Parker
 
“A marvel. . . . Cep’s is an account emotionally attuned to the toll that great writing takes, and shows that sometimes one perfect book is all we can ask for, even while we wish for another.” —Time
 
“A terrific book about murder, race, and Harper Lee.” —Al Roker via Twitter
 
“A brilliant take on the mystery of inspiration and the even darker mysteries of the human heart.” —People
 
“A compelling hybrid of a novel, at once a true-crime thriller, courtroom drama, and miniature biography of Harper Lee.” —Southern Living
 
“There’s a stirring poetry to Furious Hours that eludes most contemporary nonfiction. . . . [The book] fills in the gap of Lee’s post-Mockingbird career with insatiable curiosity and impressive research. It reveals not just her intellectual interests, but within them, her personal relationships and motivations.”
Entertainment Weekly

Author

© © Kathryn Schulz
Casey Cep is a staff writer at The New Yorker. After graduating from Harvard with a degree in English, she earned an M.Phil in theology at Oxford as a Rhodes Scholar. She lives on the Eastern Shore of Maryland with her family. Furious Hoursis her first book. www.caseycep.com View titles by Casey Cep

Excerpt

Excerpted from Furious Hours:

Nobody recognized her. Harper Lee was well known, but not by sight, and if she hadn’t introduced herself, it’s unlikely that anyone in the courtroom would have figured out who she was. Hundreds of people were crowded into the gallery, filling the wooden benches that squeaked whenever someone moved or leaning against the back wall if they hadn’t arrived in time for a seat. Late September wasn’t late enough for the Alabama heat to have died down, and the air-conditioning in the courthouse wasn’t working, so the women waved fans while the men’s suits grew damp under their arms and around their collars. The spectators whispered from time to time, and every so often they laughed—an uneasy laughter that evaporated whenever the judge quieted them.

The defendant was black, but the lawyers were white, and so were the judge and the jury. The charge was murder in the first degree. Three months before, at the funeral of a sixteen-year-old girl, the man with his legs crossed patiently beside the defense table had pulled a pistol from the inside pocket of his jacket and shot the Reverend Willie Maxwell three times in the head. Three hundred people had seen him do it. Many of them were now at his trial, not to learn why he had killed the Reverend—everyone in three counties knew that, and some were surprised no one had done it sooner—but to understand the disturbing series of deaths that had come before the one they’d witnessed.

One by one, over a period of seven years, six people close to the Reverend had died under circumstances that nearly everyone agreed were suspicious and some deemed supernatural. Through all of the resulting investigations, the Reverend was represented by a lawyer named Tom Radney, whose presence in the courtroom that day wouldn’t have been remarkable had he not been there to defend the man who killed his former client. A Kennedy liberal in the Wallace South, Radney was used to making headlines, and this time he would make them far beyond the local Alexander City Outlook. Reporters from the Associated Press and other wire services, along with national magazines and newspapers including Newsweek and The New York Times, had flocked to Alexander City to cover what was already being called the tale of the murderous voodoo preacher and the vigilante who shot him.

One of the reporters, though, wasn’t constrained by a daily deadline. Harper Lee lived in Manhattan but still spent some of each year in Monroeville, the town where she was born and raised, only 150 miles away from Alex City. Seventeen years had passed since she’d published To Kill a Mockingbird and twelve since she’d finished helping her friend Truman Capote report the crime story in Kansas that became In Cold Blood. Now, finally, she was ready to try again. One of the state’s best trial lawyers was arguing one of the state’s strangest cases, and the state’s most famous author was there to write about it. She would spend a year in town investigating the case, and many more turning it into prose. The mystery in the courtroom that day was what would become of the man who shot the Reverend Willie Maxwell. But for decades after the verdict, the mystery was what became of Harper Lee’s book.

Awards

  • SHORTLIST | 2019
    The Baillie Gifford Prize

Praise

One of the Best Books of the Year
The New York Times * The Washington Post * Time * Dallas Morning News * The Economist


“Captivating. . . . A spellbinding true crime story.” —The New York Times Book Review

“A triumph on every level. One of the losses to literature is that Harper Lee never found a way to tell a gothic true-crime story she’d spent years researching. Casey Cep has excavated this mesmerizing story and tells it with grace and insight and a fierce fidelity to the truth.” —David Grann, author of Killers of the Flower Moon

“An enthralling work of narrative nonfiction. . . . Cep delivers edge-of-your-seat courtroom drama while brilliantly reinventing Southern Gothic.” —O, The Oprah Magazine
 
“The sort of story that even Lee would have been proud to write.” —Michael Lewis, The New York Times

“A marvel.” —Time

“Impossible to put down.” —Helen Macdonald, author of H Is for Hawk

“Remarkable, thoroughly researched. . . . Cep manages the feat that all great nonfiction aspires to: combining the clean precision of fact with the urgency of gossip.” —The New York Review of Books

"Fascinating. . . . Lyrically composed." —Minneapolis Star Tribune

"Stunning." —Financial Times

“A rich, ambitious, beautifully written book.” —The Washington Post

“[A] well-told, ingeniously structured double mystery.” —The Economist

“A gripping, incredibly well-written portrait of not only Harper Lee, but of mid-20th century Alabama. . . . What I didn’t see coming was the emotional response I’d have as I blazed through the last 20 pages of the book—yet there I was, weeping.” —Ilana Masad, NPR

“A brilliant take on the mystery of inspiration and the even darker mysteries of the human heart.” —People

“A compelling hybrid of a novel, at once a true-crime thriller, courtroom drama, and miniature biography of Harper Lee.” —Southern Living

“There’s a stirring poetry to Furious Hours that eludes most contemporary nonfiction. . . . [The book] fills in the gap of Lee’s post-Mockingbird career with insatiable curiosity and impressive research. It reveals not just her intellectual interests, but within them, her personal relationships and motivations.” —Entertainment Weekly

“Gripping and meticulous, Cep’s work doesn’t make us choose between fidelity and style.” —Vulture
 
“This riveting account of both the murders and Lee’s reporting, writing, and editing process is fascinating for its behind-the-scenes look at one of the South’s cherished creative minds.” —Garden & Gun

“Essential reading.” —Publishers Weekly (starred review)
 
“Cep paints a vivid picture of the political and social makeup of a small Southern town, where family trees and the organizational charts of local institutions intersect often; where memories are long; and where the collective conscience of a community sometimes carries more weight than the law.” —The Atlanta Journal-Constitution
 
“A riveting true crime story, and a dazzling biography of one of America’s most beloved writers.” —Bustle

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