A young adult, fictional reimagining of Truman Capote's In Cold Blood and the brutal murders that inspired it. Gripping and fast-paced, this meticulously researched historical fiction will reinvigorate a new generation to Capote.

November is usually quiet in Holcomb, Kansas, but in 1959, the town is shattered by the quadruple murder of the Clutter family. Suspicion falls on Nancy Clutter’s boyfriend, Bobby Rupp, the last one to see them alive.

New Yorker Carly Fleming, new to the small Midwestern town, is an outsider. She tutored Nancy, and (in private, at least) they were close. Carly and Bobby were the only ones who saw that Nancy was always performing, and that she was cracking under the pressure of being Holcomb’s golden girl. This secret connected Carly and Bobby. Now that Bobby is an outsider, too, they’re bound closer than ever.

Determined to clear Bobby’s name, Carly dives into the murder investigation and ends up in trouble with the local authorities. But that’s nothing compared to the wrath she faces from Holcomb once the real perpetrators are caught. When her father is appointed to defend the killers of the Clutter family, the entire town labels the Flemings as traitors. Now Carly must fight for what she knows is right.
Amy Brashear was born in Arkansas but spent her elementary school years in Garden City, Kansas, just six miles from Holcomb. Amy heard about the Clutter family murders from a childhood friend, though it wasn’t until she read In Cold Blood that she finally understood their significance. No Saints in Kansas is her debut novel. She is also the author of the forthcoming YA book The Incredible Story of the Making of the Eve of Destruction. View titles by Amy Brashear
Chapter one
I can smell the kerosene. The police tape is the only thing that separates me from the men loading a pickup truck with bloodstained blankets, sheets, pillows—even a couch. I grip the bicycle handlebars so tight my knuckles turn white.
     There are a lot of volunteer men here. And there are a lot of people like me, standing behind this barricade, crying. I use the sleeve of my coat to wipe my eyes and my runny nose. All around I hear sniffling and whimpering. Two blood-soaked mattresses are chucked onto the pile. Foreman Taylor puts a teddy bear in the back and digs for his keys in his pocket.
     He starts slowly down the lane. I push my bike across the grass and lean it up against a fence post. He drives right through the police tape, straight across the road, into the wheat field. We lookie-loos turn and watch him unload it all. After everything is stacked into a pyramid, the teddy bear’s placed on top, like a star on a Christmas tree. He lights a match and tosses it. Smoke fills the air as everything that once belonged to my friend and her family burns.
      “You shouldn’t be here,” Mr. Stoecklein says, walking up behind me.
      “Then where should I be?”
      “Well, not here,” he says, crossing his arms.
      “But Nancy—”
      “Is dead.”
 
 
 
Chapter Two
Mrs. Walker’s history class doesn’t seem to matter now. I walk in late while she’s lecturing about President Lincoln’s assassination.
      “‘On April 14, 1865, John Wilkes Booth, an actor and a Confederate sympathizer, fatally shot President Abraham Lincoln at Ford’s Theatre in Washington, DC.’” Mrs. Walker is reading from a book.
     Nancy was shot, too. Nancy’s dead. I care about that. Lincoln? Not so much. Not even a little bit. I don’t know him. I know, I mean, I knew Nancy.
     Sue Kidwell and Nan Ewalt found them—the entire Clutter family—Sunday morning, on their way to church. Sue was Nancy’s best friend. She’s not even in school today.
     Nancy promised I could borrow her red velvet dress for the Sadie Hawkins dance; she was bringing it to Sunday school. Reverend Cowan told the congregation the god-awful news. “This morning, I was called out to Holcomb to the River Valley Farm. There has been an incident,” he’d said, pausing to rub his eyes. “I’m saddened to report that the Clutter family—Herb, Bonnie, Nancy, and Kenyon—are deceased.”
     I cried when I first heard. I cried again at the crime scene. It feels like some part of me hasn’t stopped crying since. Especially at the headlines.
 
Clutter Family Slayings Shock, Mystify Area
 
     Everyone likes—I mean, everyone liked—the Clutter family. Well, I guess not everyone.
     People in town think that Bobby did it. You know, killed the Clutters. But I know that Bobby didn’t do it. Bobby is, was, Nancy’s boyfriend.
     Mrs. Walker taps me on the shoulder. “Hon, the bell’s rung.”
      “Yes, ma’am.” I grab my bag, leaving a tissue behind.
     Mary Claire stands in the hallway with her books to her chest, staring at a photo of Nancy on a wall next to a row of lockers.
      “Carly, can you believe it?” she says. “Things like this don’t happen here.”
 
 
 
Chapter Three
My boyfriend, Seth, has to go to Garden to run an errand for his mom, so he puts my bike in the back of his truck. It’s a tenminute drive, and once we get there, he parks on the square and goes inside a store while I stay fiddling with the chipped knob on the radio, moving it back and forth, trying to find something to listen to on the AM stations. Anything but farm reports and market reports. I don’t care what the going price of cattle and wheat are at the moment. I hear a no-nonsense voice, stern and to the point, and stop moving the knob. The reception is low, static mostly, but a news bulletin breaks through.
      “A local family was found murdered Sunday in their home—”
     Click. That goes off.
     I look out the window and see Bobby’s truck, and he’s sitting inside with the engine turned off. Mrs. Parker, or as everyone in town calls her, Mrs. Nosy Parker, walks by and glares at him before rushing down the sidewalk and into a nearby store. People in town have been giving him that look. A knowing look. A look of I know what you did. Before I know it, I’m walking over there.
     He’s alone, staring out the windshield. I knock on the window but he doesn’t move; he stays facing forward. I climb inside and slam the door shut.
     Bobby and Seth are considerably different in appearance. Where Bobby is tall and muscular, with dark curly hair and light green eyes, Seth is short, pudgy, with blond hair and dark brown eyes. Bobby’s cuter than Seth. Yes, I said it. Everyone knows it. Bobby’s out of my league. But it doesn’t matter anyway. He belongs to Nancy—belonged to Nancy. Besides, I’m still the new girl in town. Seth was the first boy to ask me out to go cruising around on this square on a Sunday afternoon. Seth’s popular, and being the new girl, I wanted to be popular. Really, I wanted Holcomb to be like Manhattan, even if everyone around me agreed that my Manhattan is the wrong Manhattan. This, they tell me all the time.
      “You probably don’t want to be seen with me,” he says.
      “Why?”
      He looks over at me. “You know why.”
      “I don’t believe what I hear.”
      “Yesterday, we were supposed to go cruising around town.”
      “Bobby—” I touch his hand, the one that rests on the steering wheel. “I was at home when I heard. My pop told me.” He sniffs and rubs his forehead. “My brother and I drove out to the farm. There were emergency vehicles everywhere. They surrounded the house and blocked the entrance. I went home and called Sue.” He squeezes the steering wheel so hard that his knuckles turn white. “That night we went to the funeral home in Garden—”
      “Bobby, you don’t have to talk about it.”
      “Do you think if I don’t talk about it, it’ll just go away, that I’ll forget?”
      “No.”
     The clouds part, sending rays of late-fall sunshine directly into my eyes. I pull down the visor to shield my face.
      “Nancy was lying there in that casket. Not moving. She was wearing the red dress, the one that she made for 4-H—”
      “I was supposed to borrow that dress. She was bringing it to Sunday school.”
      “Carly—”
     “Now she’s going to be buried in it for all eternity.”
      “It’s just a dress,” he says.
      “It’s not. It’s Nancy’s dress.”
      “We wanted to go see the spook show on Saturday night. But her dad said no. What if . . . ? Nancy wouldn’t have been home.” He turns to me.
     I look out the passenger-side window. Seth’s walking out of the store and down the sidewalk toward his truck. Seth nods at Bobby and then nods at me to get out.
      “We’ll talk later,” I say, glancing over my shoulder as I open the door.
     He shakes his head. In the sunlight I notice the dark circles under his eyes. “You say that now.”
      “I say that always.”
     Seth’s waiting with the engine running and the volume to the radio turned up high. “Come on, Carly, you know better than that,” he says, eyeing Bobby’s truck.
      “What?”
     He puts the truck in reverse and takes me home.
An ABA Indie Next Selection

Praise for No Saints in Kansas


"[A] must read . . . carefully researched."
—The New York Post

"Brashear’s stunning YA novel is as spectacularly written as it is researched. This is definitely one of the most unique YA novels you’ll read this year."
—PASTE Magazine

"Gripping and fast-paced, this meticulously researched historical fiction will reinvigorate a new generation to Capote and tell another side of the Clutter murders."
—The Emporia Gazette

"No Saints in Kansas does more than merely rework In Cold Blood for a younger audience. Brashear herself lived for several years a few miles from Holcomb and has been fascinated by the case and the unanswered questions about it that persist to this day, more than 50 years later. Her understanding of the place runs deep . . . Brashear offers an evenhanded account of the facts, as far as they are known, and a well-rounded portrait of American attitudes in 1959.”
Buffalo News

"A fresh point of view."
—The Tuscaloosa News

"The reader becomes immersed in her sense of place laid out with authenticity and care, and quickly gets a feel for the community." 
—Mystery Scene Magazine

"Highly recommended . . . a meticulous dissection of small town life in the aftermath of an unexpected and unspeakable tragedy."
—New York Journal of Books

"Will appeal to readers struggling with social issues, including bullying, ostracism, and mortality. A good introduction to Capote's famous novel and true crime."
—School Library Journal

"Readers who have never heard of the Clutter murders will get the full story and then some."
—The Bulletin of the Center for Children's Books

Brashear captures the horror that swept through the Midwest following the murder."
—Shirley Mullin, Kids Ink Bookstore

"A gruesome murder, the clues, the investigation, the culprits, the trial—all of these are part of this riveting, fast-paced novel. But intertwined with those are, for newly arrived Carly Fleming, even harder questions. She is indefatigable in her search for the truth, but the truth she searches for is also about her place in this new town, where she is defined as an outsider, and within her own family, which is splitting apart. The unity and urgency of those two searches is searing.”
—Gary D. Schmidt, author of Newbery and Printz honor book Lizzie Bright and the Buckminster Boy 

"A very cool mix of history and fiction, of brutal true crime, and slightly less horrific high school life." 
—Steve Sheinkin, Award-winning and bestselling author of Bomb, The Port Chicago 50, and Most Dangerous

About

A young adult, fictional reimagining of Truman Capote's In Cold Blood and the brutal murders that inspired it. Gripping and fast-paced, this meticulously researched historical fiction will reinvigorate a new generation to Capote.

November is usually quiet in Holcomb, Kansas, but in 1959, the town is shattered by the quadruple murder of the Clutter family. Suspicion falls on Nancy Clutter’s boyfriend, Bobby Rupp, the last one to see them alive.

New Yorker Carly Fleming, new to the small Midwestern town, is an outsider. She tutored Nancy, and (in private, at least) they were close. Carly and Bobby were the only ones who saw that Nancy was always performing, and that she was cracking under the pressure of being Holcomb’s golden girl. This secret connected Carly and Bobby. Now that Bobby is an outsider, too, they’re bound closer than ever.

Determined to clear Bobby’s name, Carly dives into the murder investigation and ends up in trouble with the local authorities. But that’s nothing compared to the wrath she faces from Holcomb once the real perpetrators are caught. When her father is appointed to defend the killers of the Clutter family, the entire town labels the Flemings as traitors. Now Carly must fight for what she knows is right.

Author

Amy Brashear was born in Arkansas but spent her elementary school years in Garden City, Kansas, just six miles from Holcomb. Amy heard about the Clutter family murders from a childhood friend, though it wasn’t until she read In Cold Blood that she finally understood their significance. No Saints in Kansas is her debut novel. She is also the author of the forthcoming YA book The Incredible Story of the Making of the Eve of Destruction. View titles by Amy Brashear

Excerpt

Chapter one
I can smell the kerosene. The police tape is the only thing that separates me from the men loading a pickup truck with bloodstained blankets, sheets, pillows—even a couch. I grip the bicycle handlebars so tight my knuckles turn white.
     There are a lot of volunteer men here. And there are a lot of people like me, standing behind this barricade, crying. I use the sleeve of my coat to wipe my eyes and my runny nose. All around I hear sniffling and whimpering. Two blood-soaked mattresses are chucked onto the pile. Foreman Taylor puts a teddy bear in the back and digs for his keys in his pocket.
     He starts slowly down the lane. I push my bike across the grass and lean it up against a fence post. He drives right through the police tape, straight across the road, into the wheat field. We lookie-loos turn and watch him unload it all. After everything is stacked into a pyramid, the teddy bear’s placed on top, like a star on a Christmas tree. He lights a match and tosses it. Smoke fills the air as everything that once belonged to my friend and her family burns.
      “You shouldn’t be here,” Mr. Stoecklein says, walking up behind me.
      “Then where should I be?”
      “Well, not here,” he says, crossing his arms.
      “But Nancy—”
      “Is dead.”
 
 
 
Chapter Two
Mrs. Walker’s history class doesn’t seem to matter now. I walk in late while she’s lecturing about President Lincoln’s assassination.
      “‘On April 14, 1865, John Wilkes Booth, an actor and a Confederate sympathizer, fatally shot President Abraham Lincoln at Ford’s Theatre in Washington, DC.’” Mrs. Walker is reading from a book.
     Nancy was shot, too. Nancy’s dead. I care about that. Lincoln? Not so much. Not even a little bit. I don’t know him. I know, I mean, I knew Nancy.
     Sue Kidwell and Nan Ewalt found them—the entire Clutter family—Sunday morning, on their way to church. Sue was Nancy’s best friend. She’s not even in school today.
     Nancy promised I could borrow her red velvet dress for the Sadie Hawkins dance; she was bringing it to Sunday school. Reverend Cowan told the congregation the god-awful news. “This morning, I was called out to Holcomb to the River Valley Farm. There has been an incident,” he’d said, pausing to rub his eyes. “I’m saddened to report that the Clutter family—Herb, Bonnie, Nancy, and Kenyon—are deceased.”
     I cried when I first heard. I cried again at the crime scene. It feels like some part of me hasn’t stopped crying since. Especially at the headlines.
 
Clutter Family Slayings Shock, Mystify Area
 
     Everyone likes—I mean, everyone liked—the Clutter family. Well, I guess not everyone.
     People in town think that Bobby did it. You know, killed the Clutters. But I know that Bobby didn’t do it. Bobby is, was, Nancy’s boyfriend.
     Mrs. Walker taps me on the shoulder. “Hon, the bell’s rung.”
      “Yes, ma’am.” I grab my bag, leaving a tissue behind.
     Mary Claire stands in the hallway with her books to her chest, staring at a photo of Nancy on a wall next to a row of lockers.
      “Carly, can you believe it?” she says. “Things like this don’t happen here.”
 
 
 
Chapter Three
My boyfriend, Seth, has to go to Garden to run an errand for his mom, so he puts my bike in the back of his truck. It’s a tenminute drive, and once we get there, he parks on the square and goes inside a store while I stay fiddling with the chipped knob on the radio, moving it back and forth, trying to find something to listen to on the AM stations. Anything but farm reports and market reports. I don’t care what the going price of cattle and wheat are at the moment. I hear a no-nonsense voice, stern and to the point, and stop moving the knob. The reception is low, static mostly, but a news bulletin breaks through.
      “A local family was found murdered Sunday in their home—”
     Click. That goes off.
     I look out the window and see Bobby’s truck, and he’s sitting inside with the engine turned off. Mrs. Parker, or as everyone in town calls her, Mrs. Nosy Parker, walks by and glares at him before rushing down the sidewalk and into a nearby store. People in town have been giving him that look. A knowing look. A look of I know what you did. Before I know it, I’m walking over there.
     He’s alone, staring out the windshield. I knock on the window but he doesn’t move; he stays facing forward. I climb inside and slam the door shut.
     Bobby and Seth are considerably different in appearance. Where Bobby is tall and muscular, with dark curly hair and light green eyes, Seth is short, pudgy, with blond hair and dark brown eyes. Bobby’s cuter than Seth. Yes, I said it. Everyone knows it. Bobby’s out of my league. But it doesn’t matter anyway. He belongs to Nancy—belonged to Nancy. Besides, I’m still the new girl in town. Seth was the first boy to ask me out to go cruising around on this square on a Sunday afternoon. Seth’s popular, and being the new girl, I wanted to be popular. Really, I wanted Holcomb to be like Manhattan, even if everyone around me agreed that my Manhattan is the wrong Manhattan. This, they tell me all the time.
      “You probably don’t want to be seen with me,” he says.
      “Why?”
      He looks over at me. “You know why.”
      “I don’t believe what I hear.”
      “Yesterday, we were supposed to go cruising around town.”
      “Bobby—” I touch his hand, the one that rests on the steering wheel. “I was at home when I heard. My pop told me.” He sniffs and rubs his forehead. “My brother and I drove out to the farm. There were emergency vehicles everywhere. They surrounded the house and blocked the entrance. I went home and called Sue.” He squeezes the steering wheel so hard that his knuckles turn white. “That night we went to the funeral home in Garden—”
      “Bobby, you don’t have to talk about it.”
      “Do you think if I don’t talk about it, it’ll just go away, that I’ll forget?”
      “No.”
     The clouds part, sending rays of late-fall sunshine directly into my eyes. I pull down the visor to shield my face.
      “Nancy was lying there in that casket. Not moving. She was wearing the red dress, the one that she made for 4-H—”
      “I was supposed to borrow that dress. She was bringing it to Sunday school.”
      “Carly—”
     “Now she’s going to be buried in it for all eternity.”
      “It’s just a dress,” he says.
      “It’s not. It’s Nancy’s dress.”
      “We wanted to go see the spook show on Saturday night. But her dad said no. What if . . . ? Nancy wouldn’t have been home.” He turns to me.
     I look out the passenger-side window. Seth’s walking out of the store and down the sidewalk toward his truck. Seth nods at Bobby and then nods at me to get out.
      “We’ll talk later,” I say, glancing over my shoulder as I open the door.
     He shakes his head. In the sunlight I notice the dark circles under his eyes. “You say that now.”
      “I say that always.”
     Seth’s waiting with the engine running and the volume to the radio turned up high. “Come on, Carly, you know better than that,” he says, eyeing Bobby’s truck.
      “What?”
     He puts the truck in reverse and takes me home.

Praise

An ABA Indie Next Selection

Praise for No Saints in Kansas


"[A] must read . . . carefully researched."
—The New York Post

"Brashear’s stunning YA novel is as spectacularly written as it is researched. This is definitely one of the most unique YA novels you’ll read this year."
—PASTE Magazine

"Gripping and fast-paced, this meticulously researched historical fiction will reinvigorate a new generation to Capote and tell another side of the Clutter murders."
—The Emporia Gazette

"No Saints in Kansas does more than merely rework In Cold Blood for a younger audience. Brashear herself lived for several years a few miles from Holcomb and has been fascinated by the case and the unanswered questions about it that persist to this day, more than 50 years later. Her understanding of the place runs deep . . . Brashear offers an evenhanded account of the facts, as far as they are known, and a well-rounded portrait of American attitudes in 1959.”
Buffalo News

"A fresh point of view."
—The Tuscaloosa News

"The reader becomes immersed in her sense of place laid out with authenticity and care, and quickly gets a feel for the community." 
—Mystery Scene Magazine

"Highly recommended . . . a meticulous dissection of small town life in the aftermath of an unexpected and unspeakable tragedy."
—New York Journal of Books

"Will appeal to readers struggling with social issues, including bullying, ostracism, and mortality. A good introduction to Capote's famous novel and true crime."
—School Library Journal

"Readers who have never heard of the Clutter murders will get the full story and then some."
—The Bulletin of the Center for Children's Books

Brashear captures the horror that swept through the Midwest following the murder."
—Shirley Mullin, Kids Ink Bookstore

"A gruesome murder, the clues, the investigation, the culprits, the trial—all of these are part of this riveting, fast-paced novel. But intertwined with those are, for newly arrived Carly Fleming, even harder questions. She is indefatigable in her search for the truth, but the truth she searches for is also about her place in this new town, where she is defined as an outsider, and within her own family, which is splitting apart. The unity and urgency of those two searches is searing.”
—Gary D. Schmidt, author of Newbery and Printz honor book Lizzie Bright and the Buckminster Boy 

"A very cool mix of history and fiction, of brutal true crime, and slightly less horrific high school life." 
—Steve Sheinkin, Award-winning and bestselling author of Bomb, The Port Chicago 50, and Most Dangerous

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