The Nuns of Sant'Ambrogio

The True Story of a Convent in Scandal

Translated by Ruth Martin

A true, never-before-told story—discovered in a secret Vatican archive—of sex, poison, and lesbian initiation rites in a nineteenth-century convent.

In 1858, a German princess, recently inducted into the convent of Sant’Ambrogio in Rome, wrote a frantic letter to her cousin, a confidant of the Pope, claiming that she was being abused and feared for her life. What the subsequent investigation by the Church’s Inquisition uncovered were the extraordinary secrets of Sant’Ambrogio and the illicit behavior of the convent’s beautiful young mistress, Maria Luisa. Having convinced those under her charge that she was having regular visions and heavenly visitations, Maria Luisa began to lead and coerce her novices into lesbian initiation rites and heresies. She entered into a highly eroticized relationship with a young theologian known as Padre Peters—urging him to dispense upon her, in the privacy and sanctity of the confessional box, what the two of them referred to as the “special blessing.”

What emerges through the fog of centuries is a sex scandal of ecclesiastical significance, skillfully brought to light and vividly reconstructed in scholarly detail. Offering a broad historical background on female mystics and the cult of the Virgin Mary, and drawing on written testimony and original documents, Professor Wolf—Germany’s leading scholar of the Catholic Church, and among the very first scholars to be granted access to the archives of the Congregation for the Doctrine of the Faith, formerly the office of the Inquisition—tells the incredible story of how one woman was able to perpetrate deception, heresy, seduction, and murder in the heart of the Church itself.

Hubert Wolf, born in 1959, is professor of Medieval and Modern Church History at the University of Muenster, Germany. He was honored with the Leibniz-Prize of the German Research Foundation (DFG), the Communicator Award, and the Gutenberg Prize, and he was fellow at the Historisches Kolleg in Munich. View titles by Hubert Wolf
Prologue
 
“Save, Save Me!”
 
“Shortly after eight o’clock on Monday, July 25, the Archbishop of Edessa—sent by the Lord—finally came to me. There was no time for waiting; this was the one and only time to get saved. To him, I had to reveal everything and had to implore him to help me escape the convent as swiftly as possible. It all went well: my prayers were fulfilled, and I was understood.” These dramatic words were set down by Princess Katharina von Hohenzollern-Sigmaringen in a com- plaint she submitted to the pope in summer 1859. They were written barely five weeks after her escape from the convent of Sant’Ambrogio in Rome—or rather, after her cousin, Archbishop Gustav Adolf zu Hohenlohe-Schillingsfürst, managed to secure her release—and they describe the sensational conclusion to her adventure inside the walls of a Roman Catholic convent. It was an adventure for which she had narrowly avoided paying with her life.
 
She had been humiliated, isolated from her fellow nuns, cut off from the outside world, and—since she was party to the convent secrets and therefore regarded as a danger—somebody had tried to silence her. They had even made several attempts to poison her. At half past three in the afternoon on July 26, 1859, after almost exactly fifteen months, she finally left Sant’Ambrogio della Massima. Her life as Sister Luisa Maria of Saint Joseph, a nun in the Regulated Third Order of Holy Saint Francis in Rome, had begun so promisingly. And now here she was, being saved in the nick of time, rescued from imminent danger of death.
 
In her written complaint, the princess gave her failure as a nun and her thrilling escape from the convent a typically pious interpretation, casting it as salvation by Christ the Lord. This somehow made the experience bearable for her. But the final dramatic episode, and the preceding months she had spent under the constant fear of death, would come to define her whole life. After July 26, 1859, nothing would ever be the same again. Her plight had been genuinely existential: her life really was threatened in Sant’Ambrogio. Even years later, she was still traumatized by the attempts to poison her. This is all brought vividly to life in her Erlebnisse (Experiences), a book written by her close collaborator Christiane Gmeiner in 1870, more than a decade after the terrible events in Rome. According to this auto-biographical source, Katharina had managed to smuggle a letter out of the convent during the night of July 24, 1859. This was handed to Archbishop Hohenlohe in the Vatican.
 
The princess waited in a state of great anxiety until she was called into the parlor at half past seven in the morning. Fearful and almost breathless, the princess hurried downstairs to the archbishop, to whom she called out in great agitation: “save, save me!” At first, he did not understand her, and was almost afraid his cousin had run mad, but by and by she managed to convince him that she was mistress of her senses, and that her fear was not unfounded. Now he understood her pleas to leave the convent, and he promised to do everything in his power to arrange this as soon as possible— though the first appointment he was able to make was not until the following day.
 
The words are Christiane Gmeiner’s, recounting in the third person what the princess had told her in her own words.
 
Katharina von Hohenzollern-Sigmaringen’s account sounds like a story from the depths of the Middle Ages, and confirms many of the common clichés and prejudices about life in Catholic convents and monasteries. But this story takes place in the modern world of the mid-nineteenth century. And the setting isn’t a secluded mountain convent at the world’s edge, but the center of the capital city of Christianity, little more than half a mile from the Vatican—home to the representative of Jesus Christ on earth.
 
What really happened in Sant’Ambrogio? Were these poisonings simply the fantasy of a highly strung aristocrat, or were they genuine attempts on Katharina’s life? She was a princess of the house of Hohenzollern and a close relative of Wilhelm I, the man who would later become king of Prussia and the German emperor. So how did Katharina come to take her vows in such a strict religious order in the first place—and why in Rome?

Excerpted from The Nuns of Sant'Ambrogio by Hubert Wolf. Copyright © 2015 by Hubert Wolf. Excerpted by permission of Knopf, a division of Random House LLC. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
International praise for Hubert Wolf’s The Nuns of Sant’Ambrogio

"Hubert Wolf [has] found something that, as they say on the Internet, will blow your mind." —Lev Grossman, Time

"Hubert Wolf’s The Nuns of Sant’Ambrogio offers a learned yet fascinating account of this incident. . . . Wolf, who found the records of this investigation in an unlikely corner of the Vatican archives, makes the most of his story." —Laura Miller, Salon

"Professor Wolf retells this incredible story with a straight face. I hardly knew whether to laugh or cry. Solid German princess confronts vampy Italian nun with a cross in one hand and bottle of poison in the other. You couldn't make it up. It would make a great film."  —Marcus Tanner, The Independent


"Hubert Wolf, a German papal scholar, deftly balances this juicy history with a raft of serious (yet accessible) research." —Kate Tuttle, Boston Globe

"This story doesn’t roll back from the higher ground Wolf lifts it to; it continues forward, steamrolling the reader." —Peter Lewis, Barnes and Noble Review

"This sordid tale of sexual indecency, false saints, and murder within a 19th-century convent in Rome has all the trappings of a good thriller. . . . Wolf (Pope and Devil), a professor of ecclesiastical history at the University of Münster, adds detailed historical context and careful explanations to elevate this tale beyond sensationalism into a more serious study of a fascinating real-life melodrama." —Publishers Weekly (Starred Review, Book of the Week)

"The long-hidden story of the ultimate convent scandal, masterfully retold. . . . Wolf has expertly recovered and retold this scandalous tale in all its gory, as well as bureaucratic, detail." —Kirkus

“The discovery of the century straight from the Vatican archives. An absorbing story of abuse, murder, and false morals.” —Kurier

“The gloomy intrigue that [Hubert Wolf] reveals in this extraordinary book, in which murders mingle with forbidden love in all the senses of the word, seems to verify the most overstretched commonplaces of the convent literature, from Diderot’s La Religieuse to de Sade’s Juliette.”  —Le Monde

“The true story of an Italian nunnery in the nineteenth century contains all the ingredients of a thriller: the Inquisition, sex, poisoning, conspiracy, and hypocrisy.”
Neue Zürcher Zeitung am Sonntag

“The way Hubert Wolf deduces insightful conclusions from the doubtlessly spectacular incidents in the nunnery is nothing but masterly.”
Die Zeit

“Mysticism, sex, theology, murders . . . . It has all the ingredients of a good whodunit.” —La Vie

About

A true, never-before-told story—discovered in a secret Vatican archive—of sex, poison, and lesbian initiation rites in a nineteenth-century convent.

In 1858, a German princess, recently inducted into the convent of Sant’Ambrogio in Rome, wrote a frantic letter to her cousin, a confidant of the Pope, claiming that she was being abused and feared for her life. What the subsequent investigation by the Church’s Inquisition uncovered were the extraordinary secrets of Sant’Ambrogio and the illicit behavior of the convent’s beautiful young mistress, Maria Luisa. Having convinced those under her charge that she was having regular visions and heavenly visitations, Maria Luisa began to lead and coerce her novices into lesbian initiation rites and heresies. She entered into a highly eroticized relationship with a young theologian known as Padre Peters—urging him to dispense upon her, in the privacy and sanctity of the confessional box, what the two of them referred to as the “special blessing.”

What emerges through the fog of centuries is a sex scandal of ecclesiastical significance, skillfully brought to light and vividly reconstructed in scholarly detail. Offering a broad historical background on female mystics and the cult of the Virgin Mary, and drawing on written testimony and original documents, Professor Wolf—Germany’s leading scholar of the Catholic Church, and among the very first scholars to be granted access to the archives of the Congregation for the Doctrine of the Faith, formerly the office of the Inquisition—tells the incredible story of how one woman was able to perpetrate deception, heresy, seduction, and murder in the heart of the Church itself.

Author

Hubert Wolf, born in 1959, is professor of Medieval and Modern Church History at the University of Muenster, Germany. He was honored with the Leibniz-Prize of the German Research Foundation (DFG), the Communicator Award, and the Gutenberg Prize, and he was fellow at the Historisches Kolleg in Munich. View titles by Hubert Wolf

Excerpt

Prologue
 
“Save, Save Me!”
 
“Shortly after eight o’clock on Monday, July 25, the Archbishop of Edessa—sent by the Lord—finally came to me. There was no time for waiting; this was the one and only time to get saved. To him, I had to reveal everything and had to implore him to help me escape the convent as swiftly as possible. It all went well: my prayers were fulfilled, and I was understood.” These dramatic words were set down by Princess Katharina von Hohenzollern-Sigmaringen in a com- plaint she submitted to the pope in summer 1859. They were written barely five weeks after her escape from the convent of Sant’Ambrogio in Rome—or rather, after her cousin, Archbishop Gustav Adolf zu Hohenlohe-Schillingsfürst, managed to secure her release—and they describe the sensational conclusion to her adventure inside the walls of a Roman Catholic convent. It was an adventure for which she had narrowly avoided paying with her life.
 
She had been humiliated, isolated from her fellow nuns, cut off from the outside world, and—since she was party to the convent secrets and therefore regarded as a danger—somebody had tried to silence her. They had even made several attempts to poison her. At half past three in the afternoon on July 26, 1859, after almost exactly fifteen months, she finally left Sant’Ambrogio della Massima. Her life as Sister Luisa Maria of Saint Joseph, a nun in the Regulated Third Order of Holy Saint Francis in Rome, had begun so promisingly. And now here she was, being saved in the nick of time, rescued from imminent danger of death.
 
In her written complaint, the princess gave her failure as a nun and her thrilling escape from the convent a typically pious interpretation, casting it as salvation by Christ the Lord. This somehow made the experience bearable for her. But the final dramatic episode, and the preceding months she had spent under the constant fear of death, would come to define her whole life. After July 26, 1859, nothing would ever be the same again. Her plight had been genuinely existential: her life really was threatened in Sant’Ambrogio. Even years later, she was still traumatized by the attempts to poison her. This is all brought vividly to life in her Erlebnisse (Experiences), a book written by her close collaborator Christiane Gmeiner in 1870, more than a decade after the terrible events in Rome. According to this auto-biographical source, Katharina had managed to smuggle a letter out of the convent during the night of July 24, 1859. This was handed to Archbishop Hohenlohe in the Vatican.
 
The princess waited in a state of great anxiety until she was called into the parlor at half past seven in the morning. Fearful and almost breathless, the princess hurried downstairs to the archbishop, to whom she called out in great agitation: “save, save me!” At first, he did not understand her, and was almost afraid his cousin had run mad, but by and by she managed to convince him that she was mistress of her senses, and that her fear was not unfounded. Now he understood her pleas to leave the convent, and he promised to do everything in his power to arrange this as soon as possible— though the first appointment he was able to make was not until the following day.
 
The words are Christiane Gmeiner’s, recounting in the third person what the princess had told her in her own words.
 
Katharina von Hohenzollern-Sigmaringen’s account sounds like a story from the depths of the Middle Ages, and confirms many of the common clichés and prejudices about life in Catholic convents and monasteries. But this story takes place in the modern world of the mid-nineteenth century. And the setting isn’t a secluded mountain convent at the world’s edge, but the center of the capital city of Christianity, little more than half a mile from the Vatican—home to the representative of Jesus Christ on earth.
 
What really happened in Sant’Ambrogio? Were these poisonings simply the fantasy of a highly strung aristocrat, or were they genuine attempts on Katharina’s life? She was a princess of the house of Hohenzollern and a close relative of Wilhelm I, the man who would later become king of Prussia and the German emperor. So how did Katharina come to take her vows in such a strict religious order in the first place—and why in Rome?

Excerpted from The Nuns of Sant'Ambrogio by Hubert Wolf. Copyright © 2015 by Hubert Wolf. Excerpted by permission of Knopf, a division of Random House LLC. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Praise

International praise for Hubert Wolf’s The Nuns of Sant’Ambrogio

"Hubert Wolf [has] found something that, as they say on the Internet, will blow your mind." —Lev Grossman, Time

"Hubert Wolf’s The Nuns of Sant’Ambrogio offers a learned yet fascinating account of this incident. . . . Wolf, who found the records of this investigation in an unlikely corner of the Vatican archives, makes the most of his story." —Laura Miller, Salon

"Professor Wolf retells this incredible story with a straight face. I hardly knew whether to laugh or cry. Solid German princess confronts vampy Italian nun with a cross in one hand and bottle of poison in the other. You couldn't make it up. It would make a great film."  —Marcus Tanner, The Independent


"Hubert Wolf, a German papal scholar, deftly balances this juicy history with a raft of serious (yet accessible) research." —Kate Tuttle, Boston Globe

"This story doesn’t roll back from the higher ground Wolf lifts it to; it continues forward, steamrolling the reader." —Peter Lewis, Barnes and Noble Review

"This sordid tale of sexual indecency, false saints, and murder within a 19th-century convent in Rome has all the trappings of a good thriller. . . . Wolf (Pope and Devil), a professor of ecclesiastical history at the University of Münster, adds detailed historical context and careful explanations to elevate this tale beyond sensationalism into a more serious study of a fascinating real-life melodrama." —Publishers Weekly (Starred Review, Book of the Week)

"The long-hidden story of the ultimate convent scandal, masterfully retold. . . . Wolf has expertly recovered and retold this scandalous tale in all its gory, as well as bureaucratic, detail." —Kirkus

“The discovery of the century straight from the Vatican archives. An absorbing story of abuse, murder, and false morals.” —Kurier

“The gloomy intrigue that [Hubert Wolf] reveals in this extraordinary book, in which murders mingle with forbidden love in all the senses of the word, seems to verify the most overstretched commonplaces of the convent literature, from Diderot’s La Religieuse to de Sade’s Juliette.”  —Le Monde

“The true story of an Italian nunnery in the nineteenth century contains all the ingredients of a thriller: the Inquisition, sex, poisoning, conspiracy, and hypocrisy.”
Neue Zürcher Zeitung am Sonntag

“The way Hubert Wolf deduces insightful conclusions from the doubtlessly spectacular incidents in the nunnery is nothing but masterly.”
Die Zeit

“Mysticism, sex, theology, murders . . . . It has all the ingredients of a good whodunit.” —La Vie

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