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Better Living Through Birding

Notes from a Black Man in the Natural World

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Paperback
$18.00 US
5.12"W x 7.92"H x 0.61"D  
On sale Jun 11, 2024 | 304 Pages | 9780593242407
| Grades 9-12 + AP/IB
NEW YORK TIMES BESTSELLER • Central Park birder Christian Cooper takes us beyond the viral video that shocked a nation and into a world of avian adventures, global excursions, and the unexpected lessons you can learn from a life spent looking up.

“Wondrous . . . captivating.”—Ed Yong, Pulitzer Prize–winning author of An Immense World


A Washington Post and Chicago Public Library Best Book of the Year • Longlisted for the Andrew Carnegie Medal

Christian Cooper is a self-described “Blerd” (Black nerd), an avid comics fan and expert birder who devotes every spring to gazing upon the migratory birds that stop to rest in Central Park, just a subway ride away from where he lives in New York City. While in the park one morning in May 2020, Cooper was engaged in the birdwatching ritual that had been a part of his life since he was ten years old when what might have been a routine encounter with a dog walker exploded age-old racial tensions. Cooper’s viral video of the incident would send shock waves through the nation.

In Better Living Through Birding, Cooper tells the story of his extraordinary life leading up to the now-infamous incident in Central Park and shows how a life spent looking up at the birds prepared him, in the most uncanny of ways, to be a gay, Black man in America today. From sharpened senses that work just as well at a protest as in a park to what a bird like the Common Grackle can teach us about self-acceptance, Better Living Through Birding exults in the pleasures of a life lived in pursuit of the natural world and invites you to discover them yourself.

Equal parts memoir, travelogue, and primer on the art of birding, this is Cooper’s story of learning to claim and defend space for himself and others like him, from his days at Marvel Comics introducing the first gay storylines to vivid and life-changing birding expeditions through Africa, Australia, the Americas, and the Himalayas. Better Living Through Birding recounts Cooper’s journey through the wonderful world of birds and what they can teach us about life, if only we would look and listen.
© Courtesy of the author
Christian Cooper is a science and comics writer and editor and the host and consulting producer of Extraordinary Birder on National Geographic. One of Marvel’s first openly gay writers and editors, Cooper introduced the first gay male character in Star Trek, in the Starfleet Academy series, which was nominated for a GLAAD Media Award. He also introduced the first openly lesbian character for Marvel and created and authored Queer Nation: The Online Gay Comic. Based in New York City, he is on the board of directors for NYC Audubon. View titles by Christian Cooper
1

An Incident in Central Park


I am a Black man running through New York’s Central Park. This is no leisure run. I’m not pushing for a new personal best, though my legs pump in furious rhythm. I’m running as if my life depends on it. And though my heart pounds, it’s as much out of mounting panic as it is cardiovascular stress. I know what this looks like. My sneakers are old and muddy, my jeans in need of a good washing, and my shirt, though collared, could at best be described as unkempt. I am a Black man on the run. And I have binoculars.

This is not how this evening was supposed to unfold. But all it took was a brief exchange of words to put me in flight. Twilight is racing along the horizon, and I’ve got half an hour of light left at best. As the sun sinks behind trees wreathed in its glow, so, too, does a feeling of desperation in the pit of my stomach. I’m running out of time.

I check the alert on my phone again and curse myself for turning it off for the entire workday. I’d faced several grueling tasks with hard deadlines and had found the constant vibrating notifications from the Manhattan Rare Bird Alert too indiscriminate (“rare” being rather loosely defined by some contributors) and too distracting during working hours. I preferred to do my birding early in the morning anyway. Then I would head directly to the office, where my colleagues have grown accustomed to my business-questionable attire this time of year (functional and subject to deferred laundering; the demands of my spring migration schedule don’t permit much else). So it wasn’t until 6:00 p.m. that I turned my phone on and saw the text from Morgan:

“Are you going to go see the Kirtland’s Warbler?”

Amusement at what obviously had to be a prank quickly morphed into disbelief as I read the chain of alerts that had preceded it. “Oh my God, oh my God, oh my God!” I sputtered, snatching the binoculars off my desk and hurtling out of the office without explanation. At least one co-worker would tell me later that he was certain someone had died.

Now, having sprinted from my office in midtown to the west side of the park near the Reservoir, I slow as I near where I think I need to be. After a few minutes a sinking feeling settles in that I must be in the wrong spot. But as I round a bend in the path, I see a mass of people—nearly all of whom I recognize—and know I’ve found the place.


Birding Tip

The fastest way to find a widely reported rarity is to look not for the bird but for the coagulation of birders already looking at it.


Reading my stricken expression and ragged gasps as the cocktail of panic and exertion that they are, Mike peels off from the crowd and intercepts me. “Breathe,” he says, calm, compact, and dryly British as always. “It’s still here; we’re looking at it right now.” And with a little help from my friends, I find the right spot in the right tree; lock onto the motion among the leaves; and raise my binoculars with hands shaking with anticipation. A bird, slate blue and yellow and smaller than a sparrow, moves from branch to branch with a pump of its tail. I see a unicorn, come alive before my own eyes.

In order to truly appreciate that moment, you must first understand something about this particular bird. The rarest songbird in North America, Kirtland’s Warbler is a creature even more unlikely to be spotted in Central Park than the gay Black nerd with binoculars looking up at it. It nests strictly in jack pines of a certain age, habitat requirements so specific that in all the world there are only about six thousand of the birds, restricted to a breeding range that consists almost entirely of a small patch of Michigan. Kirtland’s Warblers return there every spring from their wintering grounds in the Bahamas, traveling hundreds of miles to do so. Yet in that routine annual journey, one of these tiny bundles of feathers happened to wander a bit off course, or maybe, like me, this rare bird yearned to taste life in the big city, where freaks of nature of every kind are welcome. It would end up somewhere in the eight hundred acres of Central Park, a tiny thing flitting behind the leaves of the park’s eighteen thousand trees teeming with a million or so other avian visitors, including other warblers from which, to the untrained eye, a Kirtland’s is indistinguishable. In the words of Captain James T. Kirk, “Finding a needle in a haystack would be child’s play by comparison.”

Enter the birder Kevin Topping. He happened to be at the right place at the right time, but though luck plays a part in any sighting, there’s so much more to getting the bird than that. A birder is alert to the presence of creatures that “civilians” would likely never even notice; they’d just walk right past. A birder’s eyes lock onto a particular kind of motion in the trees, distinct from that of leaf movement in the wind, or to a particular shape that, motionless, is meant to camouflage into its surroundings. And a birder’s ears never turn off, akin to a police scanner that snaps the attention into focus and sends one springing into action when, from amid the constant chatter, an urgent message (a distinctive bird vocalization) comes through. Then there’s the accumulated knowledge base that an experienced birder brings to bear—a familiarity with what to watch for in what habitats, and an almost intuitive grasp of the subtle details of behavior, of plumage, that let you sort one kind of bird from another. Kevin Topping not only had the skill to find the bird but knew enough to know what he was looking at, and he had the presence of mind to get the word out to the broader birding community in a timely fashion.

That’s how, for the first time in history, a Kirtland’s Warbler was recorded in Central Park. It’s as if you stepped into your backyard and saw a wild tiger prowling your lawn, or as if you looked over the side of a boat to catch a wink and smile from a mermaid before she dove beneath the waves. Or as if a real live unicorn stepped out of the forest.

This, then, is the seventh of the Seven Pleasures of Birding, and perhaps the greatest thrill of the pastime:


Seventh Pleasure of Birding: The Unicorn Effect

It’s the thrill of seeing at last for oneself a creature that until then has existed only in the imagination. But while number 7 is the high-octane moment, other pleasures make birding a joy for almost anyone, as I have tried to tell my feckless friends; they wonder why I abandon them every year in May, the peak of Central Park’s spring songbird migration, when I become an early-rising, sleep-deprived mess of a man instead of carousing with them. After one too many attempts to explain, I codified those aspects of the birding experience into the Seven Pleasures of Birding, for ease of dissemination to the uninitiated, and of those seven pleasures, this comes first and foremost:


First Pleasure of Birding: The Beauty of the Birds

If you’ve never seen a male Scarlet Tanager in full breeding plumage—a bird of such incandescent hue, set off by jet-black wings and tail, that it makes a stoplight look dim—then a knock-your-socks-off experience awaits you. And that’s just the beginning of the show, from the gaudy, Technicolor riot of a Painted Bunting to the serene, pristine grace of a Great Egret; from the effortlessly soaring majesty of a Golden Eagle to the fierce frenzy of a hummingbird; from the bold color blocks of a Red-Headed Woodpecker to the exquisite nuance of pattern and muted tones of a Lincoln’s Sparrow . . .

But most people don’t realize the reasons why, of all the spectacular creatures with which we share this planet, birds captivate us as no others can.

What makes birding such a phenomenon? Why not “mammaling” or “insecting”? Certainly those pursuits have their adherents, as the thousands who visit Africa on safari or who catalog butterflies can attest. And in fact, there’s a large degree of overlap among all these obsessions, counting myself as one of the multi-obsessed; once you tune in to one aspect of nature, you eventually become aware of the whole connected network of life around us.

Birding, however, occupies a sweet spot of accessibility: The variety of birds, no matter where you are around the globe or what kind of place you’re in—city, suburb, country; mountains, woodland, field, swamp, shore, or out to sea—greatly exceeds the limited number of species of mammals in the same area; and many of those mammals are nocturnal and/or hidden beneath the soil or under the sea, restricting observation. Bugs, on the other hand, present the opposite problem: The crazy profusion of insect species is nigh impossible to master, or else, in temperate climes in the wintertime, there are almost none at all. With birds, no matter the time of year, there’s always something to see.
“Christian Cooper’s book is every bit as wondrous and captivating as the birds he so adores—a joyous tour across subcultures and continents, and a masterful account of a life full of song, full of heart, and fully lived.”—Ed Yong, Pulitzer Prize–winning author of An Immense World

“An uplifting and inspiring read. Christian Cooper is a national treasure.”—Van Jones, New York Times bestselling author and host of The Van Jones Show

“Utterly captivating, a marvel of storytelling . . . Christian Cooper’s memoir is tender, honest, funny, wise, poignant, piercing, and infused with brilliant observations on the nature of birds, humans, and his own extraordinary personal journey.”—Jennifer Ackerman, New York Times bestselling author of The Genius of Birds

“I cannot think of a better guide to teach us all to slow down, look, listen, and grab our binoculars than Cooper, a self-described Black queer nerd, who delivers the best nature bath ever, in lyrical, lush, relatable prose.”—Brittney Cooper, PhD, New York Times bestselling author of Eloquent Rage

“Funny, brave, kind, and eagle-eyed, Cooper brings into focus not only the spectacular winged creatures he loves, but also the glorious messiness, prejudice, courage, and passion of our own species—and how birding can show us all how to lead better lives.”—Sy Montgomery, author of How to Be a Good Creature

“Read this book if you want to discover the joys, struggles, and magic of birding, but even more because it’s a book about the joys, struggles, and magic of life. Christian Cooper is a brilliant storyteller who manages to pack history, science, and sociology—with just the right amount of laugh-out-loud sass—into his powerful memoir. This book soars!”—Juli Berwald, author of Spineless

“Christian Cooper writes with passion and honesty—even about that Central Park run-in and media storm, which he handled with aplomb. Birders are fortunate to have Mr. Cooper as a spokesperson for the modern age.”—Noah Strycker, author of Birding Without Borders

“In addressing the Central Park incident, [Cooper] elegantly frames it within both his own bird-focused narrative and a broader conversation about racism and police brutality. . . . This rewarding memoir adds heft and heart to the headlines.”—Publishers Weekly (starred review)

About

NEW YORK TIMES BESTSELLER • Central Park birder Christian Cooper takes us beyond the viral video that shocked a nation and into a world of avian adventures, global excursions, and the unexpected lessons you can learn from a life spent looking up.

“Wondrous . . . captivating.”—Ed Yong, Pulitzer Prize–winning author of An Immense World


A Washington Post and Chicago Public Library Best Book of the Year • Longlisted for the Andrew Carnegie Medal

Christian Cooper is a self-described “Blerd” (Black nerd), an avid comics fan and expert birder who devotes every spring to gazing upon the migratory birds that stop to rest in Central Park, just a subway ride away from where he lives in New York City. While in the park one morning in May 2020, Cooper was engaged in the birdwatching ritual that had been a part of his life since he was ten years old when what might have been a routine encounter with a dog walker exploded age-old racial tensions. Cooper’s viral video of the incident would send shock waves through the nation.

In Better Living Through Birding, Cooper tells the story of his extraordinary life leading up to the now-infamous incident in Central Park and shows how a life spent looking up at the birds prepared him, in the most uncanny of ways, to be a gay, Black man in America today. From sharpened senses that work just as well at a protest as in a park to what a bird like the Common Grackle can teach us about self-acceptance, Better Living Through Birding exults in the pleasures of a life lived in pursuit of the natural world and invites you to discover them yourself.

Equal parts memoir, travelogue, and primer on the art of birding, this is Cooper’s story of learning to claim and defend space for himself and others like him, from his days at Marvel Comics introducing the first gay storylines to vivid and life-changing birding expeditions through Africa, Australia, the Americas, and the Himalayas. Better Living Through Birding recounts Cooper’s journey through the wonderful world of birds and what they can teach us about life, if only we would look and listen.

Author

© Courtesy of the author
Christian Cooper is a science and comics writer and editor and the host and consulting producer of Extraordinary Birder on National Geographic. One of Marvel’s first openly gay writers and editors, Cooper introduced the first gay male character in Star Trek, in the Starfleet Academy series, which was nominated for a GLAAD Media Award. He also introduced the first openly lesbian character for Marvel and created and authored Queer Nation: The Online Gay Comic. Based in New York City, he is on the board of directors for NYC Audubon. View titles by Christian Cooper

Excerpt

1

An Incident in Central Park


I am a Black man running through New York’s Central Park. This is no leisure run. I’m not pushing for a new personal best, though my legs pump in furious rhythm. I’m running as if my life depends on it. And though my heart pounds, it’s as much out of mounting panic as it is cardiovascular stress. I know what this looks like. My sneakers are old and muddy, my jeans in need of a good washing, and my shirt, though collared, could at best be described as unkempt. I am a Black man on the run. And I have binoculars.

This is not how this evening was supposed to unfold. But all it took was a brief exchange of words to put me in flight. Twilight is racing along the horizon, and I’ve got half an hour of light left at best. As the sun sinks behind trees wreathed in its glow, so, too, does a feeling of desperation in the pit of my stomach. I’m running out of time.

I check the alert on my phone again and curse myself for turning it off for the entire workday. I’d faced several grueling tasks with hard deadlines and had found the constant vibrating notifications from the Manhattan Rare Bird Alert too indiscriminate (“rare” being rather loosely defined by some contributors) and too distracting during working hours. I preferred to do my birding early in the morning anyway. Then I would head directly to the office, where my colleagues have grown accustomed to my business-questionable attire this time of year (functional and subject to deferred laundering; the demands of my spring migration schedule don’t permit much else). So it wasn’t until 6:00 p.m. that I turned my phone on and saw the text from Morgan:

“Are you going to go see the Kirtland’s Warbler?”

Amusement at what obviously had to be a prank quickly morphed into disbelief as I read the chain of alerts that had preceded it. “Oh my God, oh my God, oh my God!” I sputtered, snatching the binoculars off my desk and hurtling out of the office without explanation. At least one co-worker would tell me later that he was certain someone had died.

Now, having sprinted from my office in midtown to the west side of the park near the Reservoir, I slow as I near where I think I need to be. After a few minutes a sinking feeling settles in that I must be in the wrong spot. But as I round a bend in the path, I see a mass of people—nearly all of whom I recognize—and know I’ve found the place.


Birding Tip

The fastest way to find a widely reported rarity is to look not for the bird but for the coagulation of birders already looking at it.


Reading my stricken expression and ragged gasps as the cocktail of panic and exertion that they are, Mike peels off from the crowd and intercepts me. “Breathe,” he says, calm, compact, and dryly British as always. “It’s still here; we’re looking at it right now.” And with a little help from my friends, I find the right spot in the right tree; lock onto the motion among the leaves; and raise my binoculars with hands shaking with anticipation. A bird, slate blue and yellow and smaller than a sparrow, moves from branch to branch with a pump of its tail. I see a unicorn, come alive before my own eyes.

In order to truly appreciate that moment, you must first understand something about this particular bird. The rarest songbird in North America, Kirtland’s Warbler is a creature even more unlikely to be spotted in Central Park than the gay Black nerd with binoculars looking up at it. It nests strictly in jack pines of a certain age, habitat requirements so specific that in all the world there are only about six thousand of the birds, restricted to a breeding range that consists almost entirely of a small patch of Michigan. Kirtland’s Warblers return there every spring from their wintering grounds in the Bahamas, traveling hundreds of miles to do so. Yet in that routine annual journey, one of these tiny bundles of feathers happened to wander a bit off course, or maybe, like me, this rare bird yearned to taste life in the big city, where freaks of nature of every kind are welcome. It would end up somewhere in the eight hundred acres of Central Park, a tiny thing flitting behind the leaves of the park’s eighteen thousand trees teeming with a million or so other avian visitors, including other warblers from which, to the untrained eye, a Kirtland’s is indistinguishable. In the words of Captain James T. Kirk, “Finding a needle in a haystack would be child’s play by comparison.”

Enter the birder Kevin Topping. He happened to be at the right place at the right time, but though luck plays a part in any sighting, there’s so much more to getting the bird than that. A birder is alert to the presence of creatures that “civilians” would likely never even notice; they’d just walk right past. A birder’s eyes lock onto a particular kind of motion in the trees, distinct from that of leaf movement in the wind, or to a particular shape that, motionless, is meant to camouflage into its surroundings. And a birder’s ears never turn off, akin to a police scanner that snaps the attention into focus and sends one springing into action when, from amid the constant chatter, an urgent message (a distinctive bird vocalization) comes through. Then there’s the accumulated knowledge base that an experienced birder brings to bear—a familiarity with what to watch for in what habitats, and an almost intuitive grasp of the subtle details of behavior, of plumage, that let you sort one kind of bird from another. Kevin Topping not only had the skill to find the bird but knew enough to know what he was looking at, and he had the presence of mind to get the word out to the broader birding community in a timely fashion.

That’s how, for the first time in history, a Kirtland’s Warbler was recorded in Central Park. It’s as if you stepped into your backyard and saw a wild tiger prowling your lawn, or as if you looked over the side of a boat to catch a wink and smile from a mermaid before she dove beneath the waves. Or as if a real live unicorn stepped out of the forest.

This, then, is the seventh of the Seven Pleasures of Birding, and perhaps the greatest thrill of the pastime:


Seventh Pleasure of Birding: The Unicorn Effect

It’s the thrill of seeing at last for oneself a creature that until then has existed only in the imagination. But while number 7 is the high-octane moment, other pleasures make birding a joy for almost anyone, as I have tried to tell my feckless friends; they wonder why I abandon them every year in May, the peak of Central Park’s spring songbird migration, when I become an early-rising, sleep-deprived mess of a man instead of carousing with them. After one too many attempts to explain, I codified those aspects of the birding experience into the Seven Pleasures of Birding, for ease of dissemination to the uninitiated, and of those seven pleasures, this comes first and foremost:


First Pleasure of Birding: The Beauty of the Birds

If you’ve never seen a male Scarlet Tanager in full breeding plumage—a bird of such incandescent hue, set off by jet-black wings and tail, that it makes a stoplight look dim—then a knock-your-socks-off experience awaits you. And that’s just the beginning of the show, from the gaudy, Technicolor riot of a Painted Bunting to the serene, pristine grace of a Great Egret; from the effortlessly soaring majesty of a Golden Eagle to the fierce frenzy of a hummingbird; from the bold color blocks of a Red-Headed Woodpecker to the exquisite nuance of pattern and muted tones of a Lincoln’s Sparrow . . .

But most people don’t realize the reasons why, of all the spectacular creatures with which we share this planet, birds captivate us as no others can.

What makes birding such a phenomenon? Why not “mammaling” or “insecting”? Certainly those pursuits have their adherents, as the thousands who visit Africa on safari or who catalog butterflies can attest. And in fact, there’s a large degree of overlap among all these obsessions, counting myself as one of the multi-obsessed; once you tune in to one aspect of nature, you eventually become aware of the whole connected network of life around us.

Birding, however, occupies a sweet spot of accessibility: The variety of birds, no matter where you are around the globe or what kind of place you’re in—city, suburb, country; mountains, woodland, field, swamp, shore, or out to sea—greatly exceeds the limited number of species of mammals in the same area; and many of those mammals are nocturnal and/or hidden beneath the soil or under the sea, restricting observation. Bugs, on the other hand, present the opposite problem: The crazy profusion of insect species is nigh impossible to master, or else, in temperate climes in the wintertime, there are almost none at all. With birds, no matter the time of year, there’s always something to see.

Praise

“Christian Cooper’s book is every bit as wondrous and captivating as the birds he so adores—a joyous tour across subcultures and continents, and a masterful account of a life full of song, full of heart, and fully lived.”—Ed Yong, Pulitzer Prize–winning author of An Immense World

“An uplifting and inspiring read. Christian Cooper is a national treasure.”—Van Jones, New York Times bestselling author and host of The Van Jones Show

“Utterly captivating, a marvel of storytelling . . . Christian Cooper’s memoir is tender, honest, funny, wise, poignant, piercing, and infused with brilliant observations on the nature of birds, humans, and his own extraordinary personal journey.”—Jennifer Ackerman, New York Times bestselling author of The Genius of Birds

“I cannot think of a better guide to teach us all to slow down, look, listen, and grab our binoculars than Cooper, a self-described Black queer nerd, who delivers the best nature bath ever, in lyrical, lush, relatable prose.”—Brittney Cooper, PhD, New York Times bestselling author of Eloquent Rage

“Funny, brave, kind, and eagle-eyed, Cooper brings into focus not only the spectacular winged creatures he loves, but also the glorious messiness, prejudice, courage, and passion of our own species—and how birding can show us all how to lead better lives.”—Sy Montgomery, author of How to Be a Good Creature

“Read this book if you want to discover the joys, struggles, and magic of birding, but even more because it’s a book about the joys, struggles, and magic of life. Christian Cooper is a brilliant storyteller who manages to pack history, science, and sociology—with just the right amount of laugh-out-loud sass—into his powerful memoir. This book soars!”—Juli Berwald, author of Spineless

“Christian Cooper writes with passion and honesty—even about that Central Park run-in and media storm, which he handled with aplomb. Birders are fortunate to have Mr. Cooper as a spokesperson for the modern age.”—Noah Strycker, author of Birding Without Borders

“In addressing the Central Park incident, [Cooper] elegantly frames it within both his own bird-focused narrative and a broader conversation about racism and police brutality. . . . This rewarding memoir adds heft and heart to the headlines.”—Publishers Weekly (starred review)

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