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Devil on the Cross

Part of Penguin African Writers Series

Author Ngugi wa Thiong'o
Introduction by Namwali Serpell
Series edited by Chinua Achebe
Ebook
Penguin Adult HC/TR | Penguin Classics
0"W x 0"H x 0"D  
On sale Apr 11, 2017 | 320 Pages | 978-1-101-63486-8
| Grades 9-12 + AP/IB
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The great Kenyan writer and Nobel Prize nominee’s novel that he wrote in secret, on toilet paper, while in prison—featuring an introduction by Namwali Serpell, the author of the novel The Old Drift

One of the cornerstones of Ngũgĩ wa Thiong’o’s fame, Devil on the Cross is a powerful fictional critique of capitalism. It tells the tragic story of Wariinga, a young woman who moves from a rural Kenyan town to the capital, Nairobi, only to be exploited by her boss and later by a corrupt businessman. As she struggles to survive, Wariinga begins to realize that her problems are only symptoms of a larger societal malaise and that much of the misfortune stems from the Western, capitalist influences on her country. An impassioned cry for a Kenya free of dictatorship and for African writers to work in their own local dialects, Devil on the Cross has had a profound influence on Africa and on post-colonial African literature.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
© Daniel Anderson
Ngũgĩ wa Thiong’o is an award-winning novelist, playwright, and essayist from Kenya whose novels have been translated into more than thirty languages. He is Distinguished Professor of English at the University of California, Irvine. He lives in Irvine, California. View titles by Ngugi wa Thiong'o
“One of our century’s great novels.” —Tribune
 
“Ngugi is the most celebrated of African novelists.  What he offers is nothing less than a new direction for African writing.” —British Book News  
 
“Striking.” —The Guardian

About

The great Kenyan writer and Nobel Prize nominee’s novel that he wrote in secret, on toilet paper, while in prison—featuring an introduction by Namwali Serpell, the author of the novel The Old Drift

One of the cornerstones of Ngũgĩ wa Thiong’o’s fame, Devil on the Cross is a powerful fictional critique of capitalism. It tells the tragic story of Wariinga, a young woman who moves from a rural Kenyan town to the capital, Nairobi, only to be exploited by her boss and later by a corrupt businessman. As she struggles to survive, Wariinga begins to realize that her problems are only symptoms of a larger societal malaise and that much of the misfortune stems from the Western, capitalist influences on her country. An impassioned cry for a Kenya free of dictatorship and for African writers to work in their own local dialects, Devil on the Cross has had a profound influence on Africa and on post-colonial African literature.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Author

© Daniel Anderson
Ngũgĩ wa Thiong’o is an award-winning novelist, playwright, and essayist from Kenya whose novels have been translated into more than thirty languages. He is Distinguished Professor of English at the University of California, Irvine. He lives in Irvine, California. View titles by Ngugi wa Thiong'o

Praise

“One of our century’s great novels.” —Tribune
 
“Ngugi is the most celebrated of African novelists.  What he offers is nothing less than a new direction for African writing.” —British Book News  
 
“Striking.” —The Guardian

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