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Letters to a Young Poet

Part of A Penguin Classics Hardcover

Author Rainer Maria Rilke
Introduction by Lewis Hyde
Translated by Charlie Louth
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Hardcover
$18.00 US
Penguin Adult HC/TR | Penguin Classics
5.1"W x 7.6"H x 0.6"D  
On sale Mar 26, 2013 | 144 Pages | 9780143107149
Grades 9-12 + AP/IB
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Rilke's powerfully touching letters to an aspiring young poet, now available in a beautiful hardcover Penguin edition

At the start of the twentieth century, Rainer Maria Rilke wrote a series of letters to a young officer cadet, advising him on writing, love, sex, suffering, and the nature of advice itself. These profound and lyrical letters have since become hugely influential for generations of writers and artists of all kinds, including Lady Gaga and Patti Smith. With honesty, elegance, and a deep understanding of the loneliness that often comes with being an artist, Rilke's letters are an endless source of inspiration and comfort. Lewis Hyde's new introduction explores the context in which these letters were written and how the author embraced his isolation as a creative force.

This edition also includes Rilke's later work The Letter from the Young Worker.

Rainer Maria Rilke (1875–1926) was one of the greatest lyric German-language poets. Born in Prague, he published his first book of poems, Leben und Lieber, at age 19. In 1897 he met Lou Andreas-Salomé, the talented and spirited daughter of a Russian army officer, who influenced him deeply. In 1902 he became a friend, and for a time the secretary, of Rodin, and it was during his 12-year Paris residence that Rilke enjoyed his greatest poetic activity. In 1919 he went to Switzerland where he spent the last years of his life. It was there that he wrote his last two works, Duino Elegies (1923) and Sonnets to Orpheus (1923). View titles by Rainer Maria Rilke
Paris
February 17, 1903

Dear Sir,
Your letter arrived just a few days ago. I want to thank you for the great confidence you have placed in me. That is all I can do. I cannot discuss your verses; for any attempt at criticism would be foreign to me. Nothing touches a work of art so little as words of criticism: they always result in more or less fortunate misunderstandings. Things aren't all so tangible and sayable as people would usually have us believe; most experiences are unsayable, they happen in a space that no word has ever entered, and more unsayable than all other things are works of art, those mysterious existences, who life endures beside our own small, transitory life.

With this note as a preface, may I just tell you that your verses have no style of their own, although they do have silent and hidden beginnings or something personal. I feel this most clearly in the last poem, "My Soul." There, something of your own is trying to become word and melody. And in the lovely poem "To Leopardi" a kind of kinship with that great, solitary figure does perhaps appear. Nevertheless, the poems are not yet anything in themselves, not yet anything independent, even the last one and the one to Leopardi. Your kind letter, which accompanied them, managed to make clear to me various fault that I felt in reading your verses, though I am not able to name them specifically.

You ask whether your verses are any good. You ask me. You have asked others before this. You send them to magazines. You compare them with other poems, and you are upset when certain editors reject your work. Now (since you have said you want my advice) I beg you to stop doing that sort of thing. You are looking outside, and that is what you should most avoid right now. No one can advise you or help you—no one. There is only one thing you should do. Go into yourself. Find out the reason that commands you to write; see whether it has spread its root into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write. This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And is this answer rings out in assent, if you meet this solemn question with a strong, simple "I must," then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse.
Copyright © 2001 by Rainer Maria Rilke. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
“For this reason, my dear Sir, the only advice I have is this: to go into yourself and to examine the depths from which your life springs; at its source you will find the answer to the question of whether you have to write. Accept this answer as it is,without seeking to interpret it. Perhaps it will turn out that you are called to be an artist. Then assume this fate and bear it, its burden and its greatness, without ever asking after the rewards that may come from outside. For he who creates must be a world of his own and find everything within himself and in the natural world that he has elected to follow. [. . .] Whatever happens, your life will find its own paths from that point on, and that they may be good, productive and far-reaching is something I wish for you more than I can say.” —Rainer Maria Rilke

“I cannot think of a better book to put into the hands of any young would-be poet, as an inspirational guide to poetry and to surviving as a poet in a hostile world.”
—Harry Fainlight, The Times (London)

“I read Rilke’s Letters to a Young Poet every day.”
—Lady Gaga

About

Rilke's powerfully touching letters to an aspiring young poet, now available in a beautiful hardcover Penguin edition

At the start of the twentieth century, Rainer Maria Rilke wrote a series of letters to a young officer cadet, advising him on writing, love, sex, suffering, and the nature of advice itself. These profound and lyrical letters have since become hugely influential for generations of writers and artists of all kinds, including Lady Gaga and Patti Smith. With honesty, elegance, and a deep understanding of the loneliness that often comes with being an artist, Rilke's letters are an endless source of inspiration and comfort. Lewis Hyde's new introduction explores the context in which these letters were written and how the author embraced his isolation as a creative force.

This edition also includes Rilke's later work The Letter from the Young Worker.

Author

Rainer Maria Rilke (1875–1926) was one of the greatest lyric German-language poets. Born in Prague, he published his first book of poems, Leben und Lieber, at age 19. In 1897 he met Lou Andreas-Salomé, the talented and spirited daughter of a Russian army officer, who influenced him deeply. In 1902 he became a friend, and for a time the secretary, of Rodin, and it was during his 12-year Paris residence that Rilke enjoyed his greatest poetic activity. In 1919 he went to Switzerland where he spent the last years of his life. It was there that he wrote his last two works, Duino Elegies (1923) and Sonnets to Orpheus (1923). View titles by Rainer Maria Rilke

Excerpt

Paris
February 17, 1903

Dear Sir,
Your letter arrived just a few days ago. I want to thank you for the great confidence you have placed in me. That is all I can do. I cannot discuss your verses; for any attempt at criticism would be foreign to me. Nothing touches a work of art so little as words of criticism: they always result in more or less fortunate misunderstandings. Things aren't all so tangible and sayable as people would usually have us believe; most experiences are unsayable, they happen in a space that no word has ever entered, and more unsayable than all other things are works of art, those mysterious existences, who life endures beside our own small, transitory life.

With this note as a preface, may I just tell you that your verses have no style of their own, although they do have silent and hidden beginnings or something personal. I feel this most clearly in the last poem, "My Soul." There, something of your own is trying to become word and melody. And in the lovely poem "To Leopardi" a kind of kinship with that great, solitary figure does perhaps appear. Nevertheless, the poems are not yet anything in themselves, not yet anything independent, even the last one and the one to Leopardi. Your kind letter, which accompanied them, managed to make clear to me various fault that I felt in reading your verses, though I am not able to name them specifically.

You ask whether your verses are any good. You ask me. You have asked others before this. You send them to magazines. You compare them with other poems, and you are upset when certain editors reject your work. Now (since you have said you want my advice) I beg you to stop doing that sort of thing. You are looking outside, and that is what you should most avoid right now. No one can advise you or help you—no one. There is only one thing you should do. Go into yourself. Find out the reason that commands you to write; see whether it has spread its root into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write. This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And is this answer rings out in assent, if you meet this solemn question with a strong, simple "I must," then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse.
Copyright © 2001 by Rainer Maria Rilke. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Praise

“For this reason, my dear Sir, the only advice I have is this: to go into yourself and to examine the depths from which your life springs; at its source you will find the answer to the question of whether you have to write. Accept this answer as it is,without seeking to interpret it. Perhaps it will turn out that you are called to be an artist. Then assume this fate and bear it, its burden and its greatness, without ever asking after the rewards that may come from outside. For he who creates must be a world of his own and find everything within himself and in the natural world that he has elected to follow. [. . .] Whatever happens, your life will find its own paths from that point on, and that they may be good, productive and far-reaching is something I wish for you more than I can say.” —Rainer Maria Rilke

“I cannot think of a better book to put into the hands of any young would-be poet, as an inspirational guide to poetry and to surviving as a poet in a hostile world.”
—Harry Fainlight, The Times (London)

“I read Rilke’s Letters to a Young Poet every day.”
—Lady Gaga

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