Selected by the Modern Library as one of the 100 best novels of all time

D.H. Lawrence's magnificent exploration of human sexuality in the days surrounding World War I. 'Let us hesitate no longer to announce that the sensual passions and mysteries are equally sacred with the spiritual mysteries and passions,' wrote D.H. Lawrence in Women In Love, a masterpiece that heralded the erotic consciousness of the twentieth century. Echoing elements of Lawrence's own life, Women In Love delves into the mysteries between men and women as two couples strive for love against a haunting backdrop of coal
mines, factories, and a beleaguered working class.

New introduction by Louis Menand.
D. H. Lawrence, whose fiction has had a profound influence on twentieth-century literature, was born on September 11, 1885, in a mining village in Nottinghamshire, England. His father was an illiterate coal miner, his mother a genteel schoolteacher determined to lift her children out of the working class. His parents’ unhappy marriage and his mother’s strong emotional claims on her son later became the basis for Lawrence’s Sons and Lovers (1913), one of the most important autobiographical novels of this century. In 1915, his masterpiece, The Rainbow, which like its companion novel Women in Love (1920) dealt frankly with sex, was suppressed as indecent a month after its publication. Aaron’s Road (1922); Kangaroo (1923), set in Australia; and The Plumed Serpent (1926), set in Mexico, were all written during Lawrence’s travels in search of political and emotional refuge and a healthful climate. In 1928, already desperately ill, Lawrence wrote Lady Chatterley’s Lover. Banned as pornographic, the unexpurgated edition was not allowed legal circulation in Britain until 1960. D. H. Lawrence called his life, marked by struggle, frustration, and despair, “a savage enough pilgrimage.” He died on March 2, 1930, at the age of forty-four, in Vence, France. View titles by D.H. Lawrence
Ursula and Gudrun Brangwen sat one morning in the window-bay of their father's house in Beldover, working and talking. Ursula was stitching a piece of brightly-coloured embroidery, and Gudrun was drawing upon a board which she held on her knee. They were mostly silent, talking as their thoughts strayed through their minds.

'Ursula,' said Gudrun, 'don't you really want to get married?' Ursula laid her embroidery in her lap and looked up. Her face was calm and considerate.

'I don't know,' she replied. 'It depends how you mean.'

Gudrun was slightly taken aback. She watched her sister for some moments.

'Well,' she said, ironically, 'it usually means one thing! But don't you think anyhow, you'd be--' she darkened slightly-- 'in a better position than you are in now?'

A shadow came over Ursula's face.

'I might,' she said. 'But I'm not sure.'

Again Gudrun paused, slightly irritated. She wanted to be quite definite.

'You don't think one needs the experience of having been married?' she asked.

'Do you think it need be an experience?' replied Ursula.

'Bound to be, in some way or other,' said Gudrun, coolly. 'Possibly undesirable, but bound to be an experience of some sort.'

'Not really,' said Ursula. 'More likely to be the end of experience.'

Gudrun sat very still, to attend to this.

'Of course,' she said, 'there's that to consider.' This brought the conversation to a close. Gudrun, almost angrily, took up her rubber and began to rub out part of her drawing. Ursula stitched absorbedly.

'You wouldn't consider a good offer?' asked Gudrun.

'I think I've rejected several,' said Ursula.

'Really!' Gudrun flushed dark--'But anything really worth while? Have you really?'

'A thousand a year, and an awfully nice man. I liked him awfully,' said Ursula.

'Really! But weren't you fearfully tempted?'

'In the abstract but not in the concrete,' said Ursula. 'When it comes to the point, one isn't even tempted--oh, if I were tempted, I'd marry like a shot. I'm only tempted not to.' The faces of both sisters suddenly lit up with amusement.

'Isn't it an amazing thing,' cried Gudrun, 'how strong the temptation is, not to!' They both laughed, looking at each other. In their hearts they were frightened.

There was a long pause, whilst Ursula stitched and Gudrun went on with her sketch. The sisters were women. Ursula twenty-six, and Gudrun twenty-five. But both had the remote, virgin look of modern girls, sisters of Artemis rather than of Hebe. Gudrun was very beautiful, passive, soft-skinned, soft-limbed. She wore a dress of dark-blue silky stuff, with ruches of blue and green linen lace in the neck and sleeves and she had emerald-green stockings. Her look of confidence and diffidence contrasted with Ursula's sensitive expectancy. The provincial people, intimidated by Gudrun's perfect sang-froid and exclusive bareness of manner, said of her: 'She is a smart woman.' She had just come back from London, where she had spent several years, working at an art-school, as a student, and living a studio life.

'I was hoping now for a man to come along,' Gudrun said, suddenly catching her underlip between her teeth, and making a strange grimace, half sly smiling, half anguish. Ursula was afraid.

'So you have come home, expecting him here?' she laughed.

'Oh my dear,' cried Gudrun, strident, 'I wouldn't go out of my way to look for him. But if there did happen to come along a highly attractive individual of sufficient means--well--' she tailed off ironically. Then she looked searchingly at Ursula, as if to probe her. 'Don't you find yourself getting bored?' she asked of her sister. 'Don't you find, that things fail to materialize? Nothing materializes! Everything withers in the bud.'

'What withers in the bud?' asked Ursula.

'Oh, everything--oneself--things in general.' There was a pause, whilst each sister vaguely considered her fate.

'It does frighten one,' said Ursula, and again there was a pause. 'But do you hope to get anywhere by just marrying?'

'It seems to be the inevitable next step,' said Gudrun. Ursula pondered this, with a little bitterness. She was a class mistress herself, in Willey Green Grammar School, as she had been for some years.

'I know,' she said, 'it seems like that when one thinks in the abstract. But really imagine it: imagine any man one knows, imagine him coming home to one every evening, and saying 'Hello,' and giving one a kiss--'

There was a blank pause.

'Yes,' said Gudrun, in a narrowed voice. 'It's just impossible. The man makes it impossible.'

'Of course there's children--' said Ursula doubtfully.

Gudrun's face hardened.

'Do you really want children, Ursula?' she asked coldly. A dazzled, baffled look came on Ursula's face.

'One feels it is still beyond one,' she said.

'Do you feel like that?' asked Gudrun. 'I get no feeling whatever from the thought of bearing children.'

Gudrun looked at Ursula with a mask-like, expressionless face. Ursula knitted her brows.

'Perhaps it isn't genuine,' she faltered. 'Perhaps one doesn't really want them, in one's soul--only superficially.' A hardness came over Gudrun's face. She did not want to be too definite.

'When one thinks of other people's children--' said Ursula.

Again Gudrun looked at her sister, almost hostile.

'Exactly,' she said, to close the conversation.

The two sisters worked on in silence, Ursula having always that strange brightness of an essential flame that was caught, meshed, contravened. She lived a good deal by herself, to herself, working, passing on from day to day, and always thinking, trying to lay hold on life, to grasp it in her own understanding. Her active living was suspended, but underneath, in the darkness, something was coming to pass. If only she could break through the last integuments! She seemed to try and put her hands out, like an infant in the womb, and she could not, not yet. Still she had a strange prescience, an intimation of something yet to come.

She laid down her work, and looked at her sister. She thought Gudrun so charming, so infinitely charming, in her softness and her fine, exquisite richness of texture and delicacy of line. There was a certain playfulness about her too, such a piquancy or ironic suggestion, such an untouched reserve. Ursula admired her with all her soul.

About

Selected by the Modern Library as one of the 100 best novels of all time

D.H. Lawrence's magnificent exploration of human sexuality in the days surrounding World War I. 'Let us hesitate no longer to announce that the sensual passions and mysteries are equally sacred with the spiritual mysteries and passions,' wrote D.H. Lawrence in Women In Love, a masterpiece that heralded the erotic consciousness of the twentieth century. Echoing elements of Lawrence's own life, Women In Love delves into the mysteries between men and women as two couples strive for love against a haunting backdrop of coal
mines, factories, and a beleaguered working class.

New introduction by Louis Menand.

Author

D. H. Lawrence, whose fiction has had a profound influence on twentieth-century literature, was born on September 11, 1885, in a mining village in Nottinghamshire, England. His father was an illiterate coal miner, his mother a genteel schoolteacher determined to lift her children out of the working class. His parents’ unhappy marriage and his mother’s strong emotional claims on her son later became the basis for Lawrence’s Sons and Lovers (1913), one of the most important autobiographical novels of this century. In 1915, his masterpiece, The Rainbow, which like its companion novel Women in Love (1920) dealt frankly with sex, was suppressed as indecent a month after its publication. Aaron’s Road (1922); Kangaroo (1923), set in Australia; and The Plumed Serpent (1926), set in Mexico, were all written during Lawrence’s travels in search of political and emotional refuge and a healthful climate. In 1928, already desperately ill, Lawrence wrote Lady Chatterley’s Lover. Banned as pornographic, the unexpurgated edition was not allowed legal circulation in Britain until 1960. D. H. Lawrence called his life, marked by struggle, frustration, and despair, “a savage enough pilgrimage.” He died on March 2, 1930, at the age of forty-four, in Vence, France. View titles by D.H. Lawrence

Excerpt

Ursula and Gudrun Brangwen sat one morning in the window-bay of their father's house in Beldover, working and talking. Ursula was stitching a piece of brightly-coloured embroidery, and Gudrun was drawing upon a board which she held on her knee. They were mostly silent, talking as their thoughts strayed through their minds.

'Ursula,' said Gudrun, 'don't you really want to get married?' Ursula laid her embroidery in her lap and looked up. Her face was calm and considerate.

'I don't know,' she replied. 'It depends how you mean.'

Gudrun was slightly taken aback. She watched her sister for some moments.

'Well,' she said, ironically, 'it usually means one thing! But don't you think anyhow, you'd be--' she darkened slightly-- 'in a better position than you are in now?'

A shadow came over Ursula's face.

'I might,' she said. 'But I'm not sure.'

Again Gudrun paused, slightly irritated. She wanted to be quite definite.

'You don't think one needs the experience of having been married?' she asked.

'Do you think it need be an experience?' replied Ursula.

'Bound to be, in some way or other,' said Gudrun, coolly. 'Possibly undesirable, but bound to be an experience of some sort.'

'Not really,' said Ursula. 'More likely to be the end of experience.'

Gudrun sat very still, to attend to this.

'Of course,' she said, 'there's that to consider.' This brought the conversation to a close. Gudrun, almost angrily, took up her rubber and began to rub out part of her drawing. Ursula stitched absorbedly.

'You wouldn't consider a good offer?' asked Gudrun.

'I think I've rejected several,' said Ursula.

'Really!' Gudrun flushed dark--'But anything really worth while? Have you really?'

'A thousand a year, and an awfully nice man. I liked him awfully,' said Ursula.

'Really! But weren't you fearfully tempted?'

'In the abstract but not in the concrete,' said Ursula. 'When it comes to the point, one isn't even tempted--oh, if I were tempted, I'd marry like a shot. I'm only tempted not to.' The faces of both sisters suddenly lit up with amusement.

'Isn't it an amazing thing,' cried Gudrun, 'how strong the temptation is, not to!' They both laughed, looking at each other. In their hearts they were frightened.

There was a long pause, whilst Ursula stitched and Gudrun went on with her sketch. The sisters were women. Ursula twenty-six, and Gudrun twenty-five. But both had the remote, virgin look of modern girls, sisters of Artemis rather than of Hebe. Gudrun was very beautiful, passive, soft-skinned, soft-limbed. She wore a dress of dark-blue silky stuff, with ruches of blue and green linen lace in the neck and sleeves and she had emerald-green stockings. Her look of confidence and diffidence contrasted with Ursula's sensitive expectancy. The provincial people, intimidated by Gudrun's perfect sang-froid and exclusive bareness of manner, said of her: 'She is a smart woman.' She had just come back from London, where she had spent several years, working at an art-school, as a student, and living a studio life.

'I was hoping now for a man to come along,' Gudrun said, suddenly catching her underlip between her teeth, and making a strange grimace, half sly smiling, half anguish. Ursula was afraid.

'So you have come home, expecting him here?' she laughed.

'Oh my dear,' cried Gudrun, strident, 'I wouldn't go out of my way to look for him. But if there did happen to come along a highly attractive individual of sufficient means--well--' she tailed off ironically. Then she looked searchingly at Ursula, as if to probe her. 'Don't you find yourself getting bored?' she asked of her sister. 'Don't you find, that things fail to materialize? Nothing materializes! Everything withers in the bud.'

'What withers in the bud?' asked Ursula.

'Oh, everything--oneself--things in general.' There was a pause, whilst each sister vaguely considered her fate.

'It does frighten one,' said Ursula, and again there was a pause. 'But do you hope to get anywhere by just marrying?'

'It seems to be the inevitable next step,' said Gudrun. Ursula pondered this, with a little bitterness. She was a class mistress herself, in Willey Green Grammar School, as she had been for some years.

'I know,' she said, 'it seems like that when one thinks in the abstract. But really imagine it: imagine any man one knows, imagine him coming home to one every evening, and saying 'Hello,' and giving one a kiss--'

There was a blank pause.

'Yes,' said Gudrun, in a narrowed voice. 'It's just impossible. The man makes it impossible.'

'Of course there's children--' said Ursula doubtfully.

Gudrun's face hardened.

'Do you really want children, Ursula?' she asked coldly. A dazzled, baffled look came on Ursula's face.

'One feels it is still beyond one,' she said.

'Do you feel like that?' asked Gudrun. 'I get no feeling whatever from the thought of bearing children.'

Gudrun looked at Ursula with a mask-like, expressionless face. Ursula knitted her brows.

'Perhaps it isn't genuine,' she faltered. 'Perhaps one doesn't really want them, in one's soul--only superficially.' A hardness came over Gudrun's face. She did not want to be too definite.

'When one thinks of other people's children--' said Ursula.

Again Gudrun looked at her sister, almost hostile.

'Exactly,' she said, to close the conversation.

The two sisters worked on in silence, Ursula having always that strange brightness of an essential flame that was caught, meshed, contravened. She lived a good deal by herself, to herself, working, passing on from day to day, and always thinking, trying to lay hold on life, to grasp it in her own understanding. Her active living was suspended, but underneath, in the darkness, something was coming to pass. If only she could break through the last integuments! She seemed to try and put her hands out, like an infant in the womb, and she could not, not yet. Still she had a strange prescience, an intimation of something yet to come.

She laid down her work, and looked at her sister. She thought Gudrun so charming, so infinitely charming, in her softness and her fine, exquisite richness of texture and delicacy of line. There was a certain playfulness about her too, such a piquancy or ironic suggestion, such an untouched reserve. Ursula admired her with all her soul.

PRH Education High School Collections

All reading communities should contain protected time for the sake of reading. Independent reading practices emphasize the process of making meaning through reading, not an end product. The school culture (teachers, administration, etc.) should affirm this daily practice time as inherently important instructional time for all readers. (NCTE, 2019)   The Penguin Random House High

Read more

PRH Education Translanguaging Collections

Translanguaging is a communicative practice of bilinguals and multilinguals, that is, it is a practice whereby bilinguals and multilinguals use their entire linguistic repertoire to communicate and make meaning (García, 2009; García, Ibarra Johnson, & Seltzer, 2017)   It is through that lens that we have partnered with teacher educators and bilingual education experts, Drs.

Read more

PRH Education Classroom Libraries

“Books are a students’ passport to entering and actively participating in a global society with the empathy, compassion, and knowledge it takes to become the problem solvers the world needs.” –Laura Robb   Research shows that reading and literacy directly impacts students’ academic success and personal growth. To help promote the importance of daily independent

Read more