The Joy Luck Club

A Novel

Author Amy Tan On Tour
Ebook
On sale Sep 21, 2006 | 352 Pages | 9781101502730
Grades 9-12 + AP/IB
Reading Level: Fountas & Pinnell Z+

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NEW YORK TIMES BESTSELLER • Amy Tan’s modern classic that examines the sometimes painful, often tender, and always deep connection between mothers and daughters—now with a new preface

“For me, [The Joy Luck Club] was one of those once-in-a-lifetime reading experiences that you cherish forever. It inspired me as a writer and still remains hugely inspirational.”—Kevin Kwan, author of Crazy Rich Asians

“Brilliant.”—The Washington Post Book World
“A jewel of a book.”—The New York Times Book Review
“Amy Tan [is] a writer of dazzling talent.”—Chicago Tribune

In 1949, four Chinese women, recent immigrants to San Francisco, begin meeting to play mah jong, remember the past, and gossip into the night. United in unspeakable loss and new hope, they call themselves the Joy Luck Club.

With wit and sensitivity, Amy Tan examines the memories that display these women’s strength, worries, and determination. As each woman reveals her secrets, trying to unravel the truth about her life, the strings become more tangled, more entwined. Mothers boast or despair over daughters, and daughters roll their eyes even as they feel the inextricable tightening of the matriarchal ties that they believe have stymied their ability to face the uncertainties of the future.

Intimate and moving, The Joy Luck Club shows us how the inheritance of pain and unspoken secrets can lead to misunderstanding—and yet how love can still offer the promise of reconciliation.
© Enmei Tan
AMY TAN is the author of several novels, including The Joy Luck Club and The Bonesetter's Daughter. She is a co-producer and co-screenwriter of the film version of The Joy Luck Club and is on the board of American Bird Conservancy. She lives in Sausalito, California. View titles by Amy Tan
"Powerful as myth." —The Washington Post Book World

"Beautifully written...a jewel of a book." —The New York Times Book Review

"Powerful...full of magic...you won't be doing anything of importance until you have finished this book." —Los Angeles Times

"Wonderful...a significant lesson in what storytelling has to do with memory and inheritance." —San Francisco Chronicle

“Reading it really changed the way I thought about Asian-American history. Our heritage has a lot of difficult stuff in it — a lot of misogyny, a lot of fear and rage and death. It showed me a past that reached beyond borders and languages and cultures to bring together these disparate elements of who we are. I hadn’t seen our history like that before. At that time, we hadn’t seen a lot of Asian-American representations anywhere, so it was a big deal that it even existed. It made me feel validated and seen. That’s what’s so important about books like that. You feel like, Oh my god, I exist here. I exist in this landscape of literature and memoir. I’m here, and I have a story to tell, and it’s among the canon of Asian-American stories that are feminist and that are true to our being. It’s a book that has stayed with me and lived in me.” Margaret Cho

About

NEW YORK TIMES BESTSELLER • Amy Tan’s modern classic that examines the sometimes painful, often tender, and always deep connection between mothers and daughters—now with a new preface

“For me, [The Joy Luck Club] was one of those once-in-a-lifetime reading experiences that you cherish forever. It inspired me as a writer and still remains hugely inspirational.”—Kevin Kwan, author of Crazy Rich Asians

“Brilliant.”—The Washington Post Book World
“A jewel of a book.”—The New York Times Book Review
“Amy Tan [is] a writer of dazzling talent.”—Chicago Tribune

In 1949, four Chinese women, recent immigrants to San Francisco, begin meeting to play mah jong, remember the past, and gossip into the night. United in unspeakable loss and new hope, they call themselves the Joy Luck Club.

With wit and sensitivity, Amy Tan examines the memories that display these women’s strength, worries, and determination. As each woman reveals her secrets, trying to unravel the truth about her life, the strings become more tangled, more entwined. Mothers boast or despair over daughters, and daughters roll their eyes even as they feel the inextricable tightening of the matriarchal ties that they believe have stymied their ability to face the uncertainties of the future.

Intimate and moving, The Joy Luck Club shows us how the inheritance of pain and unspoken secrets can lead to misunderstanding—and yet how love can still offer the promise of reconciliation.

Author

© Enmei Tan
AMY TAN is the author of several novels, including The Joy Luck Club and The Bonesetter's Daughter. She is a co-producer and co-screenwriter of the film version of The Joy Luck Club and is on the board of American Bird Conservancy. She lives in Sausalito, California. View titles by Amy Tan

Praise

"Powerful as myth." —The Washington Post Book World

"Beautifully written...a jewel of a book." —The New York Times Book Review

"Powerful...full of magic...you won't be doing anything of importance until you have finished this book." —Los Angeles Times

"Wonderful...a significant lesson in what storytelling has to do with memory and inheritance." —San Francisco Chronicle

“Reading it really changed the way I thought about Asian-American history. Our heritage has a lot of difficult stuff in it — a lot of misogyny, a lot of fear and rage and death. It showed me a past that reached beyond borders and languages and cultures to bring together these disparate elements of who we are. I hadn’t seen our history like that before. At that time, we hadn’t seen a lot of Asian-American representations anywhere, so it was a big deal that it even existed. It made me feel validated and seen. That’s what’s so important about books like that. You feel like, Oh my god, I exist here. I exist in this landscape of literature and memoir. I’m here, and I have a story to tell, and it’s among the canon of Asian-American stories that are feminist and that are true to our being. It’s a book that has stayed with me and lived in me.” Margaret Cho

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