Junichirō Tanizaki’s magisterial evocation of a proud Osaka family in decline during the years immediately before World War II is arguably the greatest Japanese novel of the twentieth century and a classic of international literature.

Tsuruko, the eldest sister of the once-wealthy Makioka family, clings obstinately to the prestige of her family name even as her husband prepares to move their household to Tokyo, where that name means nothing. Sachiko compromises valiantly to secure the future of her younger sisters. The shy, unmarried Yukiko is a hostage to her family’s exacting standards, while the spirited Taeko rebels by flinging herself into scandalous romantic alliances and dreaming of studying fashion design in France. Filled with vignettes of a vanishing way of life, The Makioka Sisters is a poignant yet unsparing portrait of a family—and an entire society—sliding into the abyss of modernity. It possesses in abundance the keen social insight and unabashed sensuality that distinguish Tanizaki as a master novelist.
Junichiro Tanizaki was born in Tokyo in 1886 and lived in the city until the earthquake of 1923, when he moved to the Kyoto-Osaka region, the scene of one of his most well-known novels, The Makioka Sisters (1943-48). The author of over twenty books, including Naomi (1924), Some Prefer Nettles (1928), Arrowroot (1931), and A Portrait of Shunkin (1933), Tanizaki also published translations of the Japanese classic, The Tale of Genji in 1941, 1954, and 1965. Several of his novels, including Quicksand (1930), The Key (1956), and Diary of a Mad Old Man (1961) were made into movies. He was awarded Japan’s Imperial Prize in Literature in 1949, and in 1965 he became the first Japanese writer to be elected as an honorary member of the American Academy and the National Institute of Arts and Letters. Tanizaki died in 1965. View titles by Junichiro Tanizaki
Praise for Junichiro Tanizaki's The Makioka Sisters

“A masterpiece of great beauty and quality.” –Chicago Tribune

“Skillfully and subtly, Tanizaki brushes in a delicate picture of a gentle world that no longer exists.” –San Francisco Chronicle

About

Junichirō Tanizaki’s magisterial evocation of a proud Osaka family in decline during the years immediately before World War II is arguably the greatest Japanese novel of the twentieth century and a classic of international literature.

Tsuruko, the eldest sister of the once-wealthy Makioka family, clings obstinately to the prestige of her family name even as her husband prepares to move their household to Tokyo, where that name means nothing. Sachiko compromises valiantly to secure the future of her younger sisters. The shy, unmarried Yukiko is a hostage to her family’s exacting standards, while the spirited Taeko rebels by flinging herself into scandalous romantic alliances and dreaming of studying fashion design in France. Filled with vignettes of a vanishing way of life, The Makioka Sisters is a poignant yet unsparing portrait of a family—and an entire society—sliding into the abyss of modernity. It possesses in abundance the keen social insight and unabashed sensuality that distinguish Tanizaki as a master novelist.

Author

Junichiro Tanizaki was born in Tokyo in 1886 and lived in the city until the earthquake of 1923, when he moved to the Kyoto-Osaka region, the scene of one of his most well-known novels, The Makioka Sisters (1943-48). The author of over twenty books, including Naomi (1924), Some Prefer Nettles (1928), Arrowroot (1931), and A Portrait of Shunkin (1933), Tanizaki also published translations of the Japanese classic, The Tale of Genji in 1941, 1954, and 1965. Several of his novels, including Quicksand (1930), The Key (1956), and Diary of a Mad Old Man (1961) were made into movies. He was awarded Japan’s Imperial Prize in Literature in 1949, and in 1965 he became the first Japanese writer to be elected as an honorary member of the American Academy and the National Institute of Arts and Letters. Tanizaki died in 1965. View titles by Junichiro Tanizaki

Praise

Praise for Junichiro Tanizaki's The Makioka Sisters

“A masterpiece of great beauty and quality.” –Chicago Tribune

“Skillfully and subtly, Tanizaki brushes in a delicate picture of a gentle world that no longer exists.” –San Francisco Chronicle

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