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Six Yuan Plays

Author Various
Translated by Liu Jung-En
Paperback
$18.00 US
Penguin Adult HC/TR | Penguin Classics
5.11"W x 7.68"H x 0.62"D  
On sale Sep 30, 1972 | 288 Pages | 9780140442625
Grades 9-12 + AP/IB
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Although their Mongol overlords (beginning with the founding of the Yuan dynasty by Kublai Khan in 1280) tyrannized the Chinese in nearly every area of life, the arts enjoyed a new-found freedom. On the one hand oppressed, on the other released from the straight-jacket of Confucianism, the Chinese made the most of recent developments in poetry and drama. Yuan plays were a tonic, an amazing spectacle—colorful outbursts of singing, dancing, music, acting and mime. They poured new life into old stories—oppressors were ridiculed, servants became masters, scenes changed, day followed night in the twinkling of an eye—and audiences flocked to enjoy what must have been complete entertainment.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The improbable life story of Lafcadio Hearn (1850-1904) included a peculiarly gothic childhood in Ireland during which he was successively abandoned by his mother, his father and his guardian; two decades in the United States, where he worked as a journalist and was sacked for marrying a former slave; and a long period in Japan, where he married a Japanese woman and wrote about Japanese society and aesthetics for a Western readership. His ghost stories, which were drawn from Japanese folklore and influenced by Buddhist beliefs, appeared in collections throughout the 1890s and 1900s. He is a much celebrated figure in Japan. View titles by Various
Introduction
Bibilography
Note on the Illustrations

The Orphan of Chao
Chi Chün-hsiang
The Soul of Ch'ien-Nü Leaves Her Body
Chêng Teh-hui
The Injustice Done to Tou Ngo
Kuan Han-ch'ing
Change Boils the Sea
Li Hao-ku
Autumn in Han Palace
Ma Chih-yüan
A Strategem of Interlocking Rings
Anonymous

Musical Instruments Used in Yüan Drama
Notes

About

Although their Mongol overlords (beginning with the founding of the Yuan dynasty by Kublai Khan in 1280) tyrannized the Chinese in nearly every area of life, the arts enjoyed a new-found freedom. On the one hand oppressed, on the other released from the straight-jacket of Confucianism, the Chinese made the most of recent developments in poetry and drama. Yuan plays were a tonic, an amazing spectacle—colorful outbursts of singing, dancing, music, acting and mime. They poured new life into old stories—oppressors were ridiculed, servants became masters, scenes changed, day followed night in the twinkling of an eye—and audiences flocked to enjoy what must have been complete entertainment.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Author

The improbable life story of Lafcadio Hearn (1850-1904) included a peculiarly gothic childhood in Ireland during which he was successively abandoned by his mother, his father and his guardian; two decades in the United States, where he worked as a journalist and was sacked for marrying a former slave; and a long period in Japan, where he married a Japanese woman and wrote about Japanese society and aesthetics for a Western readership. His ghost stories, which were drawn from Japanese folklore and influenced by Buddhist beliefs, appeared in collections throughout the 1890s and 1900s. He is a much celebrated figure in Japan. View titles by Various

Table of Contents

Introduction
Bibilography
Note on the Illustrations

The Orphan of Chao
Chi Chün-hsiang
The Soul of Ch'ien-Nü Leaves Her Body
Chêng Teh-hui
The Injustice Done to Tou Ngo
Kuan Han-ch'ing
Change Boils the Sea
Li Hao-ku
Autumn in Han Palace
Ma Chih-yüan
A Strategem of Interlocking Rings
Anonymous

Musical Instruments Used in Yüan Drama
Notes

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