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Animal Spirit

Stories

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Centered in Rome but transporting us into worlds as varied and alluring as they are emotionally real, Francesca Marciano’s stories paint landscapes that are populated—vividly, hauntingly—by animals: from violent seagulls and starlings circling the evening sky in exhilarating formation to magical snakes and a tiny dog on the side of a deserted road.
 
In unforgettable, cinematic frames, events unfold, especially in the lives of women. An affair ends painfully at a dinner table, an actress’s past comes crashing down on her during an audition, an unhappy wife seeks respite in a historic palazzo sublet. Two starkly different couples imagine parenthood during a Greek island holiday and a young girl returns from rehab, deciding to set out anew with a traveling circus. A man in crisis draws his ex-lover deep into the New Mexico desert.
 
With spellbinding clarity, the six masterly stories in Animal Spirit inhabit the minds and hearts of Marciano’s characters. They chronicle deeply human moments of realization and recognition, indelible instants of irrevocable change—epiphanies sometimes sparked by our connection with animals and the primal power they show us.
© Jeannette Montgomery Barron

Francesca Marciano is the author of the novels Rules of the Wild, Casa Rossa, and The End of Manners, and the story collections The Other Language and Animal Spirit. She lives in Rome.

View titles by Francesca Marciano
TERRIBLE THINGS COULD HAPPEN TO US

***
  
Sandro felt the phone purring inside his pocket. It was a few minutes past eight in the evening, an odd time for Emilia to be calling him. Usually by then she was busy making dinner for her family.
 
“He’s dead,” she said.
 
Her voice on speakerphone resonated loudly inside the taxi. Lately Sandro had been trying to keep his cell as far as possible from his ear, fearing radiation and a potential brain tumor. He immediately switched the speaker off, lifted the phone to his ear and lowered his voice, sensing tension in the shoulders of the cabdriver, as if he too were eager to hear the details.
 
“Dead? Who?”
 
“Bruno. He’s had a stroke, a heart attack . . . not sure yet what, exactly. He was driving home from work, he lost con­trol of the car, apparently he managed to pull onto the side of the road and . . .”

Her voice trembled.
 
“Oh God, I can’t believe I’m telling you this—it feels so unreal. He died on the spot.”
 
“When?” he asked, as if it made any difference, but he needed a few seconds to take it all in.
 
“Like . . . an hour ago. I’m at the hospital now.”
 
“Do you . . . I mean . . . do you want me to come over? I’m on my way to something but I can make up an excuse.”
 
“No, I don’t think it would be a good idea. His sisters are here, and my friend Monica from the yoga studio is on her way.”
 
“What about the girls?”
 
“My mother is at home with them. I haven’t told them any-thing yet.”
 
There was a pause. He could hear her anxious breathing.
 
“This is so . . .” He hesitated. “Amore, this is . . . I’m really sorry. I wish I could do something for you right now.”
 
“I know, I know.” She was crying. “But it’s good to hear your voice; it makes me feel less lonely.”
 
He lowered his voice to a whisper.
 
“I wish I could hold you in my arms.”
 
“Me too,” she murmured. “I so wish you were here with me, but it’s not possible—that’s crazy, isn’t it. I can barely think straight right now.”
 
“I know, of course.”
 
The driver turned toward him.
 
“Is this it?”
 
The cab had slowed down, skirting the museum of con-temporary art, a grandiose building that resembled a whale. The MAXXI had cost millions of euros yet some people said it wasn’t art- friendly; the interior had way too many curves and spirals and basically there weren’t enough walls to hang paintings on.
 
“Yes, yes. We can stop here,” Sandro said, checking his wal­let for small bills.
 
“Can I call you later—is that all right?” Emilia asked, try­ing to conceal her sobs.
 
“Of course. Send me a text and I’ll call you right back. I love you,” he said.
 
He felt terrible, to be going to a stupid opening and leaving Emilia alone in the midst of her tragedy.
 
He wiped his forehead with a handkerchief—it was an unusually warm evening for early May—and regretted his decision to wear a jacket, even though it was a light linen one.
 
Sandro walked across the courtyard, where a gigantic sculpture had been placed, probably the work of the Korean artist whose vernissage he was attending. It was an enormous oval, reminiscent of an alien ship from outer space, or maybe a dinosaur’s egg. Its surface was beautifully polished, perfectly smooth; it looked peaceful and strangely benign.
 
Sandro couldn’t care less about contemporary art—he knew next to nothing about who was who in that world—but his wife, Ottavia, came from a family of important collectors; she had grown up surrounded by artists and had just opened a gallery herself. This was her scene, and he knew how much it meant to her to have him by her side at these kinds of events.
 
He’s dead. As he approached the sliding door of the museum, Sandro kept repeating the words to himself, in an attempt to make the concept real before he stepped inside. He could see the usual crowd through the glass, milling around in the lobby, champagne flutes in hand, air-kissing and Instagramming.
 
So it had happened at last. He had often entertained this fantasy. It would come out of nowhere, against his will, but he would frequently think how perfect it would be if Emilia’s husband suddenly died, or Ottavia, or both. He felt guilty to be imagining this scenario, but who in his position wouldn’t think of the possibility? He and Emilia had fallen in love almost a year earlier, and the death of their spouses seemed the only way to set them free. What if they just disappeared, without suffering, just like that, at the drop of a hat?
 
And now it had happened, and he wasn’t sure how he felt.
 
He caught a glimpse of his wife standing next to the recently appointed curator of the museum—a young woman with short platinum hair and an elaborate tattoo on her shoulder blades, two bright blue hummingbirds facing each other. Things had changed recently in the art world, Ottavia had explained to him. It was the very young, the very cool and the women who had the power now.
 
“Sandro!” His wife moved away from the tattooed curator and kissed him lightly on the cheek. A vintage yellow dress looked great against her tanned skin, along with a turquoise Navajo bracelet on each wrist. She wasn’t fearful of bold col­ors. He was suddenly overwhelmed by the reality of her body next to his, her scent, the warmth of her skin. He grabbed her hand and clutched it in his. Ottavia looked surprised.
 
“What?”
 
“Nothing. You look beautiful. I love this dress—you should wear it more often.”
 
Sandro couldn’t believe he’d say something so trivial, but it helped him feel anchored to reality.
 
“Thank you, darling. The show is a joke, but we need to stay till the bitter end. Are you going to be able to bear the dinner afterward?”
 
“Of course,” he said, and smiled at his beautiful wife, the mother of his daughter, Ilaria. Ottavia, whom he had wished dead more than once.
 
“Let’s go get a drink,” he said. He put his arm around her and they moved toward the bar. As they walked, he pressed his fingertips along her spine, feeling the tiny interstices between each vertebra, the evidence that underneath that delicate flesh lived a skeleton. We are all so frail, he thought. Terrible things could happen to us in the space of one breath.
“These moody, elegant stories took my breath away. Francesca Marciano lures her reader so“ effortlessly from dazzling cosmopolitan worlds into the jungles of instinct, rage, and desire within each of us. Animal Spirit is as unsettling as it is impossible to resist.”
—Mia Alvar, author of In the Country


“[A] sharp-eyed and effortlessly graceful collection, set largely in the author’s native Italy, explores the ways people’s animalistic instincts drive relationships . . . [T]hroughout the collection, Marciano skillfully uses her characters’ relationships with animals as metaphors to explore their humanity. Polished and compulsively readable, this is a real treat.”
Publishers Weekly (starred review) 


“Marciano’s ability is to capture the entire arc of a character’s life in a handful of pages.”
—Michiko Kakutani, The New York Times

“I love Francesca Marciano’s work so much. Every story grabs you by the collar and doesn’t let you go until its last glorious sentence. Each one reads like a short perfect novel. She is brilliant. Please read this book immediately!”
 —Lily King, author of Writers and Lovers

“The fates of [her] characters are shaped by the animals whose lives intersect theirs . . . Marciano is a master at making even the most seemingly banal settings seem forbiddingly foreign . . . and she excels at crafting conclusions that are both satisfying and enigmatic.”
—Margaret Quamme, Booklist

"When a short story is operating at its peak, it’s able to convey a novel’s worth of emotional depth and allure. Francesca Marciano possesses this gift, a special magic that allows her to say so much in just a few thousand words, as demonstrated by her new collection, Animal Spirit . . . Marciano displays a spellbinding sense of control over her characters, and she does so with surprising brevity and well-composed pacing . . . There’s a sense of confidence in each sentence that allows the reader to be as vulnerable as her characters . . . A passionate, compelling exercise in the fine art of short fiction. It’s proof that the most intimate narratives are often the most powerful."
—Matthew Jackson, BookPage

“[The opening story] sucks the reader in immediately . . . and has a layered structure that gives it the rich, leisurely feel of a Fellini film . . . Death’s lasting power echoes back through the stories, but Marciano’s closing lines offer hard-won hope . . . Emotionally charged issues of commitment, loyalty, and trust explored with dry yet oddly comforting European wit.” 
Kirkus Reviews (starred) 

“In Francesca Marciano’s new collection, Italians experience love and loss, violence, and madness, at home and abroad . . . The human couplings in Animal Spirit are fraught and consuming, but the animals set the stage. They are exotic, and erotic. Think about dancing with a seven-foot python wrapped around your body. And don’t forget the skimpy costume.”
—Louisa Ermelino, Publishers Weekly 

"With this collection of radiant short stories set mostly in Rome, Marciano claims a spot beside the best practitioners of the form . . . Marciano’s characters tread gingerly across emotional minefields, “kaleidoscopically vulnerable” amid the piazze and palazzi of the Eternal City. Creatures of all kinds—a beguiling stray pup, Hitchcockian seagulls—guide them toward keener understandings of their own desires."
—O, The Oprah Magazine 
 
"Really satisfying . . . Stories include a hawk and a falcon, a herd of elk, a flock of starlings . . .  Exotic settings, wild animals, Italian details—thank you, Francesca Marciano."
—Marion Winik, Baltimore Public Radio 
 
"[Animal Spirit] surprised me with its power. Each of [Marciano's] stories engage a nuance adiscussion about how outer factors . . . impact relationship[s] . . . Certain common themes give this collection a more cohesive feel than most short story collections can achieve . . . [Marciano] is such a clear-eyed writer, showing with particular skill and compassion what makes her characters tick, and though these stories can ostensibly be said to be “about animals,” they are, in truth, about us—about all of the lovely and terrible things that make us human."
—Ashley Riggleson, Fredericksburg Freelance Star

About

Centered in Rome but transporting us into worlds as varied and alluring as they are emotionally real, Francesca Marciano’s stories paint landscapes that are populated—vividly, hauntingly—by animals: from violent seagulls and starlings circling the evening sky in exhilarating formation to magical snakes and a tiny dog on the side of a deserted road.
 
In unforgettable, cinematic frames, events unfold, especially in the lives of women. An affair ends painfully at a dinner table, an actress’s past comes crashing down on her during an audition, an unhappy wife seeks respite in a historic palazzo sublet. Two starkly different couples imagine parenthood during a Greek island holiday and a young girl returns from rehab, deciding to set out anew with a traveling circus. A man in crisis draws his ex-lover deep into the New Mexico desert.
 
With spellbinding clarity, the six masterly stories in Animal Spirit inhabit the minds and hearts of Marciano’s characters. They chronicle deeply human moments of realization and recognition, indelible instants of irrevocable change—epiphanies sometimes sparked by our connection with animals and the primal power they show us.

Author

© Jeannette Montgomery Barron

Francesca Marciano is the author of the novels Rules of the Wild, Casa Rossa, and The End of Manners, and the story collections The Other Language and Animal Spirit. She lives in Rome.

View titles by Francesca Marciano

Excerpt

TERRIBLE THINGS COULD HAPPEN TO US

***
  
Sandro felt the phone purring inside his pocket. It was a few minutes past eight in the evening, an odd time for Emilia to be calling him. Usually by then she was busy making dinner for her family.
 
“He’s dead,” she said.
 
Her voice on speakerphone resonated loudly inside the taxi. Lately Sandro had been trying to keep his cell as far as possible from his ear, fearing radiation and a potential brain tumor. He immediately switched the speaker off, lifted the phone to his ear and lowered his voice, sensing tension in the shoulders of the cabdriver, as if he too were eager to hear the details.
 
“Dead? Who?”
 
“Bruno. He’s had a stroke, a heart attack . . . not sure yet what, exactly. He was driving home from work, he lost con­trol of the car, apparently he managed to pull onto the side of the road and . . .”

Her voice trembled.
 
“Oh God, I can’t believe I’m telling you this—it feels so unreal. He died on the spot.”
 
“When?” he asked, as if it made any difference, but he needed a few seconds to take it all in.
 
“Like . . . an hour ago. I’m at the hospital now.”
 
“Do you . . . I mean . . . do you want me to come over? I’m on my way to something but I can make up an excuse.”
 
“No, I don’t think it would be a good idea. His sisters are here, and my friend Monica from the yoga studio is on her way.”
 
“What about the girls?”
 
“My mother is at home with them. I haven’t told them any-thing yet.”
 
There was a pause. He could hear her anxious breathing.
 
“This is so . . .” He hesitated. “Amore, this is . . . I’m really sorry. I wish I could do something for you right now.”
 
“I know, I know.” She was crying. “But it’s good to hear your voice; it makes me feel less lonely.”
 
He lowered his voice to a whisper.
 
“I wish I could hold you in my arms.”
 
“Me too,” she murmured. “I so wish you were here with me, but it’s not possible—that’s crazy, isn’t it. I can barely think straight right now.”
 
“I know, of course.”
 
The driver turned toward him.
 
“Is this it?”
 
The cab had slowed down, skirting the museum of con-temporary art, a grandiose building that resembled a whale. The MAXXI had cost millions of euros yet some people said it wasn’t art- friendly; the interior had way too many curves and spirals and basically there weren’t enough walls to hang paintings on.
 
“Yes, yes. We can stop here,” Sandro said, checking his wal­let for small bills.
 
“Can I call you later—is that all right?” Emilia asked, try­ing to conceal her sobs.
 
“Of course. Send me a text and I’ll call you right back. I love you,” he said.
 
He felt terrible, to be going to a stupid opening and leaving Emilia alone in the midst of her tragedy.
 
He wiped his forehead with a handkerchief—it was an unusually warm evening for early May—and regretted his decision to wear a jacket, even though it was a light linen one.
 
Sandro walked across the courtyard, where a gigantic sculpture had been placed, probably the work of the Korean artist whose vernissage he was attending. It was an enormous oval, reminiscent of an alien ship from outer space, or maybe a dinosaur’s egg. Its surface was beautifully polished, perfectly smooth; it looked peaceful and strangely benign.
 
Sandro couldn’t care less about contemporary art—he knew next to nothing about who was who in that world—but his wife, Ottavia, came from a family of important collectors; she had grown up surrounded by artists and had just opened a gallery herself. This was her scene, and he knew how much it meant to her to have him by her side at these kinds of events.
 
He’s dead. As he approached the sliding door of the museum, Sandro kept repeating the words to himself, in an attempt to make the concept real before he stepped inside. He could see the usual crowd through the glass, milling around in the lobby, champagne flutes in hand, air-kissing and Instagramming.
 
So it had happened at last. He had often entertained this fantasy. It would come out of nowhere, against his will, but he would frequently think how perfect it would be if Emilia’s husband suddenly died, or Ottavia, or both. He felt guilty to be imagining this scenario, but who in his position wouldn’t think of the possibility? He and Emilia had fallen in love almost a year earlier, and the death of their spouses seemed the only way to set them free. What if they just disappeared, without suffering, just like that, at the drop of a hat?
 
And now it had happened, and he wasn’t sure how he felt.
 
He caught a glimpse of his wife standing next to the recently appointed curator of the museum—a young woman with short platinum hair and an elaborate tattoo on her shoulder blades, two bright blue hummingbirds facing each other. Things had changed recently in the art world, Ottavia had explained to him. It was the very young, the very cool and the women who had the power now.
 
“Sandro!” His wife moved away from the tattooed curator and kissed him lightly on the cheek. A vintage yellow dress looked great against her tanned skin, along with a turquoise Navajo bracelet on each wrist. She wasn’t fearful of bold col­ors. He was suddenly overwhelmed by the reality of her body next to his, her scent, the warmth of her skin. He grabbed her hand and clutched it in his. Ottavia looked surprised.
 
“What?”
 
“Nothing. You look beautiful. I love this dress—you should wear it more often.”
 
Sandro couldn’t believe he’d say something so trivial, but it helped him feel anchored to reality.
 
“Thank you, darling. The show is a joke, but we need to stay till the bitter end. Are you going to be able to bear the dinner afterward?”
 
“Of course,” he said, and smiled at his beautiful wife, the mother of his daughter, Ilaria. Ottavia, whom he had wished dead more than once.
 
“Let’s go get a drink,” he said. He put his arm around her and they moved toward the bar. As they walked, he pressed his fingertips along her spine, feeling the tiny interstices between each vertebra, the evidence that underneath that delicate flesh lived a skeleton. We are all so frail, he thought. Terrible things could happen to us in the space of one breath.

Praise

“These moody, elegant stories took my breath away. Francesca Marciano lures her reader so“ effortlessly from dazzling cosmopolitan worlds into the jungles of instinct, rage, and desire within each of us. Animal Spirit is as unsettling as it is impossible to resist.”
—Mia Alvar, author of In the Country


“[A] sharp-eyed and effortlessly graceful collection, set largely in the author’s native Italy, explores the ways people’s animalistic instincts drive relationships . . . [T]hroughout the collection, Marciano skillfully uses her characters’ relationships with animals as metaphors to explore their humanity. Polished and compulsively readable, this is a real treat.”
Publishers Weekly (starred review) 


“Marciano’s ability is to capture the entire arc of a character’s life in a handful of pages.”
—Michiko Kakutani, The New York Times

“I love Francesca Marciano’s work so much. Every story grabs you by the collar and doesn’t let you go until its last glorious sentence. Each one reads like a short perfect novel. She is brilliant. Please read this book immediately!”
 —Lily King, author of Writers and Lovers

“The fates of [her] characters are shaped by the animals whose lives intersect theirs . . . Marciano is a master at making even the most seemingly banal settings seem forbiddingly foreign . . . and she excels at crafting conclusions that are both satisfying and enigmatic.”
—Margaret Quamme, Booklist

"When a short story is operating at its peak, it’s able to convey a novel’s worth of emotional depth and allure. Francesca Marciano possesses this gift, a special magic that allows her to say so much in just a few thousand words, as demonstrated by her new collection, Animal Spirit . . . Marciano displays a spellbinding sense of control over her characters, and she does so with surprising brevity and well-composed pacing . . . There’s a sense of confidence in each sentence that allows the reader to be as vulnerable as her characters . . . A passionate, compelling exercise in the fine art of short fiction. It’s proof that the most intimate narratives are often the most powerful."
—Matthew Jackson, BookPage

“[The opening story] sucks the reader in immediately . . . and has a layered structure that gives it the rich, leisurely feel of a Fellini film . . . Death’s lasting power echoes back through the stories, but Marciano’s closing lines offer hard-won hope . . . Emotionally charged issues of commitment, loyalty, and trust explored with dry yet oddly comforting European wit.” 
Kirkus Reviews (starred) 

“In Francesca Marciano’s new collection, Italians experience love and loss, violence, and madness, at home and abroad . . . The human couplings in Animal Spirit are fraught and consuming, but the animals set the stage. They are exotic, and erotic. Think about dancing with a seven-foot python wrapped around your body. And don’t forget the skimpy costume.”
—Louisa Ermelino, Publishers Weekly 

"With this collection of radiant short stories set mostly in Rome, Marciano claims a spot beside the best practitioners of the form . . . Marciano’s characters tread gingerly across emotional minefields, “kaleidoscopically vulnerable” amid the piazze and palazzi of the Eternal City. Creatures of all kinds—a beguiling stray pup, Hitchcockian seagulls—guide them toward keener understandings of their own desires."
—O, The Oprah Magazine 
 
"Really satisfying . . . Stories include a hawk and a falcon, a herd of elk, a flock of starlings . . .  Exotic settings, wild animals, Italian details—thank you, Francesca Marciano."
—Marion Winik, Baltimore Public Radio 
 
"[Animal Spirit] surprised me with its power. Each of [Marciano's] stories engage a nuance adiscussion about how outer factors . . . impact relationship[s] . . . Certain common themes give this collection a more cohesive feel than most short story collections can achieve . . . [Marciano] is such a clear-eyed writer, showing with particular skill and compassion what makes her characters tick, and though these stories can ostensibly be said to be “about animals,” they are, in truth, about us—about all of the lovely and terrible things that make us human."
—Ashley Riggleson, Fredericksburg Freelance Star

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