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Love and Freindship

And Other Youthful Writings

Part of Penguin Clothbound Classics

Author Jane Austen
Cover Design or Artwork by Coralie Bickford-Smith
Introduction by Christine Alexander
Edited by Christine Alexander
Notes by Christine Alexander
Hardcover
$25.00 US
Penguin Adult HC/TR | Penguin Classics
5.44"W x 8.06"H x 1.62"D  
On sale Jan 27, 2015 | 512 Pages | 9780140433340
Grades 9-12 + AP/IB
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Austen’s hilarious early stories and sketches—complete with her delightfully quirky spelling habits—now collected in one gorgeous clothbound volume, including Lady Susan, the basis for Whit Stillman's feature film Love and Friendship starring Kate Beckinsale and Chloë Sevigny

Jane Austen’s earliest writing dates from when she was just eleven-years-old, and already shows the hallmarks of her mature work. But it is also a product of the times in which she grew up—dark, grotesque, often surprisingly bawdy, and a far cry from the polished, sparkling novels of manners for which she became famous. Drunken heroines, babies who bite off their mothers’ fingers, and a letter-writer who has murdered her whole family all feature in these highly spirited pieces. This edition includes all of Austen’s juvenilia, including her “History of England” and the novella Lady Susan, in which the anti-heroine schemes and cheats her way through high society. With a title that captures a young Austen’s original idiosyncratic spelling habits and an introduction by Christine Alexander that shows how Austen was self-consciously fashioning herself as a writer from an early age, this is a must-have for any Austen lover.
Though the domain of Jane Austen’s novels was as circumscribed as her life, her caustic wit and keen observation made her the equal of the greatest novelists in any language. Born the seventh child of the rector of Steventon, Hampshire, on December 16, 1775, she was educated mainly at home. At an early age she began writing sketches and satires of popular novels for her family’s entertainment. As a clergyman’s daughter from a well-connected family, she had ample opportunity to study the habits of the middle class, the gentry, and the aristocracy. At 21, she began a novel called “The First Impressions,” an early version of Pride and Prejudice. In 1801, on her father’s retirement, the family moved to the fashionable resort of Bath. Two years later she sold the first version of Northanger Abby to a London publisher, but the first of her novels to appear in print was Sense and Sensibility, published at her own expense in 1811. It was followed by Pride and Prejudice (1813), Mansfield Park (1814), and Emma (1815). After her father died in 1805, the family first moved to Southampton then to Chawton Cottage in Hampshire. Despite this relative retirement, Jane Austen was still in touch with a wider world, mainly through her brothers; one had become a very rich country gentleman, another a London banker, and two were naval officers. Though her many novels were published anonymously, she had many early and devoted readers, among them the Prince Regent and Sir Walter Scott. In 1816, in declining health, Austen wrote Persuasion and revised Northanger Abby. Her last work, Sandition, was left unfinished at her death on July 18, 1817. She was buried in Winchester Cathedral. Austen’s identity as an author was announced to the world posthumously by her brother Henry, who supervised the publication of Northanger Abby and Persuasion in 1818. View titles by Jane Austen
"The kind of thing any casual Austen lover (which should be all of us, if we are human beings who can read) can leave on his or her coffee table. It’s perfect to pick up at any given moment, flip through and enjoy the page before you, thinking all the while about a teenage girl in the British countryside over 200 years ago, who is still making us crack up with her imagination and wit.”
--Flavorwire

"Finely produced...for anyone languishing with a broken heart there is no better tonic than the comedy - and indeed the cathartic violence - of Jane Austen's youthful writings."
--Times Literary Supplement


"Had she written nothing but these early squibs, the author of “Frederic and Elfrida” might be remembered by a few scholars as a kind of eccentric girl genius—the Stevie Smith of 18th-century fiction. Instead, we have the extraordinary pleasure of seeing the greatest novelist in our language goofing off."
--The Washington Free Beacon

About

Austen’s hilarious early stories and sketches—complete with her delightfully quirky spelling habits—now collected in one gorgeous clothbound volume, including Lady Susan, the basis for Whit Stillman's feature film Love and Friendship starring Kate Beckinsale and Chloë Sevigny

Jane Austen’s earliest writing dates from when she was just eleven-years-old, and already shows the hallmarks of her mature work. But it is also a product of the times in which she grew up—dark, grotesque, often surprisingly bawdy, and a far cry from the polished, sparkling novels of manners for which she became famous. Drunken heroines, babies who bite off their mothers’ fingers, and a letter-writer who has murdered her whole family all feature in these highly spirited pieces. This edition includes all of Austen’s juvenilia, including her “History of England” and the novella Lady Susan, in which the anti-heroine schemes and cheats her way through high society. With a title that captures a young Austen’s original idiosyncratic spelling habits and an introduction by Christine Alexander that shows how Austen was self-consciously fashioning herself as a writer from an early age, this is a must-have for any Austen lover.

Author

Though the domain of Jane Austen’s novels was as circumscribed as her life, her caustic wit and keen observation made her the equal of the greatest novelists in any language. Born the seventh child of the rector of Steventon, Hampshire, on December 16, 1775, she was educated mainly at home. At an early age she began writing sketches and satires of popular novels for her family’s entertainment. As a clergyman’s daughter from a well-connected family, she had ample opportunity to study the habits of the middle class, the gentry, and the aristocracy. At 21, she began a novel called “The First Impressions,” an early version of Pride and Prejudice. In 1801, on her father’s retirement, the family moved to the fashionable resort of Bath. Two years later she sold the first version of Northanger Abby to a London publisher, but the first of her novels to appear in print was Sense and Sensibility, published at her own expense in 1811. It was followed by Pride and Prejudice (1813), Mansfield Park (1814), and Emma (1815). After her father died in 1805, the family first moved to Southampton then to Chawton Cottage in Hampshire. Despite this relative retirement, Jane Austen was still in touch with a wider world, mainly through her brothers; one had become a very rich country gentleman, another a London banker, and two were naval officers. Though her many novels were published anonymously, she had many early and devoted readers, among them the Prince Regent and Sir Walter Scott. In 1816, in declining health, Austen wrote Persuasion and revised Northanger Abby. Her last work, Sandition, was left unfinished at her death on July 18, 1817. She was buried in Winchester Cathedral. Austen’s identity as an author was announced to the world posthumously by her brother Henry, who supervised the publication of Northanger Abby and Persuasion in 1818. View titles by Jane Austen

Praise

"The kind of thing any casual Austen lover (which should be all of us, if we are human beings who can read) can leave on his or her coffee table. It’s perfect to pick up at any given moment, flip through and enjoy the page before you, thinking all the while about a teenage girl in the British countryside over 200 years ago, who is still making us crack up with her imagination and wit.”
--Flavorwire

"Finely produced...for anyone languishing with a broken heart there is no better tonic than the comedy - and indeed the cathartic violence - of Jane Austen's youthful writings."
--Times Literary Supplement


"Had she written nothing but these early squibs, the author of “Frederic and Elfrida” might be remembered by a few scholars as a kind of eccentric girl genius—the Stevie Smith of 18th-century fiction. Instead, we have the extraordinary pleasure of seeing the greatest novelist in our language goofing off."
--The Washington Free Beacon

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