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MASTER HAROLD AND THE BOYS

A Play

Part of Vintage International

Author Athol Fugard
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Paperback
$14.00 US
Knopf | Vintage
5.15"W x 8"H x 0.2"D  
On sale Oct 13, 2009 | 64 Pages | 9780307475206
Grades 9-12 + AP/IB
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This play about a young white boy and two African servants is at once a compelling drama of South African apartheid and a universal coming-of-age story. Originally produced in 1982, it is now an acknowledged classic of the stage, whose themes of injustice, racism, friendship, and reconciliation traverse borders and time.

“In ‘Master Harold’ . . . and the boys the author has journeyed so deep into the psychosis of racism that all national boundaries quickly fall away, that no one is left unimplicated by his vision. . . . Mr. Fugard has forced us to face point-blank, our capacity for hate . . . but we’re also left with the exultant hope that we may yet practice compassion without stumbling. . . . The choice, of course, is ours. Mr. Fugard’s wrenching play, which insists that we make it, is beyond beauty.”
–Frank Rich, The New York Times

“An exhilarating play . . . a triumph of playmaking, and unforgettable!” –New York Post

“One of Fugard’s most universal works of theatre. It operates on two levels: as the story of a loving but lacerating relationship between a black man and a white boy; and . . . as a powerful political statement about apartheid.” –Mel Gussow, New Yorker


“The greatest active playwright in the English-speaking world.” –Time
ATHOL FUGARD was born in South Africa in 1932 and is an internationally acclaimed playwright. His best-known plays include Bloodknot (1961); Boesman and Lena (1969); Sizwe Bansi Is Dead (1972); The Island (1973), and My Children! My Africa! (1989). View titles by Athol Fugard

"One of Fugard's most universal works of theatre. It operates on two levels: as the story of a loving but lacerating relationship between a black man and a white boy; and ... as a powerful political statement about apartheid." —Mel Gussow, New Yorker

"The greatest active playwright in the English-speaking world." —Time

"In 'Master Harold' ... and the boys the author has journeyed so deep into the psychosis of racism that all national boundaries quickly fall away, that no one is left unimplicated by his vision.... Mr. Fugard has forced us to face point-blank, our capacity for hate ... but we're also left with the exultant hope that we may yet practice compassion without stumbling.... The choice, of course, is ours.  Mr. Fugard's wrenching play, which insists that we make it, is beyond beauty."—Frank Rich, The New York Times

"An exhilarating play ... a triumph of playmaking, and unforgettable!" —New York Post

About

This play about a young white boy and two African servants is at once a compelling drama of South African apartheid and a universal coming-of-age story. Originally produced in 1982, it is now an acknowledged classic of the stage, whose themes of injustice, racism, friendship, and reconciliation traverse borders and time.

“In ‘Master Harold’ . . . and the boys the author has journeyed so deep into the psychosis of racism that all national boundaries quickly fall away, that no one is left unimplicated by his vision. . . . Mr. Fugard has forced us to face point-blank, our capacity for hate . . . but we’re also left with the exultant hope that we may yet practice compassion without stumbling. . . . The choice, of course, is ours. Mr. Fugard’s wrenching play, which insists that we make it, is beyond beauty.”
–Frank Rich, The New York Times

“An exhilarating play . . . a triumph of playmaking, and unforgettable!” –New York Post

“One of Fugard’s most universal works of theatre. It operates on two levels: as the story of a loving but lacerating relationship between a black man and a white boy; and . . . as a powerful political statement about apartheid.” –Mel Gussow, New Yorker


“The greatest active playwright in the English-speaking world.” –Time

Author

ATHOL FUGARD was born in South Africa in 1932 and is an internationally acclaimed playwright. His best-known plays include Bloodknot (1961); Boesman and Lena (1969); Sizwe Bansi Is Dead (1972); The Island (1973), and My Children! My Africa! (1989). View titles by Athol Fugard

Praise

"One of Fugard's most universal works of theatre. It operates on two levels: as the story of a loving but lacerating relationship between a black man and a white boy; and ... as a powerful political statement about apartheid." —Mel Gussow, New Yorker

"The greatest active playwright in the English-speaking world." —Time

"In 'Master Harold' ... and the boys the author has journeyed so deep into the psychosis of racism that all national boundaries quickly fall away, that no one is left unimplicated by his vision.... Mr. Fugard has forced us to face point-blank, our capacity for hate ... but we're also left with the exultant hope that we may yet practice compassion without stumbling.... The choice, of course, is ours.  Mr. Fugard's wrenching play, which insists that we make it, is beyond beauty."—Frank Rich, The New York Times

"An exhilarating play ... a triumph of playmaking, and unforgettable!" —New York Post

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