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I Am Not Your Negro

A Companion Edition to the Documentary Film Directed by Raoul Peck

Part of Vintage International

Author Velvet Films, Inc., Raoul Peck
Ebook
Knopf | Vintage
0"W x 0"H x 0"D  
On sale Feb 07, 2017 | 160 Pages | 978-0-525-43471-9
| Grades 9-12 + AP/IB
Reading Level: Lexile 1000L
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NATIONAL BESTSELLER • In his final years, one of America’s greatest writers envisioned a book about his three assassinated friends, Medgar Evers, Malcolm X, and Martin Luther King. His deeply personal notes for the project had never been published before acclaimed filmmaker Raoul Peck mined them to compose his Academy Award-nominated documentary.

“Thrilling…. A portrait of one man’s confrontation with a country that, murder by murder, as he once put it, ‘devastated my universe.’” —The New York Times

Peck weaves these texts together, brilliantly imagining the book that Baldwin never wrote with selected published and unpublished passages, essays, letters, notes, and interviews that are every bit as incisive and pertinent now as they have ever been. Peck’s film uses them to jump through time, juxtaposing Baldwin’s private words with his public statements, in a blazing examination of the tragic history of race in America.

This edition contains more than 40 black-and-white images from the film.
Velvet Films, Inc. View titles by Velvet Films, Inc.
RAOUL PECK is a director, screenwriter and producer. Born in Haiti and raised in the Congo, U.S., France and Germany, Peck established Velvet Film in 1989, through which he has produced or co-produced all of his films. His complex body of work includes those such as Lumumba (Director’s Fortnight, Cannes 2000, HBO); Sometimes in April (Competition, Berlinale 2005); and The Young Karl Marx (Berlinale 2017). His latest documentary film, I Am Not Your Negro (2016) was nominated for Best Documentary Feature at the 89th Academy Awards and won the BAFTA Award for Best Documentary. View titles by Raoul Peck
As concerns Malcolm and Martin,
I watched two men, coming from unimaginably different backgrounds,
whose positions, originally, were poles apart,
driven closer and closer together.

By the time each died, their positions had become virtually the same position.
It can be said, indeed, that Martin picked up Malcolm’s burden,
articulated the vision which Malcolm had begun to see,
and for which he paid with his life.
And that Malcolm was one of the people Martin saw on the mountaintop.

Medgar was too young to have seen this happen,though he hoped for it, and would not have been surprised;
but Medgar was murdered first.

I was older than Medgar, Malcolm, and Martin.
I was raised to believe that the eldest was supposed to be a model for the younger,
and was, of course, expected to die first.

Not one of these three lived to be forty.
Copyright © 2017 by The James Baldwin Estate. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
“I Am Not Your Negro is a kaleidoscopic journey through the life and mind of James Baldwin, whose voice speaks even more powerfully today than it did 50 years ago. . . . He was the prose-poet of our injustice and inhumanity. . . . The times have caught up with his scalding eloquence.” —Variety
 
“A searing and topical indictment of racial prejudice and hatred in America that makes for uneasy viewing and is not easily forgotten. . . . Vividly intelligent.” —Hollywood Reporter

“A striking work of storytelling. . . . One of the best movies about the civil rights era ever made. . . . This might be the only movie about race relations that adequately explains—with sympathy—the root causes.” —The Guardian

“Thrilling. . . . A portrait of one man’s confrontation with a country that, murder by murder, as he once put it, ‘devastated my universe.’… One of the best movies you are likely to see this year.” —The New York Times

About

NATIONAL BESTSELLER • In his final years, one of America’s greatest writers envisioned a book about his three assassinated friends, Medgar Evers, Malcolm X, and Martin Luther King. His deeply personal notes for the project had never been published before acclaimed filmmaker Raoul Peck mined them to compose his Academy Award-nominated documentary.

“Thrilling…. A portrait of one man’s confrontation with a country that, murder by murder, as he once put it, ‘devastated my universe.’” —The New York Times

Peck weaves these texts together, brilliantly imagining the book that Baldwin never wrote with selected published and unpublished passages, essays, letters, notes, and interviews that are every bit as incisive and pertinent now as they have ever been. Peck’s film uses them to jump through time, juxtaposing Baldwin’s private words with his public statements, in a blazing examination of the tragic history of race in America.

This edition contains more than 40 black-and-white images from the film.

Author

Velvet Films, Inc. View titles by Velvet Films, Inc.
RAOUL PECK is a director, screenwriter and producer. Born in Haiti and raised in the Congo, U.S., France and Germany, Peck established Velvet Film in 1989, through which he has produced or co-produced all of his films. His complex body of work includes those such as Lumumba (Director’s Fortnight, Cannes 2000, HBO); Sometimes in April (Competition, Berlinale 2005); and The Young Karl Marx (Berlinale 2017). His latest documentary film, I Am Not Your Negro (2016) was nominated for Best Documentary Feature at the 89th Academy Awards and won the BAFTA Award for Best Documentary. View titles by Raoul Peck

Excerpt

As concerns Malcolm and Martin,
I watched two men, coming from unimaginably different backgrounds,
whose positions, originally, were poles apart,
driven closer and closer together.

By the time each died, their positions had become virtually the same position.
It can be said, indeed, that Martin picked up Malcolm’s burden,
articulated the vision which Malcolm had begun to see,
and for which he paid with his life.
And that Malcolm was one of the people Martin saw on the mountaintop.

Medgar was too young to have seen this happen,though he hoped for it, and would not have been surprised;
but Medgar was murdered first.

I was older than Medgar, Malcolm, and Martin.
I was raised to believe that the eldest was supposed to be a model for the younger,
and was, of course, expected to die first.

Not one of these three lived to be forty.
Copyright © 2017 by The James Baldwin Estate. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Praise

“I Am Not Your Negro is a kaleidoscopic journey through the life and mind of James Baldwin, whose voice speaks even more powerfully today than it did 50 years ago. . . . He was the prose-poet of our injustice and inhumanity. . . . The times have caught up with his scalding eloquence.” —Variety
 
“A searing and topical indictment of racial prejudice and hatred in America that makes for uneasy viewing and is not easily forgotten. . . . Vividly intelligent.” —Hollywood Reporter

“A striking work of storytelling. . . . One of the best movies about the civil rights era ever made. . . . This might be the only movie about race relations that adequately explains—with sympathy—the root causes.” —The Guardian

“Thrilling. . . . A portrait of one man’s confrontation with a country that, murder by murder, as he once put it, ‘devastated my universe.’… One of the best movies you are likely to see this year.” —The New York Times

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