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The Voyage Out

Part of Modern Library Torchbearers

Author Virginia Woolf
Introduction by Elisa Gabbert
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Paperback
$15.00 US
Random House Group | Modern Library
5.18"W x 7.98"H x 0.87"D  
On sale Jul 06, 2021 | 416 Pages | 978-0-593-24262-9
| Grades 9-12 + AP/IB
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  • English Language Arts > Genre: Fiction > People & Places by Region > Caribbean & Latin America
  • English Language Arts > Genre: Fiction > People & Places by Region > Europe
  • English Language Arts > Literature: British & Commonwealth > 20th Century
  • About
  • Author
  • Excerpt
A young woman learns about life, and love found and lost, in this thought-provoking debut novel by one of the twentieth century’s most brilliant and prolific writers—with an introduction by Elisa Gabbert, author of The Unreality of Memory
 
“Absolutely unafraid . . . Here at last is a book which attains unity as surely as Wuthering Heights, though by a different path.”—E. M. Forster

London, 1905: Twenty-four-year-old Rachel Vinrace is a free spirited but painfully naïve young woman when she embarks on a sea voyage with her family to South America. Arriving in Santa Marina, a town on the South American coast, Rachel and her aunt Helen are introduced to a group of English expatriates, among them the sensitive Terence Hewet, an aspiring writer who is drawn to Rachel’s unusual and dreamy nature. The two fall in love, unaware of the tragedy that lies ahead. 

With hints of Jane Austen, The Voyage Out is a softer and more traditional novel than Virginia Woolf’s later work, even as its poetic style and innovative technique—with detailed portraits of characters’ inner lives and mesmeric shifts between the quotidian and the profound—reflect Woolf’s signature style.

The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance.
VIRGINIA WOOLF (1882-1941) was born in London. A pioneer in the narrative use of stream of consciousness, she published her first novel, The Voyage Out, in 1915. This was followed by literary criticism and essays, most notably A Room of One’s Own, and other acclaimed novels, including Mrs. Dalloway, To the Lighthouse, and Orlando. View titles by Virginia Woolf
Chapter I

As the streets that lead from the Strand to the Embankment are very narrow, it is better not to walk down them arm-in-arm. If you persist, lawyers' clerks will have to make flying leaps into the mud; young lady typists will have to fidget behind you. In the streets of London where beauty goes unregarded, eccentricity must pay the penalty, and it is better not to be very tall, to wear a long blue cloak, or to beat the air with your left hand.

One afternoon in the beginning of October when the traffic was becoming brisk a tall man strode along the edge of the pavement with a lady on his arm. Angry glances struck upon their backs. The small, agitated figures--for in comparison with this couple most people looked small--decorated with fountain pens, and burdened with despatch-boxes, had appointments to keep, and drew a weekly salary, so that there was some reason for the unfriendly stare which was bestowed upon Mr. Ambrose's height and upon Mrs. Ambrose's cloak. But some enchantment had put both man and woman beyond the reach of malice. In his case one might guess from the moving lips that it was thought; and in hers from the eyes fixed stonily straight in front of her at a level above the eyes of most that it was sorrow. It was only by scorning all she met that she kept herself from tears, and the friction of people brushing past her was evidently painful. After watching the traffic on the Embankment for a minute or two with a stoical gaze she twitched her husband's sleeve, and they crossed between the swift discharge of motor cars. When they were safe on the further side, she gently withdrew her arm from his, allowing her mouth at the same time to relax, to tremble; then tears rolled down, and, leaning her elbows on the balustrade, she shielded her face from the curious. Mr. Ambrose attempted consolation; he patted her shoulder; but she showed no signs of admitting him, and feeling it awkward to stand beside a grief that was greater than his, he crossed his arms behind him, and took a turn along the pavement.

The embankment juts out in angles here and there, like pulpits; instead of preachers, however, small boys occupy them, dangling string, dropping pebbles, or launching wads of paper for a cruise. With their sharp eye for eccentricity, they were inclined to think Mr. Ambrose awful; but the quickest witted cried "Bluebeard!" as he passed. In case they should proceed to tease his wife, Mr. Ambrose flourished his stick at them, upon which they decided that he was grotesque merely, and four instead of one cried "Bluebeard!" in chorus.

Although Mrs. Ambrose stood quite still, much longer than is natural, the little boys let her be. Some one is always looking into the river near Waterloo Bridge; a couple will stand there talking for half an hour on a fine afternoon; most people, walking for pleasure, contemplate for three minutes; when, having compared the occasion with other occasions, or made some sentence, they pass on. Sometimes the flats and churches and hotels of Westminster are like the outlines of Constantinople in a mist; sometimes the river is an opulent purple, sometimes mud-colored, sometimes sparkling blue like the sea. It is always worth while to look down and see what is happening. But this lady looked neither up nor down; the only thing she had seen, since she stood there, was a circular iridescent patch slowly floating past with a straw in the middle of it. The straw and the patch swam again and again behind the tremulous medium of a great welling tear, and the tear rose and fell and dropped into the river. Then there struck close upon her ears--

Lars Porsena of Clusium
By the nine Gods he swore--
and then more faintly, as if the speaker had passed her on his walk--
That the Great House of Tarquin
Should suffer wrong no more.

Yes, she knew she must go back to all that, but at present she must weep. Screening her face she sobbed more steadily than she had yet done, her shoulders rising and falling with great regularity. It was this figure that her husband saw when, having reached the polished Sphinx, having entangled himself with a man selling picture postcards, he turned; the stanza instantly stopped. He came up to her, laid his hand on her shoulder, and said, "Dearest." His voice was supplicating. But she shut her face away from him, as much as to say, "You can't possibly understand."

As he did not leave her, however, she had to wipe her eyes, and to raise them to the level of the factory chimneys on the other bank. She saw also the arches of Waterloo Bridge and the carts moving across them, like the line of animals in a shooting gallery. They were seen blankly, but to see anything was of course to end her weeping and begin to walk.
"I would rather walk," she said, her husband having hailed a cab already occupied by two city men.

The fixity of her mood was broken by the action of walking. The shooting motor cars, more like spiders in the moon than terrestrial objects, the thundering drays, the jingling hansoms, and little black broughams, made her think of the world she lived in. Somewhere up there above the pinnacles where the smoke rose in a pointed hill, her children were now asking for her, and getting a soothing reply. As for the mass of streets, squares, and public buildings which parted them, she only felt at this moment how little London had done to make her love it, although thirty of her forty years had been spent in a street. She knew how to read the people who were passing her; there were the rich who were running to and from each others' houses at this hour; there were the bigoted workers driving in a straight line to their offices; there were the poor who were unhappy and rightly malignant. Already, though there was sunlight in the haze, tattered old men and women were nodding off to sleep upon the seats. When one gave up seeing the beauty that clothed things, this was the skeleton beneath.

A fine rain now made her still more dismal; vans with the odd names of those engaged in odd industries--Sprules, Manufacturer of Saw-dust; Grabb, to whom no piece of waste paper comes amiss--fell flat as a bad joke; bold lovers, sheltered behind one cloak, seemed to her sordid, past their passion; the flower women, a contented company, whose talk is always worth hearing, were sodden hags; the red, yellow, and blue flowers, whose heads were pressed together, would not blaze. Moreover, her husband, walking with a quick rhythmic stride, jerking his free hand occasionally, was either a Viking or a stricken Nelson; the sea-gulls had changed his note.

"Ridley, shall we drive? Shall we drive, Ridley?"
Mrs. Ambrose had to speak sharply; by this time he was far away.
The cab, by trotting steadily along the same road soon withdrew them from the West End, and plunged them into London. It appeared that this was a great manufacturing place, where the people were engaged in making things, as though the West End, with its electric lamps, its vast plate-glass windows all shining yellow, its carefully-finished houses, and tiny live figures trotting on the pavement, or bowled along on wheels in the road, was the finished work. It appeared to her a very small bit of work for such an enormous factory to have made. For some reason it appeared to her as a small golden tassel on the edge of a vast black cloak.

Observing that they passed no other hansom cab, but only vans and waggons, and that not one of the thousand men and women she saw was either a gentleman or a lady, Mrs. Ambrose understood that after all it is the ordinary thing to be poor, and that London is the city of innumerable poor people. Startled by this discovery and seeing herself pacing a circle all the days of her life round Piccadilly Circus she was greatly relieved to pass a building put up by the London County Council for Night Schools.

"Lord, how gloomy it is!" her husband groaned. "Poor creatures!"
What with misery for her children, the poor, and the rain, her mind was like a wound exposed to dry in the air.

At this point the cab stopped, for it was in danger of being crushed like an egg-shell. The wide Embankment which had had room for cannon-balls and squadrons, had now shrunk to a cobbled lane steaming with smells of malt and oil and blocked by waggons. While her husband read the placards pasted on the brick announcing the hours at which certain ships would sail for Scotland, Mrs. Ambrose did her best to find information. From a world exclusively occupied in feeding waggons with sacks, half obliterated too in a fine yellow fog, they got neither help nor attention. It seemed a miracle when an old man approached, guessed their condition, and proposed to row them out to their ship in the little boat which he kept moored at the bottom of a flight of steps. With some hesitation they trusted themselves to his care, took their places, and were soon waving up and down upon the water, London having shrunk to two lines of buildings on either side of them, square buildings and oblong buildings placed in rows like a child's avenue of bricks.
. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

About

A young woman learns about life, and love found and lost, in this thought-provoking debut novel by one of the twentieth century’s most brilliant and prolific writers—with an introduction by Elisa Gabbert, author of The Unreality of Memory
 
“Absolutely unafraid . . . Here at last is a book which attains unity as surely as Wuthering Heights, though by a different path.”—E. M. Forster

London, 1905: Twenty-four-year-old Rachel Vinrace is a free spirited but painfully naïve young woman when she embarks on a sea voyage with her family to South America. Arriving in Santa Marina, a town on the South American coast, Rachel and her aunt Helen are introduced to a group of English expatriates, among them the sensitive Terence Hewet, an aspiring writer who is drawn to Rachel’s unusual and dreamy nature. The two fall in love, unaware of the tragedy that lies ahead. 

With hints of Jane Austen, The Voyage Out is a softer and more traditional novel than Virginia Woolf’s later work, even as its poetic style and innovative technique—with detailed portraits of characters’ inner lives and mesmeric shifts between the quotidian and the profound—reflect Woolf’s signature style.

The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance.

Author

VIRGINIA WOOLF (1882-1941) was born in London. A pioneer in the narrative use of stream of consciousness, she published her first novel, The Voyage Out, in 1915. This was followed by literary criticism and essays, most notably A Room of One’s Own, and other acclaimed novels, including Mrs. Dalloway, To the Lighthouse, and Orlando. View titles by Virginia Woolf

Excerpt

Chapter I

As the streets that lead from the Strand to the Embankment are very narrow, it is better not to walk down them arm-in-arm. If you persist, lawyers' clerks will have to make flying leaps into the mud; young lady typists will have to fidget behind you. In the streets of London where beauty goes unregarded, eccentricity must pay the penalty, and it is better not to be very tall, to wear a long blue cloak, or to beat the air with your left hand.

One afternoon in the beginning of October when the traffic was becoming brisk a tall man strode along the edge of the pavement with a lady on his arm. Angry glances struck upon their backs. The small, agitated figures--for in comparison with this couple most people looked small--decorated with fountain pens, and burdened with despatch-boxes, had appointments to keep, and drew a weekly salary, so that there was some reason for the unfriendly stare which was bestowed upon Mr. Ambrose's height and upon Mrs. Ambrose's cloak. But some enchantment had put both man and woman beyond the reach of malice. In his case one might guess from the moving lips that it was thought; and in hers from the eyes fixed stonily straight in front of her at a level above the eyes of most that it was sorrow. It was only by scorning all she met that she kept herself from tears, and the friction of people brushing past her was evidently painful. After watching the traffic on the Embankment for a minute or two with a stoical gaze she twitched her husband's sleeve, and they crossed between the swift discharge of motor cars. When they were safe on the further side, she gently withdrew her arm from his, allowing her mouth at the same time to relax, to tremble; then tears rolled down, and, leaning her elbows on the balustrade, she shielded her face from the curious. Mr. Ambrose attempted consolation; he patted her shoulder; but she showed no signs of admitting him, and feeling it awkward to stand beside a grief that was greater than his, he crossed his arms behind him, and took a turn along the pavement.

The embankment juts out in angles here and there, like pulpits; instead of preachers, however, small boys occupy them, dangling string, dropping pebbles, or launching wads of paper for a cruise. With their sharp eye for eccentricity, they were inclined to think Mr. Ambrose awful; but the quickest witted cried "Bluebeard!" as he passed. In case they should proceed to tease his wife, Mr. Ambrose flourished his stick at them, upon which they decided that he was grotesque merely, and four instead of one cried "Bluebeard!" in chorus.

Although Mrs. Ambrose stood quite still, much longer than is natural, the little boys let her be. Some one is always looking into the river near Waterloo Bridge; a couple will stand there talking for half an hour on a fine afternoon; most people, walking for pleasure, contemplate for three minutes; when, having compared the occasion with other occasions, or made some sentence, they pass on. Sometimes the flats and churches and hotels of Westminster are like the outlines of Constantinople in a mist; sometimes the river is an opulent purple, sometimes mud-colored, sometimes sparkling blue like the sea. It is always worth while to look down and see what is happening. But this lady looked neither up nor down; the only thing she had seen, since she stood there, was a circular iridescent patch slowly floating past with a straw in the middle of it. The straw and the patch swam again and again behind the tremulous medium of a great welling tear, and the tear rose and fell and dropped into the river. Then there struck close upon her ears--

Lars Porsena of Clusium
By the nine Gods he swore--
and then more faintly, as if the speaker had passed her on his walk--
That the Great House of Tarquin
Should suffer wrong no more.

Yes, she knew she must go back to all that, but at present she must weep. Screening her face she sobbed more steadily than she had yet done, her shoulders rising and falling with great regularity. It was this figure that her husband saw when, having reached the polished Sphinx, having entangled himself with a man selling picture postcards, he turned; the stanza instantly stopped. He came up to her, laid his hand on her shoulder, and said, "Dearest." His voice was supplicating. But she shut her face away from him, as much as to say, "You can't possibly understand."

As he did not leave her, however, she had to wipe her eyes, and to raise them to the level of the factory chimneys on the other bank. She saw also the arches of Waterloo Bridge and the carts moving across them, like the line of animals in a shooting gallery. They were seen blankly, but to see anything was of course to end her weeping and begin to walk.
"I would rather walk," she said, her husband having hailed a cab already occupied by two city men.

The fixity of her mood was broken by the action of walking. The shooting motor cars, more like spiders in the moon than terrestrial objects, the thundering drays, the jingling hansoms, and little black broughams, made her think of the world she lived in. Somewhere up there above the pinnacles where the smoke rose in a pointed hill, her children were now asking for her, and getting a soothing reply. As for the mass of streets, squares, and public buildings which parted them, she only felt at this moment how little London had done to make her love it, although thirty of her forty years had been spent in a street. She knew how to read the people who were passing her; there were the rich who were running to and from each others' houses at this hour; there were the bigoted workers driving in a straight line to their offices; there were the poor who were unhappy and rightly malignant. Already, though there was sunlight in the haze, tattered old men and women were nodding off to sleep upon the seats. When one gave up seeing the beauty that clothed things, this was the skeleton beneath.

A fine rain now made her still more dismal; vans with the odd names of those engaged in odd industries--Sprules, Manufacturer of Saw-dust; Grabb, to whom no piece of waste paper comes amiss--fell flat as a bad joke; bold lovers, sheltered behind one cloak, seemed to her sordid, past their passion; the flower women, a contented company, whose talk is always worth hearing, were sodden hags; the red, yellow, and blue flowers, whose heads were pressed together, would not blaze. Moreover, her husband, walking with a quick rhythmic stride, jerking his free hand occasionally, was either a Viking or a stricken Nelson; the sea-gulls had changed his note.

"Ridley, shall we drive? Shall we drive, Ridley?"
Mrs. Ambrose had to speak sharply; by this time he was far away.
The cab, by trotting steadily along the same road soon withdrew them from the West End, and plunged them into London. It appeared that this was a great manufacturing place, where the people were engaged in making things, as though the West End, with its electric lamps, its vast plate-glass windows all shining yellow, its carefully-finished houses, and tiny live figures trotting on the pavement, or bowled along on wheels in the road, was the finished work. It appeared to her a very small bit of work for such an enormous factory to have made. For some reason it appeared to her as a small golden tassel on the edge of a vast black cloak.

Observing that they passed no other hansom cab, but only vans and waggons, and that not one of the thousand men and women she saw was either a gentleman or a lady, Mrs. Ambrose understood that after all it is the ordinary thing to be poor, and that London is the city of innumerable poor people. Startled by this discovery and seeing herself pacing a circle all the days of her life round Piccadilly Circus she was greatly relieved to pass a building put up by the London County Council for Night Schools.

"Lord, how gloomy it is!" her husband groaned. "Poor creatures!"
What with misery for her children, the poor, and the rain, her mind was like a wound exposed to dry in the air.

At this point the cab stopped, for it was in danger of being crushed like an egg-shell. The wide Embankment which had had room for cannon-balls and squadrons, had now shrunk to a cobbled lane steaming with smells of malt and oil and blocked by waggons. While her husband read the placards pasted on the brick announcing the hours at which certain ships would sail for Scotland, Mrs. Ambrose did her best to find information. From a world exclusively occupied in feeding waggons with sacks, half obliterated too in a fine yellow fog, they got neither help nor attention. It seemed a miracle when an old man approached, guessed their condition, and proposed to row them out to their ship in the little boat which he kept moored at the bottom of a flight of steps. With some hesitation they trusted themselves to his care, took their places, and were soon waving up and down upon the water, London having shrunk to two lines of buildings on either side of them, square buildings and oblong buildings placed in rows like a child's avenue of bricks.
. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

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    $15.00 US
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  • The Voyage Out
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    $15.00 US
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    The Adventures of Huckleberry Finn
    Mark Twain
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    Apr 06, 2010
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    The Canterbury Tales
    Geoffrey Chaucer
    $17.00 US
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    The Mystery of Edwin Drood
    Charles Dickens
    $12.00 US
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    A Novel
    H. G. Adler
    $17.00 US
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    William Shakespeare
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    Romeo and Juliet
    William Shakespeare
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    William Shakespeare
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    Les Misérables
    Victor Hugo
    $20.00 US
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    The Belly of Paris
    Emile Zola
    $16.00 US
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    May 12, 2009
  • Antony and Cleopatra
    Antony and Cleopatra
    William Shakespeare
    $8.00 US
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    The Winter's Tale
    William Shakespeare
    $8.00 US
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    Apr 14, 2009
  • The Sonnets and Other Poems
    The Sonnets and Other Poems
    William Shakespeare
    $10.00 US
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    Apr 14, 2009
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    Jane Eyre
    Charlotte Bronte
    $9.00 US
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  • The Travels of Marco Polo
    The Travels of Marco Polo
    Introduction by Colin Thubron
    Marco Polo
    $32.00 US
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    Oct 21, 2008
  • The Essential Writings of James Weldon Johnson
    The Essential Writings of James Weldon Johnson
    James Weldon Johnson
    $16.00 US
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    Oct 21, 2008
  • Paradise Lost
    Paradise Lost
    John Milton
    $12.00 US
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    Sep 09, 2008
  • Hamlet
    Hamlet
    William Shakespeare
    $10.00 US
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  • The Tempest
    The Tempest
    William Shakespeare
    $9.00 US
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    Aug 12, 2008
  • A Midsummer Night's Dream
    A Midsummer Night's Dream
    William Shakespeare
    $8.00 US
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    Aug 12, 2008
  • Richard III
    Richard III
    William Shakespeare
    $8.00 US
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    Aug 12, 2008
  • Love's Labour's Lost
    Love's Labour's Lost
    William Shakespeare
    $9.00 US
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    Aug 12, 2008
  • Georges
    Georges
    Alexandre Dumas
    $18.00 US
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    Jun 10, 2008
  • The Prince
    The Prince
    Niccolo Machiavelli
    $14.00 US
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    Feb 05, 2008
  • Siddhartha
    Siddhartha
    Hermann Hesse
    $15.00 US
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    Dec 04, 2007
  • The Essential Feminist Reader
    The Essential Feminist Reader
    $20.00 US
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    Sep 18, 2007
  • Emma
    Emma
    Jane Austen
    $10.00 US
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    Sep 04, 2007
  • Life on the Mississippi
    Life on the Mississippi
    Mark Twain
    $13.00 US
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    May 29, 2007
  • The Essential Writings of Machiavelli
    The Essential Writings of Machiavelli
    Niccolo Machiavelli
    $20.00 US
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    Apr 03, 2007
  • The Dhammapada
    The Dhammapada
    Verses on the Way
    Glenn Wallis, Buddha
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  • The Memoirs of Catherine the Great
    The Memoirs of Catherine the Great
    Catherine the Great
    $16.00 US
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    The Murders in the Rue Morgue
    Edgar Allan Poe
    $13.00 US
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    May 23, 2006
  • The Gilded Age
    The Gilded Age
    Mark Twain, Charles Dudley Warner
    $16.00 US
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    Mar 14, 2006
  • The Lives of the Most Excellent Painters, Sculptors, and Architects
    The Lives of the Most Excellent Painters, Sculptors, and Architects
    Giorgio Vasari
    $19.00 US
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    Feb 14, 2006
  • The American Transcendentalists
    The American Transcendentalists
    Essential Writings
    Ralph Waldo Emerson, Nathaniel Hawthorne, Henry David Thoreau, Margaret Fuller
    $20.00 US
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    Jan 10, 2006
  • The Constitutional Convention
    The Constitutional Convention
    A Narrative History from the Notes of James Madison
    James Madison, Edward J. Larson, Michael P. Winship
    $19.00 US
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    Nov 08, 2005
  • Candide
    Candide
    or, Optimism
    Voltaire
    $13.00 US
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    Oct 11, 2005
  • The Sport of the Gods
    The Sport of the Gods
    and Other Essential Writings
    Paul Laurence Dunbar
    $23.00 US
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    Aug 09, 2005
  • The Kill
    The Kill
    Emile Zola
    $18.00 US
    Paperback
    Jul 12, 2005
  • The Wrong Side of Paris
    The Wrong Side of Paris
    Honoré de Balzac
    $17.00 US
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    Apr 12, 2005
  • The Sorrows of Young Werther
    The Sorrows of Young Werther
    Johann Wolfgang von Goethe
    $10.95 US
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    Feb 08, 2005
  • Essential Stories
    Essential Stories
    V. S. Pritchett
    $18.00 US
    Paperback
    Jan 04, 2005
  • I Promise to Be Good
    I Promise to Be Good
    The Letters of Arthur Rimbaud
    Arthur Rimbaud
    $19.00 US
    Paperback
    Nov 09, 2004
  • Peter Pan
    Peter Pan
    J.M. Barrie, F.D. Bedford
    $10.95 US
    Paperback
    Oct 12, 2004
  • The Haunted House
    The Haunted House
    Charles Dickens
    $14.00 US
    Paperback
    Oct 12, 2004
  • The Life and Opinions of Tristram Shandy, Gentleman
    The Life and Opinions of Tristram Shandy, Gentleman
    Laurence Sterne
    $19.00 US
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    Sep 21, 2004
  • The Knight of Maison-Rouge
    The Knight of Maison-Rouge
    A Novel of Marie Antoinette
    Alexandre Dumas
    $16.00 US
    Paperback
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  • Jefferson Davis: The Essential Writings
    Jefferson Davis: The Essential Writings
    Jefferson Davis
    $18.00 US
    Paperback
    Aug 10, 2004
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    An Anthology of Literary Espionage
    Anthony Burgess, John Steinbeck, Rebecca West, John le Carré
    $18.00 US
    Paperback
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    And Other Plays
    Oscar Wilde
    $12.00 US
    Paperback
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  • The Interesting Narrative of the Life of Olaudah Equiano
    The Interesting Narrative of the Life of Olaudah Equiano
    or, Gustavus Vassa, the African
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    Paperback
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    $15.00 US
    Paperback
    May 11, 2004
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    $18.00 US
    Paperback
    Apr 13, 2004
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    Wuthering Heights
    Emily Bronte
    $8.00 US
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    Dec 07, 2021
  • The Southern Woman
    The Southern Woman
    Selected Fiction
    Elizabeth Spencer
    $18.00 US
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    May 11, 2021
  • The Squatter and the Don
    The Squatter and the Don
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    $17.00 US
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    Mar 02, 2021
  • Leaves of Grass
    Leaves of Grass
    Walt Whitman
    $14.00 US
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    May 28, 2019
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    The Mysterious Affair at Styles
    The First Hercule Poirot Mystery
    Agatha Christie
    $10.00 US
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    Apr 30, 2019
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    The War of the Worlds
    H. G. Wells
    $9.00 US
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    Nov 06, 2018
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    Letters on Loss, Grief, and Transformation
    Rainer Maria Rilke
    $22.00 US
    Hardcover
    Aug 14, 2018
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    The Greek Plays
    Sixteen Plays by Aeschylus, Sophocles, and Euripides
    Aeschylus, Sophocles, Euripides
    $25.00 US
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    Sep 05, 2017
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    The Mayor of Casterbridge
    Thomas Hardy
    $11.00 US
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    Anne of Green Gables
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    $19.99 US
    Hardcover
    Nov 25, 2014
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    The Scarlet Letter
    A Romance
    Nathaniel Hawthorne
    $8.00 US
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    Aug 26, 2014
  • The Metamorphosis
    The Metamorphosis
    Franz Kafka
    $16.00 US
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    Nov 26, 2013
  • Madame Bovary
    Madame Bovary
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    $15.00 US
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  • The Essential Writings of Rousseau
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    $20.00 US
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    Mar 26, 2013
  • The Essential Prose of John Milton
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    John Milton
    $18.00 US
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    Mar 12, 2013
  • Paradise Regained, Samson Agonistes, and the Complete Shorter Poems
    Paradise Regained, Samson Agonistes, and the Complete Shorter Poems
    John Milton
    $18.00 US
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    Dec 04, 2012
  • King John & Henry VIII
    King John & Henry VIII
    William Shakespeare
    $12.00 US
    Paperback
    Apr 10, 2012
  • Henry VI
    Henry VI
    Parts I, II, and III
    William Shakespeare
    $14.00 US
    Paperback
    Apr 10, 2012
  • Pericles
    Pericles
    William Shakespeare
    $9.00 US
    Paperback
    Apr 10, 2012
  • The Adventures of Amir Hamza
    The Adventures of Amir Hamza
    Special abridged edition
    Ghalib Lakhnavi, Abdullah Bilgrami
    $18.00 US
    Paperback
    Feb 14, 2012
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    Introduction by Jean-Marc Hovasse
    Victor Hugo
    $26.00 US
    Hardcover
    Feb 07, 2012
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    A Novel
    H. G. Adler
    $17.00 US
    Paperback
    Jan 10, 2012
  • Titus Andronicus & Timon of Athens
    Titus Andronicus & Timon of Athens
    William Shakespeare
    $10.00 US
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    Sep 13, 2011
  • All's Well That Ends Well
    All's Well That Ends Well
    William Shakespeare
    $8.00 US
    Paperback
    Sep 13, 2011
  • The Two Gentlemen of Verona
    The Two Gentlemen of Verona
    William Shakespeare
    $8.00 US
    Paperback
    Sep 13, 2011
  • Cymbeline
    Cymbeline
    William Shakespeare
    $8.00 US
    Paperback
    Sep 13, 2011
  • The Merry Wives of Windsor
    The Merry Wives of Windsor
    William Shakespeare
    $9.00 US
    Paperback
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  • The Comedy of Errors
    The Comedy of Errors
    William Shakespeare
    $8.00 US
    Paperback
    Jun 14, 2011
  • Coriolanus
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    William Shakespeare
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  • Julius Caesar
    Julius Caesar
    William Shakespeare
    $8.00 US
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    Jun 14, 2011
  • Measure for Measure
    Measure for Measure
    William Shakespeare
    $9.00 US
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    Sep 14, 2010
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    The Taming of the Shrew
    William Shakespeare
    $9.00 US
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    Sep 14, 2010
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    William Shakespeare
    $8.00 US
    Paperback
    Sep 14, 2010
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    Troilus and Cressida
    William Shakespeare
    $8.00 US
    Paperback
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    The Essential Writings
    $20.00 US
    Paperback
    Aug 10, 2010
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    The Merchant of Venice
    William Shakespeare
    $9.00 US
    Paperback
    May 04, 2010
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    A Novel
    Mark Twain
    $9.00 US
    Paperback
    Apr 06, 2010
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    Mark Twain
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    Paperback
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    The Canterbury Tales
    Geoffrey Chaucer
    $17.00 US
    Paperback
    Nov 10, 2009
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    The Mystery of Edwin Drood
    Charles Dickens
    $12.00 US
    Paperback
    Oct 06, 2009
  • The Journey
    The Journey
    A Novel
    H. G. Adler
    $17.00 US
    Paperback
    Sep 08, 2009
  • Othello
    Othello
    William Shakespeare
    $10.00 US
    Paperback
    Aug 25, 2009
  • Romeo and Juliet
    Romeo and Juliet
    William Shakespeare
    $8.00 US
    Paperback
    Aug 25, 2009
  • Henry IV, Part 1
    Henry IV, Part 1
    William Shakespeare
    $8.00 US
    Paperback
    Aug 25, 2009
  • Henry IV, Part 2
    Henry IV, Part 2
    William Shakespeare
    $8.00 US
    Paperback
    Aug 25, 2009
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    $8.00 US
    Paperback
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    The Sonnets and Other Poems
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    Paperback
    Apr 14, 2009
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    $9.00 US
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    Apr 07, 2009
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    Hardcover
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    Paperback
    Oct 21, 2008
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    John Milton
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    Paperback
    Sep 09, 2008
  • Hamlet
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    William Shakespeare
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    Aug 12, 2008
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    William Shakespeare
    $9.00 US
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  • A Midsummer Night's Dream
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    Paperback
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    Paperback
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