On the eve of his wedding, a young sailor named Edmond Dantès is wrongly accused of treason and imprisoned for life in the Château d’If, a reputedly impregnable island fortress. After a daring escape, Dantès unearths a treasure revealed to him by another prisoner and devotes the rest of his life to tracking down and punishing the enemies who wronged him, in disguise as the mysterious Count of Monte Cristo. Set against the dramatic upheavals of the years after Napoleon, Alexandre Dumas’s epic tale of betrayal and revenge is one of the most thrilling and enduringly popular adventure novels ever written.

“Dumas was . . . a summit of art. Nobody ever could, or did, or will improve upon Dumas’s romances and plays.” —George Bernard Shaw 
Alexandre Dumas (1802–1870) lived a life as romantic as that depicted in his famous novels. He was born in Villers-Cotterêts, France. His early education was scanty, but his beautiful handwriting secured him a position in Paris in 1822 with the du’Orléans, where he read voraciously and began to write. His first play, Henri III et sa cour (1829), scored a resounding success for its author and the romantic movement. His lavish spending and flamboyant habits led to the construction of his fabulous Château de Monte-Cristo, and in 1851 he fled to Belgium to escape creditors. Dumas’s overall literary output reached more than 277 volumes, but his brilliant historical novels made him the most universally read of all French novelists. With collaborators, mainly Auguste Maquet, Dumas wrote such works as The Three Musketeers (1843–1844); its sequels, Twenty Years After (1845) and the great mystery The Man in the Iron Mask (1845–1850); and The Count of Monte Cristo (1844). His work ignored historical accuracy, psychology, and analysis, but its thrilling adventure and exuberant inventiveness continued to delight readers, and Dumas remains one of the prodigies of nineteenth-century French literature. View titles by Alexandre Dumas
"Dumas was . . . a summit of art. Nobody ever could, or did, or will improve upon Dumas's romances and plays."—George Bernard Shaw

About

On the eve of his wedding, a young sailor named Edmond Dantès is wrongly accused of treason and imprisoned for life in the Château d’If, a reputedly impregnable island fortress. After a daring escape, Dantès unearths a treasure revealed to him by another prisoner and devotes the rest of his life to tracking down and punishing the enemies who wronged him, in disguise as the mysterious Count of Monte Cristo. Set against the dramatic upheavals of the years after Napoleon, Alexandre Dumas’s epic tale of betrayal and revenge is one of the most thrilling and enduringly popular adventure novels ever written.

“Dumas was . . . a summit of art. Nobody ever could, or did, or will improve upon Dumas’s romances and plays.” —George Bernard Shaw 

Author

Alexandre Dumas (1802–1870) lived a life as romantic as that depicted in his famous novels. He was born in Villers-Cotterêts, France. His early education was scanty, but his beautiful handwriting secured him a position in Paris in 1822 with the du’Orléans, where he read voraciously and began to write. His first play, Henri III et sa cour (1829), scored a resounding success for its author and the romantic movement. His lavish spending and flamboyant habits led to the construction of his fabulous Château de Monte-Cristo, and in 1851 he fled to Belgium to escape creditors. Dumas’s overall literary output reached more than 277 volumes, but his brilliant historical novels made him the most universally read of all French novelists. With collaborators, mainly Auguste Maquet, Dumas wrote such works as The Three Musketeers (1843–1844); its sequels, Twenty Years After (1845) and the great mystery The Man in the Iron Mask (1845–1850); and The Count of Monte Cristo (1844). His work ignored historical accuracy, psychology, and analysis, but its thrilling adventure and exuberant inventiveness continued to delight readers, and Dumas remains one of the prodigies of nineteenth-century French literature. View titles by Alexandre Dumas

Praise

"Dumas was . . . a summit of art. Nobody ever could, or did, or will improve upon Dumas's romances and plays."—George Bernard Shaw

PRH Education High School Collections

All reading communities should contain protected time for the sake of reading. Independent reading practices emphasize the process of making meaning through reading, not an end product. The school culture (teachers, administration, etc.) should affirm this daily practice time as inherently important instructional time for all readers. (NCTE, 2019)   The Penguin Random House High

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PRH Education Translanguaging Collections

Translanguaging is a communicative practice of bilinguals and multilinguals, that is, it is a practice whereby bilinguals and multilinguals use their entire linguistic repertoire to communicate and make meaning (García, 2009; García, Ibarra Johnson, & Seltzer, 2017)   It is through that lens that we have partnered with teacher educators and bilingual education experts, Drs.

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PRH Education Classroom Libraries

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